The first summer is still peaceful, and the grass has not stopped. The water is flooded in the morning and evening, and the clouds rise and fall repeatedly. The Zhou Dynasty was tired of reading, and the situation was poor. The flow behind Sichuan is peaceful, but there is no calm in the sky. The sails are set to collect the stones and flowers, and the mat is hung to pick up the moon from the sea. There is no reason for the sky to rise, and there is a way to surpass the empty boat. Zhonglian Qingqi formed a group, and Zi Mou went to Wei Que. The reputation of being humble is not enough, and things that suit oneself can be neglected. Please attach a public statement and finally thank Tianfa. ——Xie Lingyun of the Southern and Northern Dynasties, "Traveling from Chishi into the Sailing Sea" Traveling from Chishi into the Sailing Sea The first summer is still peaceful, and the grass has not stopped yet.
The water is flooded in the morning and evening, and the clouds rise and fall repeatedly.
Zhou was tired of looking at Yingxi, and Kuang Nailing was poor.
The flow behind Sichuan is peaceful, but the sky is quiet.
Sail to pick up the stone flowers, hang a mat to pick up the moon from the sea.
There is no reason for the rise of the sky, but there is a transcendence for the empty boat.
Zhonglian and Qingqi formed a group, and Zimo went to Wei Que.
The reputation and reputation are not enough, and things that suit oneself can be ignored.
Please attach the official statement and finally thank Tianfa. Summer, Travel Notes, Scenery and Expression Translation and Notes
Translation
Early summer is still refreshing and warm, the grass has not stopped growing, and it is still a prosperous scene.
The boats on the water connect the morning and evening together, and it is difficult to distinguish between morning and evening. The clouds and colorful clouds change many times, sometimes the clouds are dense, and sometimes the sky is full of colorful clouds.
I feel tired of looking at the scenery on the seashore, let alone traveling.
The god of waves makes the river flow quietly, and the god of water does not stir up any waves.
Zhang Fan sailed to quarry for stone flowers, and set sail to pick up the moon in the sea.
The sea is boundless, and the empty ship without cargo is drifting aloof.
Lu Zhonglian despised the rewards from Qi, and Prince Mou was nostalgic for the high salary of the royal family.
Advocating meritorious deeds is unworthy of the Tao. One can get rid of materialistic desires when one is content with oneself.
I will listen to the words of Mr. Ren and give up fame and fortune to save my life. Creative Background Appreciation
This poem is divided into three levels, from the beginning to "Kang Nailing was poor" as the first level, which describes the tiredness of traveling in Akaishi, and then the thought of sailing on the sea. The second level is from the sentence "after Sichuan" to the sentence "empty boat", which describes the sailing situation and changes in mentality. The following sentence of "Zhonglian" is the third level, that is, the thought of wandering life, which is the purpose of obeying nature, adapting to oneself, and taking care of one's life. The change of mood is the main thread running through the whole poem.
The two lines of "First Summer" correspond to the poem "You are not tired of the beauty of youth, but you have seen Zhuming move" in "You are not tired of youth". They not only point out the season of this travel, but also show a kind of comfort that cannot be done in any way. The complicated mood is better than nothing. When visiting the Nanting Pavilion, I was struck by the scenery. From spring to summer, I deeply mourned the passing of my prime years and the decline of illness. It is said here that it is early summer, the weather is finally fresh and warm, and the grass has not withered due to the scorching sun. It can be seen that the poet seems to have recovered slightly from the sadness of the previous poem. In particular, please note: "The fragrant grass has not yet stopped", which is actually used in "Li Sao" "When the years are still young, the time is still young, fearing that the pelicans will sing first, causing the husband's grass to become less fragrant", Then in the self-lucky story, we can see the arrogant character of Xie Ke, the "chasing minister". But this kind of comfort could not last long. Traveling on the water and staying in the red rocks for dozens of miles south from the county, day after day, was a bit monotonous, and the changes in clouds and sunshine, and the appearance of clouds, were lost due to frequent sightings. A sense of freshness. Traveling around this coastal area makes people tired and "tired", not to mention facing the barren land in the far north, where poverty is even further north in Minghai. Some people think that "Kang Nai is facing poverty" refers to the poet's lofty sentiments and the sudden desire to sail to the sea. However, the word "Kang Nai" clearly comes from "Weary Ying Xi", which shows that the poet was not in a good mood before sailing.
However, when the boat entered the sea along the harbor, a strange scene suddenly opened up. The water surface was as flat as a mirror. The river behind the river made the river flow smoothly, and the Chaoyang Valley God Shui Botianwu with eight heads, eight legs and eight tails had a green and yellow back. , although his temper was violent, he was "quiet" at this time, as if he was waiting for the poet to come. So he raised his sails high and went boating on the sea, picking at random the stones shaped like turtle feet and the mirror-white and round moon in the sea. And when he raised his head and looked back, he saw that there was no limit to the sea, and his mood was like a boat he had sat down on. Ling Xu imagined it out of thin air.
Looking at the sea from Yajuan, the poet must have felt the same as the river uncle in "Zhuangzi Autumn Water". The endless sea waves really opened his mind and swept away the accumulated accumulation. The trouble of the month.
So he wandered in his thoughts, traveled far into the past, and finally understood the truth of life: there had been all kinds of hermits on the sea, including Lu Zhonglian who helped Qi Queyan, and Lu Zhonglian who resigned after his success; There is also the Gongzi Nian who "is above the rivers and seas, but his heart is below Wei Que" (see "Zhuangzi: King Rang"). Although the shapes and traces are similar, their tastes are completely different. The latter is just a false hermit who cherishes a false reputation. He is incompatible with what Zhuangzi said: "There is no way to die for fame" ("Autumn Waters"), and is incompatible with the Dao. But it is like what Lu Zhonglian said, "I and wealth are at odds with others, and I would rather be poor and lowly than despise the world and have ambitions." This is in line with Qiyuan's arrogant people who forget both things and themselves, adapt themselves to nature, and "return to their true nature." . Comparing the two, the poet seems to be wary of his past life of being conceited and conceited and obsessed with his own gains and losses. He is willing to remember the passage in "Zhuangzi Mountain Trees" where Taigong Ren (Ren Gong) taught Confucius: "The straight wood is cut down first. , the sweet spring will be exhausted first." Showing one's talent and promoting oneself will be punished by nature. Only by "cutting away traces and losing position", bathing in the spirit of snow, being full of energy in the middle and humble in the outer world, can we maintain health all year round - this is just like the abyss is bottomless, the vastness is boundless, but it is flat. Like the sea of ??mirrors. At this point in the poem, the scene and logic completely fit together.
Fang Dongshu once pointed out in "Zhao Mei Zhan Yan" that Xie Ke Boqia is especially familiar with "Zhuang". This poem is not only taken from "Zhuangzi", but also in conception. It is also derived from "Autumn Water Pian". The poem takes the red stone as the guest, and sails as the main theme. It turns and ends with the two couplets "I am tired of looking around, and my hair is exhausted in Kuang Nailing" and "The sky is rising for no reason, but the empty boat is surpassing", and then ends in the lyrical description of the scene in layers. It expresses the spiritual sublimation caused by seeing the vast ocean from the end of the river. Emotion, reason, and classic reality can all be in harmony, which shows the essence of the structure of Xie's poem. Xie Lingyun (385-433) was born in Yangxia, Chenjun County (now Taikang, Henan Province) in the Eastern Jin Dynasty. He was born in Shining, Kuaiji (now Shangyu, Zhejiang Province). He was originally a member of the Xie family in Chenjun County. The grandson of Xie Xuan, a famous general in the Eastern Jin Dynasty, was nicknamed "Ke" and was known as Xie Ke. He also granted the title of Duke Kang Le and thanked him, Duke Kang, and Kang Le. A famous landscape poet, his main creative activities were in the Liu and Song Dynasties, and he was the founder of the landscape poetry school in the history of Chinese literature. Starting from Xie Lingyun, landscape poetry has become a major genre in the history of Chinese literature. The most famous one is "Mountain Residence Ode", and he is also the first great traveler to be mentioned in the annals of history. Xie Lingyun also had a general knowledge of history, worked in calligraphy, translated Buddhist scriptures, and was ordered to write the Book of Jin. "Books of the Sui Dynasty" and "Books of the Jin Dynasty" record 14 types including "Xie Lingyun Collection".
Xie Lingyun The summer in the courtyard is clear, and the pomegranates are blooming all over the curtain. (Xia Xiqing's first work: Xia Jingqing) The shade of the trees is all over the ground. It's noon, and I hear the sound of a wandering warbler in my dream. ——Su Shunqin of the Song Dynasty, "The Meaning of Summer"
The Meaning of Summer The courtyard is deep and the summer table is clear, and the pomegranates are blooming all over the curtain. (Xia Xiqing's first work: Xia Jingqing)
It's noon in the shade of trees all over the ground, and I hear the sound of a wandering warbler in my dream. Three Hundred Ancient Poems: In summer, the lotus seeds in the outer lake grow unevenly, and gulls fly in the green areas of Jishan Mountain. The water and sky are rippling, the painting is late, and the human figures are moving in the middle. The peach leaves sing in a low voice, and the apricot red and dark clothes are light. The small lotus barrier avoids the slanting light and is divided into green shade. ——Zhang Xian, Song Dynasty, "Huatangchun·Lotus seeds in Waihu are staggered in length"
Painting in Spring·Lotus seeds in Waihu are staggered in length. Lotus seeds in Waihu are staggered in length, and gulls fly in the green areas of Jishan Mountain. The water and sky are rippling, the painting is late, and the human figures are moving in the middle.
The peach leaves sing in a shallow voice, and the apricot red and dark clothes are light. The small lotus barrier avoids the slanting light and is divided into green shade. In the south of the Yangtze River, in summer, the plums in the lakes and mountains are green and yellow, and the vegetables, fertilizers, and wheat are ripe, and people are busy raising silkworms. The mountain monk comes over the ridge to watch the tea master, and the village girl cooks the wine to make it fragrant. ——Zhu Yunming, Ming Dynasty, "A Wandering Song in the Mountains in the First Summer"
A Wandering Song in the Mountains in the First Summer. The plums are green, the plums are yellow, the vegetables are fat, the wheat is ripe, and silkworms are busy.
The mountain monk comes over the ridge to watch the tea master, while the village girl cooks the wine to make it fragrant. Summer, free wishes