Su Shi had many spring dreams in his life. According to his own "Dongpo Zhi Lin", the earliest spring dream happened at the age of twenty-one, and the male adolescence in the Song Dynasty was obviously a little late.
But for Su Shi, the time of this spring dream is unusual-at this time, Su Shi is on his way out to catch the exam, and the exact location is next to the ruins of Huaqing Palace: at the beginning of his life, he had to be promoted from Shu to the capital, passing through Huaqing Palace, and dreamed that the imperial decree of the Ming Dynasty endowed "Princess Taizhen with nepotism", so he could remember it. This book is dedicated to Pan Dalin, an old man in Heshan. He said, "A hundred folds of water wrinkle one piece, and six baht makes the clouds pale. There is a wind and a sound. " October 7th, five years of Yuanfeng.
In this spring dream, there is a man and a woman. Su Shi wrote a passage about the nepotism of women. Obviously, this is a good dream. When Su Shi had another sexual dream, he was already an official in Hangzhou. In this spring dream, there is also a man and a woman, and Su Shi also wrote a paragraph. However, the identity of a man has not changed, but the identity of a woman has become more accurate-a woman is a girl in red in the palace and lives in real life. Moreover, the writing place has changed, not on a woman's skirt, but on a red boot.
Dongpo Zhi Lin is such a "self-report": Su Shi was working in Hangzhou and dreamed that he was called into the Forbidden City by Song Shenzong. A girl in red brought him a red boot and asked him to write an inscription on it. "When I entered the imperial palace, I sighed at the top so that the ladies-in-waiting could send it out. There is a six-character poem in nepotism, which says,' A hundred twists and turns. The wind filled the building and the hall stood up, and there was a faint voice of the challenge. " "
However, the location of Su Shi's spring dream was also recorded as Su Shi's in Huangzhou. Although the location has changed, people and things are still the same. The most important thing is that there are emperors, literati and beautiful women, and a wonderful thing was born between them.
-these things in the dream should be true in the song dynasty. In the notes of the Song Dynasty, Song Shenzong, the son of heaven, frequently had nepotism with women inscribed by literati. Wang Mingqing's Yu Lu in the Southern Song Dynasty recorded an anecdote: Shen Liao, who was good at calligraphy, wrote an inscription in ink on a sea god at the request of people. As a result, the Neptune was turned around and bought into the palace, and was actually tied to his body by his favorite concubine. Song Shenzong, who ascended the throne for the first time, was very unhappy after seeing it. He defined it as "a scholar-bureaucrat ..... who advocated excellent books and made lewd remarks on nepotism", which led to Shen Liao's final demotion for the people.
In Records of Qian's Furniture, there is a legend with a completely opposite mood: On the Mid-Autumn Festival night, Wang Jue, then a bachelor of Hanlin, was called into the Forbidden City to "give wine" alone, and "three drums leaked at night, so that the left and right ladies-in-waiting took scarves, petticoats or round fans and handkerchiefs to write poems", and Wang Jue wrote.
One of the fashions that women in Song Dynasty were keen on was to find opportunities to invite celebrities to write poems on dresses such as nepotism and silk scarves. Moreover, the word "poem" is best created by celebrities on the spot, and it is a special work that eulogizes the beauty and charm of the owner of clothes. Literati should be attentive to strange women by invitation or initiative. As long as the meaning is elegant and does not involve blasphemy, it is not a hooligan. This trend was also introduced into the palace as described in Notes. Su Shi's two spring dreams must be placed in this extremely special elegance.
Su Shi's two spring dreams, the former is clear and the latter is hazy-Su Shi, a fledgling, is confident and conceited. In the latter spring dream, Yang Guifei's nepotism carved in ink when Su Shi successfully "crossed" actually crossed time and space again through invisible forces and appeared on the ladies around Zongshen. After noticing this nepotism, Zong Shen specially summoned Su Shi to test his talent by wearing shoes. Finally, the nepotistic maid-in-waiting sent Su Shi down to the temple to make him understand the intention of the sacred heart. This so-called "dream" is probably a euphemistic metaphor, expressed by Su Shi himself, or a "spring dream" of the collective achievements of literati in the Song Dynasty.
The "spring dream" in modern science is directly related to the actual sexual psychology of human beings, or it may have nothing to do with sex, but a psychological reaction in interpersonal communication, which shows people's subconscious desires. Represents the dream of youth, or nostalgia for lost time. In this heterosexual dream, Su Shi's real "dreamer" is actually a person, a supreme person-the son of heaven. The emperor is the owner of power.
The emperor of the Song Dynasty liked to flirt with literati, and sometimes he despised loveless talents. In fact, the Emperor of the Song Dynasty attached great importance to cultural construction and the eternal power of culture. Hui Zong, even if it is a national subjugation, should also run a good painting academy. A dynasty spent 300 years under the oppression of foreigners, and no nation pursued Wenchang more than Da Song. Su Shi's life was deeply hurt by political struggle. However, what he left to future generations were just two spring dreams-this is the cultural "soft power" of the literati in the Song Dynasty.
Su Shi, a great writer, also has this hobby. As long as everyone has worldly desires, there is no escape from the confusion of love.