Seventeen posts are one of the important titles of ancient calligraphy art in China. It is seventeen kinds of regular script works by Wang Xizhi, a great calligrapher in Han and Jin Dynasties, and it is also a classic in the history of calligraphy art in China. These works have their own unique styles and characteristics, and they occupy a very important position in China's calligraphy art.
The contents of Seventeen Posts are mainly composed of Fu, Fu, Preface and other genres, and are displayed in regular script. The fonts of these works are vigorous and powerful, the lines are smooth and natural, and the writing style is extremely exquisite, which gives people profound artistic charm. In addition, these works also contain rich cultural connotations, reflecting the ancient history, philosophy and culture of China.
In the history of ancient calligraphy in China, Seventeen Articles is regarded as a masterpiece and one of the peaks of calligraphy art in China. Its font is standard, the pen is concise, and it has strong artistic appeal and ornamental value. Moreover, Seventeen Posts, as Wang Xizhi's representative work, had a far-reaching influence on later calligraphers and played an important role in promoting the development and inheritance of China's calligraphy art.
Today, Seventeen Posts have become national treasures and are collected in many museums in China. At the same time, it has a wide influence among calligraphy lovers at home and abroad. Many people will learn the ancient calligraphy art of China by studying Seventeen Posts, and even regard it as a belief and pursuit to feel the profound cultural connotation and exquisite artistic charm contained in it.
In a word, Seventeen Posts is a classic in the history of China's calligraphy art, with high artistic value and cultural connotation. Its appearance not only promoted the development and inheritance of China's calligraphy art, but also left a valuable cultural heritage for future generations and became one of the treasures of the Chinese nation.