? Pale yellow long table, covered with white felt, covered with beige tassel paper, black inkstone in the upper right corner, ink flowing from a small bottle mouth, suddenly fragrant. It is not like the fragrance of plum blossom, camphor tree or sweet osmanthus. It seems to have a unique charm. One smell makes you feel refreshed, two smells make you feel refreshed, and three smells make you feel calm. Growing up, this is the only way I can calm down and do my own thing with peace of mind.
? Calligraphy has an irresistible charm. I became interested in it at first sight and fell in love with it at the second sight. Probably because of thousands of years of cultural accumulation in China people's blood, people can't extricate themselves. There will be a * * * sound when you are near, as if you are an old friend who has not seen you for a long time. You're quite excited. You haven't been bored for a long time. On the contrary, your anger will dissipate like smoke. Perhaps, it is the beauty and femininity of Wang Xizhi's Preface to the Lanting Pavilion, the massiness and enrichment of Yan Zhenqing's Duota Monument, and the beauty and charm of Mi Fei's Good Story Sticker that have been precipitated through thousands of years of history.
? Turning over Huang Tingjian's Song Fengge, there is always an unspeakable feeling. On the whole, it is dynamic and agile. Lian Bi is broken, but its breath is still there, and its peak is fast but not sharp. On the first page, there are three big characters "Song", "Feng" and "Ge". Loose, horizontal, vertical, thick, dense but without the feeling of light floating, "eight" points out at two o'clock, and is forced to bend down when writing slowly. At the last point, it touches the left and does not fold into an ink ball. The left is thin and the right is tight and full, without a sense of disobedience. The word "Feng" has a complex structure and fine strokes. The most distinctive feature is to fold horizontally, first stand down and fold half, then turn the pen tip to the right to lift the pen tip, and finally stop without attracting attention. "Pavilion" is more complicated. The "door" is short on the left and long on the right, and it twists and turns vertically. When the hook is about to go out, turn it out briskly and reach the peak. The hook is short and thin. The second stroke of "Ge" is long and the third stroke is short, which is somewhat unbalanced. Then the two strokes of the mouth are inclined downward, and the vertical pen is short and folded inward, which is short and powerful. ...
? As the saying goes, "words are like people." That's it. The works of major calligraphers have their own styles. In this word, everyone's personality is implied, either unrestrained, restrained, publicized or scribbled. Products, as far as their structure is concerned, are human-like, and cannot be skewed, uncoordinated, or short of weight. Second, look at its strokes, whether the front changes with the words, whether it is rigid and not soft, whether it is continuous and uninterrupted, and whether there are defects such as description. Words are words and people.
? The ink is lingering in the room, and the dense breath surrounds the hands, one stroke, one stroke, one point, one horizontal.