Banqiao style Banqiao style refers to Zheng Banqiao's calligraphy. He used official script and regular script, which is neither official nor regular script. It is neither ancient nor modern. It is commonly known as "Banqiao style". The individual fonts in his works may seem crooked, but the overall feeling is well-proportioned and unique. Some people say, "This kind of work cannot be without one or two." At the same time, the term "Banqiao style" also appeared as an essay question in the Shanghai paper of the 2009 China College Entrance Examination.
Known as one of the "Eight Eccentrics of Yangzhou", the Qing Dynasty calligrapher and painter Zheng Xie, also known as Banqiao, is unique in his calligraphy art in the history of Chinese calligraphy and painting.
Zheng Banqiao's calligraphy calls himself "Six and a Half Calligraphy". He uses orchid grass painting method to write, which is extremely free and natural. He uses seal script, official script, cursive script, and regular script to create endless changes. This running calligraphy painting of "Two Rests of Yanglindong Ferry" embodies the unique formal beauty of Zheng Banqiao's calligraphy art. The three characters "Peach Blossom Bank" are particularly bright and moving. Zheng Banqiao's new calligraphy style created a precedent in the history of calligraphy.
Zheng Xie was good at both poetry, calligraphy and painting, and was known as the Three Great Masters at the time. His calligraphy has a unique style, known as "Banqiao style", and he himself jokingly calls it "six-and-a-half-point calligraphy". He also explained: "Banqiao neither has the strength of Fu Weng, nor the smoothness of pine and snow. It is just a strange thing. It is a method of combining true and official scripts, and mixed them with running cursive." Judging from the calligraphy works he created , the so-called "method of combining true official script with official script" is actually to incorporate official script into regular script, and at the same time use the writing style of running cursive script to write. As for which "six points", which "half points", and the rest " Wherever "three and a half" is, it cannot be understood rigidly.
In fact, Zheng Xie's calligraphy is not only written in cursive style by combining "zhenli" with cursive writing. His calligraphy also incorporates the brushwork of painting orchid and bamboo. Jiang Shiquan once wrote a poem: " Banqiao's calligraphy is like writing on orchids, with the waves and ancient shapes fluttering; Banqiao's writing on orchids is like writing on orchids, with beautiful leaves and sparse flowers showing unique style, and calligraphy and painting are not praised by ordinary people. Laughing at all the Banqiao monsters." ("Zhongyatang Poetry Collection") The famous modern painter Fu Baoshi also said that Zheng Xie's calligraphy "is a combination of the four calligraphy styles of Zhen, Cao, Li and Zhuan, with Zhen and Li as the main calligraphy styles. It is a new calligraphy style, and it is written using the method of painting." ("An Essay on Zheng Banqiao")
It can be seen that Zheng Banqiao was determined to betray tradition and boldly innovate on his own in calligraphy. This kind of innovation is mainly reflected in two breakthroughs. First, it breaks the boundaries of various calligraphy styles such as seal script, official script, Zheng script, Xing script, and cursive script, and arranges the stipples and structures of the text at will, mainly in regular script and official script. ; The second is to break the boundaries of calligraphy and painting and integrate the method of painting bamboo and orchid into calligraphy. He once said that when he writes calligraphy, he "often uses the paintings of Shen Shitian, Xu Wenchang, and Gao Qipei as his brushwork." ("Ink Bamboo Pictures Inscribed by Zheng Banqiao") Looking at his calligraphy, his stipples may be thick or thin, thick or light. , long or short, sparse or dense, straight or oblique, all are natural and slightly exaggerated. It forms a characteristic of taking shape and adapting to the situation. On the whole, the fonts are mostly in a flat square shape with lower left and higher right. Due to this characteristic of knotting characters, his calligraphy has rows but no columns, and the characters and characters and rows form a kind of "strange stone street" that is sparse and dense, with harmony and harmony. state.
On the surface, this innovation in Zheng Banqiao's calligraphy is a mishmash, but in fact it is based on his deep understanding of traditional calligraphy. He has conducted in-depth research on the calligraphy of the "Two Kings", Yan Zhenqing, Su Dongpo, Huang Tingjian and others, as well as seal script and Wei stele. However, his study of ancient calligraphy was based on the spirit and appearance, and never sought resemblance in form. He said: "Huanggugu said: 'The world only learns Lanting noodles, and there is no golden elixir for ordinary bones.' It can be seen that bones are not enough to learn ordinary noodles. Moreover, Lanting noodles have been lost for a long time! Banqiao Taoist people use Zhonglang ( The style of Cai Yong, written by Yun Taifu (Zhong Yao), is the calligraphy of Youjun (Wang Xizhi), but it is really his own intention, and there is no such thing as Cai, Zhong, and Wang. How can the calligraphy of the ancients have the extraordinary appearance? It's wonderful, but the stone carvings and wood carvings are constantly changing, and the legacy is gone.
"("Preface to Lin Lanting") His unique insights into calligraphy, coupled with his high attainments in poetry and painting, and his many vicissitudes in life, combined his broad-mindedness of thought with his natural humor. With the tip of the pen, this kind of "strange but not strange" calligraphy characteristics naturally formed.
Zheng Banqiao's calligraphy creations were mostly handed down to later generations in the form of poems on paintings. Such works were expressed in poems and calligraphy. The form of combining calligraphy and painting appears, and the art of calligraphy is integrated with poetry and painting, showing its unique beauty. He also has some judgments that he wrote without intending to write when he was an official, but they also have a unique calligraphy interest. Some of the calligraphy works he created used many different characters and self-made characters. Although the composition and layout were deliberately managed, they were somewhat scattered. However, on the whole, Zheng Xieshi was a genius and genius in the Qing Dynasty and even in the entire history of calligraphy. A genius. His "Banqiao style" is a shining pearl in the history of calligraphy
Banqiao style
It is said that when he was young, Zheng Banqiao devoted himself to copying famous calligraphers of the past. His works were so fake that they looked real. However, this did not make him famous, and he was still not noticed by the world. Once, he woke up from a dream and started writing on his thigh with his fingers. Then he wrote about his wife. The wife was awakened and asked dissatisfiedly: "You have your body (body), and I have mine, why don't you practice on your own body?" "The speaker has no intention, but the listener has intention. Zheng Banqiao got unexpected inspiration from his wife's words. From then on, he tried his best to find new ways and integrate them. On the basis of absorbing the strengths of major calligraphers, he worked hard to create his own style and created a unique style. The "six-and-a-half-point calligraphy" appreciated by both refined and popular people is often called "Banqiao style". Only then did he become famous and began to be hailed as a great calligrapher.
Banqiao style. Qiao Style - Appreciation
Banqiao Style
People often say that Zheng Banqiao's poetry, calligraphy and painting are the most outstanding. His paintings are more outstanding than poetry, and his calligraphy is more outstanding than painting. His calligraphy is known as "six-and-a-half-point calligraphy". He combined the four styles of regular script, official script, running script and cursive script, and added the brushwork of painting bamboo and orchid, creating an unprecedented new calligraphy style. In particular, his handwriting is elegant, simple and majestic. It is steep and majestic, large and small, leaning against each other, sparse and dense, forming a square garden. The arrangement is seamless and very harmonious. At a glance, it looks like the stones paved on the path in the park. Therefore, some people compare Zheng Banqiao's calligraphy to it. "Street Paved with Stones".
When admiring Zheng Banqiao's calligraphy, he often feels that what he is looking at is not the words, but the person standing in front of him. There is a deeper understanding here.
Rebellion is the soul of Banqiao's calligraphy. Although Zheng Banqiao came from a scholarly family, he lost his father and his wife when he was young, and spent a long time in poverty. He worked as a county magistrate in Shandong for twelve years until he was forty-four years old. After he was sixty years old, he made a living by selling paintings. He sympathized with the masses, hated the rich, was dissatisfied with power, and had a clear distinction between love and hate. His works have had a very significant impact. In literature, he advocated "not to write slave articles" and tried his best to oppose "copying the remnants of the ancients"; in painting, he compared the character of orchid and bamboo with the author's character. Orchid, bamboo, and stone represent the spiritual qualities of tenacity, perseverance, integrity, and humility; his calligraphy also holds high the banner of rebellion against "guange style" and "orthodoxy" and does not fall into the mold. Unique.
Talent is the charm of Banqiao style. Zheng Banqiao was diligent and studious since he was a child. He was well-read and his calligraphy was rooted in tradition and absorbed hundreds of schools of thought. The essence of it. He wrote in the poem "Revelation to His Brother in Summer": "The characters are from the Han and Wei Dynasties, Cui Cai Zhongyao; the ancient tablets are broken, and I deliberately searched for them." Huang Tingjian's slender figure, tall spear and eucalyptus are all admired, so he is not just "wild fox Zen" in every word.
The reason is the cuteness of the Banqiao style. place.
I think Zheng Banqiao's calligraphy has four peculiarities: the integration of Zheng, Cao, Li and Xing into one furnace, which is hard yet soft, fresh and unique. This peculiarity is unique; the brushwork of painting orchid and bamboo is integrated into calligraphy, "Banqiao's calligraphy is like writing "Orchid", these two strange things are: I like to use ancient characters and make these ancient characters changeable, these three strange things; In a picture of characters, I support the old and the young, they are intricately interspersed, and they are novel and unique, these are the four strange things. From these strange things, Zheng Banqiao's extraordinary originality is fully demonstrated.
It must also be pointed out that the Banqiao style is a product of the times. It is the product of an outstanding group of "Eight Eccentrics of Yangzhou" who interact, learn from each other, think about each other, and promote each other. Zheng Banqiao, Li Futang, and Jin Dongxin are My friend, the "lacquer calligraphy" written by Jin Dongxinbale with heavy brush and ink is simple and clumsy, and also a unique style.
Zheng Banqiao is indeed an outstanding artist, and his calligraphy shines dazzlingly in the calligraphies of the past dynasties.
Banqiao style - Enlightenment
Banqiao style
From the story of Banqiao style, it can be seen that it is necessary to learn calligraphy and imitate famous works, but it cannot only be To stop here, we must also deliberately pursue our own characteristics on the basis of imitation. This is true for calligraphy, and so is teaching. Teaching is both a science and an art. It also requires originality and requires each teacher to form a teaching style with distinctive personal characteristics --- style creates charm, like Yuan Rong, the founder of "Happy Teaching Method"; Li Jilin, the pioneer of "situational teaching method"; Yu Yi, the outstanding representative of "emotional motivation method"; Wei Shusheng, the founder of "six-step classroom teaching method" (orientation, self-study, discussion, question answering, self-test, self-conclusion), etc. etc. With their unique teaching style, they have achieved the ideal effect of inspiring wisdom with wisdom, winning emotions with emotion, influencing thoughts with thoughts, and shaping personality with personality. Passionate poetry and passionate songs flow in the classroom.
However, every teacher has different ideas, knowledge levels, qualities, life experiences, etc.; in addition, every teacher faces different students with their own characteristics. Therefore, when learning these When teaching methods of excellent teachers, we cannot be satisfied with copying one trick or another, but should draw on the best of each other's teaching methods, and bring together the brightest "sparkling points" of their respective teaching characteristics, and use advanced teaching methods to improve the teaching materials. Artistry and experience should be creatively introduced into one's own teaching, grafted onto the corresponding parts of one's own experience, and strive to form a teaching style that suits one's own subjective and objective conditions.
The famous special teacher Wei Shusheng once said: “Classroom teaching is an artistic garden, and this garden should let a hundred flowers bloom. You should be like a bee, collecting your own pollen everywhere in the garden of teaching, and when you come back, you can brew your own honey for classroom teaching. "The process of teachers forming their own teaching style is also a process of creating their own teaching characteristics. Only by being good at brewing the honey of their own classroom teaching can they form their own unique teaching style and achieve good teaching results. Harvest fruitful fruits in the teaching garden.
Banqiao body - doubtful points
Banqiao body
The "Banqiao body" discovered in Yishan and the Ming Dynasty inscription "Banqiao body" may not be Zheng Xie from the Qing Dynasty Created by Zheng Xie, a calligrapher and painter of the Qing Dynasty who is known as one of the "Eight Eccentrics of Yangzhou", his calligraphy art is unique in the history of Chinese calligraphy and painting. It is generally believed that the "Banqiao style" is Zheng Xie's. A kind of calligraphy art created by Xie. However, the Ming Dynasty "Dongfan Dynasty" inscription recently discovered in Linqu Yishan has questioned this statement.
The Forest of Steles in Yishan Dongzhen can be called the art of Chinese calligraphy. The treasure house contains various stele inscriptions from past dynasties. Among them, the recently discovered stele of "Dongfan Dynasty Sacrifice" is not large, but its unique calligraphy art is particularly eye-catching. Because its font, composition, and arrangement are similar to Zheng Banqiao's "Six Points" "Half" calligraphy style is similar: one is a mixture of real grass, official script and seal script; secondly, this stele has the style of Zheng Banqiao's calligraphy of "gold threads threading money" and "streets paved with random stones". Many people think that it is the style of Zheng Banqiao's calligraphy. It was written by Zheng Banqiao who was an official in Weifang in the Qing Dynasty, but if you look closely, it was written by Liu Yu, a scholar from Shouguang in the Ming Dynasty.
Liu Yu was from the Ming Dynasty, and Zheng Banqiao was from the Qing Dynasty. It is obviously contrary to common sense that "Ti" is engraved on the Ming Dynasty stele.
So why is this?
It is understood that Liu Yu, who rose to prime minister, not only made outstanding achievements in politics, but also had profound attainments in literature and calligraphy. The unique "Liu Yu Style" is very different from the "Pavilion Style", and its unique "Liu Yu Style" is rarely known, and very few ink marks have been handed down. Some experts believe that Liu Yu comes first and Banqiao comes later. The "Banqiao style" may be called "Liu Yu style".