The structure is vigorous and the words are rigorous and meticulous. Steady but not vulgar, risky but not surprising, old but not withered, moist but not fat, harmonious behavior and incomparable charm. The brush strokes are even, hard and thin, with exposed edges and corners, rich and diverse, so as to avoid monotonous repetition.
Most horizontal paintings are round, rigid, clear, short, thick, slender and handsome. Vertical painting is vigorous, stiff, slender, concise and firm, sharp, heavy and slightly short, kicked up and cleaned with a pen. On the whole, it is restrained and stretched, the uterus is tightened and the limbs are developed. In rigor, what you see is openness and generosity.
Liu Gongquan's anecdotes and allusions
1, write poems to help others
Tang Wuzong was angry with a female official in the palace for a long time. Later, he called her in and said to Liu Gongquan, "I am very dissatisfied with this person. I won't blame her if I can get one of your works. " So he handed him dozens of pieces of paper made in Shu County and put them on the imperial case.
Without thinking, Liu Gongquan immediately wrote a quatrain: "Regardless of the past, I have always been willing to stand alone in Nagato. But now the king has taken care of him and went back to the pepper room to wipe his tears. " The emperor was very happy, and gave him 200 pieces of brocade, and asked the female official to come forward to thank him. ?
2. Take the pen as a warning
Tang Muzong is dissolute and eccentric in management. He once asked Liu Gongquan how to use a pen perfectly. Liu Gongquan replied: "The method of using a pen lies in the heart, and the regular brushwork is naturally perfect."
Mu Zong changed his face and realized that he was admonishing him with brushwork. In the Song Dynasty, Su Shi once said in a poem, "Why do you want to see sincerity when you preach family law in a hurry?" ?