1 First of all, we should focus on the shelf structure of Chunzi, and don't deal with the stroke details of the characters too much. At the same time, some strokes need to deal with the details of the characters.
The font structure of running script is similar to that of regular script, but some strokes are slightly changed. At the same time, due to technological reasons, there will be some Lian Bi and tie wires, and Lian Bi and tie wires are also very important. Spring characters belong to the upper and lower structure, and the principle of upper width and lower width should be implemented when writing.
2. After understanding and learning glyphs, begin to practice pen control, such as the change of stroke thickness.
Practicing pen control can practice regular script, and then look at how to write thickness changes on copybooks, which is basically enough.
Taking the spring character as an example, we must change the thickness of the three horizontal lines, and the horizontal and vertical lines of the Japanese character are also different, so as to reflect the aesthetic feeling of calligraphy.
3. It is particularly important to improve one's aesthetics when one has time to learn the bookshelf structure and pen control. Your aesthetics determine your upper limit.
Calligraphy to the end is actually a concrete embodiment of the writer's aesthetics. Only when the aesthetic level reaches a certain level can the written words have unique charm and style.
At the beginning of study, it is suggested to read and copy more famous copybooks, such as Wang Xizhi and Zhao Mengfu, to improve their aesthetic level and calligraphy level.