Comments on the famous artists in Shikai

The name of Shi Kai, vice chairman of Fujian Calligraphers Association, seems to belong to the seal altar. When it comes to contemporary seal cutting, it is hard to ignore his existence. However, Shi Kai is also good at calligraphy, which gives him the ability to be "good at both". At first, I didn't know much about Shi Kai's calligraphy. In my memory, his "Looking at the Sea" has aroused a lot of repercussions in the book world with its majestic, heavy and vast aesthetic power and innovative space treatment, especially in the exhibition of traditional calligraphy works, which seems to have its significance that cannot be ignored. From then on, I guessed that Shi Kai might have a hysterical rebellion, and he didn't like to disagree. The starting point of this thinking made me see the stone later.

The reliable basis for the initial judgment was found in the calligraphy collection.

The creative pursuit of art is sacred. It makes art shine with colorful and blurred light forever. In Shi Kai's calligraphy collection, his creative nature is freely revealed silently. He is using the weak energy in his life to contend with the stereotype of traditional calligraphy. It is in this kind of struggle that I discovered the secret of Shi Kai's calligraphy: he is trying to pursue the emotional appeal of calligraphy, filling lines with life interest, and enriching the monotony and deficiency of pure literati's calligraphy with secular atmosphere. He expanded the capacity of calligraphy writing content, increased the image density and ideological density of writing content, and made the writing content originally in the form of poetry rich and flowing. In his works,

There are not only elegant stories sung by literati, but also the sighs of ordinary people's lives, the noble care of Mei Lan Zhu Ju, the secular complex of pork and cabbage karaoke, and the harmonious writing content of Zhuang Zhuang, which is refreshing and memorable.