What is the philosophy of life contained in Su Dongpo's "Romantic Flowers and Snow Moon" and "Spring at First Release"? It should be detailed.

Flowers wither and red apricots are small. Swallows fly, green water people go around. There are few branches blowing willows, and there are plenty of fragrant grass in the sea!

Swing inside and outside the wall. The layman in the wall, the beauty in the wall laughs. Laughter dies in silence, but passion is mercilessly annoyed.

Author Su Shi (1037 ~101year), an outstanding poet, essayist, painter and calligrapher in the Song Dynasty, was born in Meishan, Meizhou, Sichuan. He, his father, Su Xun, and his younger brother, Su Zhe, are both famous literary figures, and they are called "Three Sus" in the world. It is the same as "Cao San and his son" (Cao Cao, Cao Pi, Cao Zhi) at the end of Han Dynasty. Speaking of him, almost anyone with a little knowledge of literature knows it.

His father, Su Xun, was the "Sue" mentioned in The Amethyst at the age of 27. Su Xun got angry late, but he worked hard. In his later years, Su Shi recalled his childhood experience of studying with his father and felt that he was deeply influenced by his father. Of course, without Su Xun's hard work, Su Shi would not have been able to get a good tutor since he was a child, let alone "learn the history of general classics, which belongs to thousands of words every day", let alone have a future literary master.

In the second year of Song Renzong Jiayou (1057), he was a scholar, with a bachelor's degree in Hanlin, imperial edict and history of rites. Wang Anshi wrote a letter arguing the disadvantages of the new law, and was later demoted for stabbing the new law with poetry. Chasing Wen Zhong after death. Literary leader and master in the mid-Northern Song Dynasty, one of the eight masters in Tang and Song Dynasties. His prose is arbitrary, his poems are broad in subject matter, fresh and vigorous, and he is unique in using exaggeration and metaphor. His words are bold and unconstrained, and he is also called "Su Xin" with Xin Qiji, including The Complete Works of Dongpo and Dongpo Yuefu.

Su Shi had three companions in his life: his wife Wang Fu, his stepmother Wang Runzhi and his concubine Wang Chaoyun. Su Shi was sincere to them. Wang Fu gave birth to Mai Su, Wang Runzhi gave birth to the second son Su Wei and the third son Su Guo, while Chaoyun gave birth to the fourth son Su Dun in Huangzhou, but unfortunately died. Chao Yun settled down as a concubine after his death, accompanied Su Shi to relegate to Lingnan, and unfortunately died in Huizhou.

The film Dead Hua Lian is about the end of spring, and the feeling of homesickness is implied in hurting spring. The first sentence "flowers wither, red apricots and green apricots are small" not only points out the season at the turn of spring and summer, but also reveals the natural metabolic law of spring flowers and green apricots. Although it is a description of scenery, it still contains ideas. "Swallows fly, green water people go around." In two sentences, it not only handed over the place, but also described the environment of this family. The sky is light and swallows fly obliquely, surrounded by green water outside, how beautiful and peaceful it is! The word "others" implies and paves the way for the appearance of the next film "Beauty in the Wall". "Blowing willow cotton on the branches, there are plenty of fragrant grass in the world!" In two words, first suppress and then promote, and convey the poet's deep and broad-minded feelings in the delicate scenery description. Catkin is all over the sky and grass is boundless. It is the easiest to arouse people's worries. With the word "you", it is not long to live in exile here. On the surface, "there are plenty of grass in the sea" seems to mean that there are plenty of grass in the sea, and spring scenery is boundless, but in fact it means that as long as you are happy, where can you not settle down? Later, during his relegation to Hainan, the author sang "300 litchi branches a day, I will grow up to be a Lingnan person" (Part II of Two Litchi Branches): "I don't hate to die in the south, so I will travel wonderfully for the rest of my life" (Crossing the sea on the night of June 20), all of which contain a carefree broadmindedness in the sadness of homesickness.

The next one describes the troubles and melancholy of beautiful women who can't hear voices. "Swing in the wall outside the wall. The layman in the wall, the beauty in the wall laughs. " In three sentences, with the method of line drawing, it describes pedestrians (themselves) wandering in the path outside the wall of "others", only to see the swing frame exposed from the wall, and the laughter of women swinging from the wall. At this point, the poet points out that he is a "pedestrian", which means that he is a passer-by outside the wall of this "green water family", but he also has "life is like a journey, and I am also a pedestrian" (Linjiang Xian. The meaning of sending Qian Mufu. If "Tianya" in the last movie implies that Huizhou is far from the ends of the earth, isn't it just a stone's throw from the beauty? In the end, the laughter faded away, and the voice faded away, but the family was ruthlessly annoyed. It's a self-mockery of the beauty leaving. Pedestrians know that they can't see the figure and appearance of the beautiful woman in the wall, but just want to stop and listen for a while. Unexpectedly, the beauty has left on the swing at the moment, and I don't know that there is a affectionate pedestrian outside the wall. How can this not be annoying? These two sentences are extremely reasonable and interesting. Gaijiaren's "ruthlessness" is because there are "sentimental" pedestrians outside the wall, and the world is universal and inevitable. What is more important than this? The poet was loyal all his life, suspicious, straightforward and slanderous. At this time, he finally arrived in Lingnan. Isn't it his "deep but merciless chagrin"? The author laughs at his passion, that is, at the unfair fate imposed on him and at all tragedies!

The whole word is novel and ingenious, full of strange feelings. Writing scenery, taking notes, reasoning naturally, integrating Zhuang and Zhuang, the language is looped, and the style is fresh and beautiful. In terms of purport, this word is similar to He Zhu's Jade Case (Ling Bo died without crossing the pond road. Who is the golden flower? Qiao Yue Garden, a bamboo building with locked windows, is only called Spring. Ran Ran Yun Fei, at dusk, drew a new topic, heartbroken sentence. How much leisure do you have? Yichuan tobacco, city wind, plum yellow rain. Similarly, they all use the method of "vanilla beauty" to express their political frustration. But there is optimism and broadmindedness in bitterness and depression, which is not in the congratulatory message. This is also the charm of Su Shi's personality and works.

In fact, there is a beautiful story in this eternal "recent love":

When Su Dongpo was young, he was already a famous genius. He was highly praised by the examiner Ouyang Xiu. In the imperial examination, he was praised by Zhao Zhen of Song Renzong and became the champion of the new subject.

In those days, Su Shi's parents were chosen as son-in-law by bureaucrats and wealthy businessmen in Beijing to prevent them from being admitted, and they married their brother before they went to Beijing.

At that time, Su Shi was only 18 years old, and his bride's name was Wang Fu, 16 years old. At that time, marriage was decided by "parents' orders and matchmakers' words". Su Shi thought to himself that he had never even met, so he got married by the introduction of the matchmaker? No way! I have to check it out. He quietly wrote a letter and asked someone to take it to the palace and ask him to meet outside the wall of the queen's garden.

The Wangs are more than twenty miles away from Meishan, and it takes an hour to ride a horse. Su Shi saw the green water outside the Wangjiayuan, the garden gate was closed, and only the laughter of girls came from the wall. He climbed high and looked into the garden. He saw several young women playing on the swing. I don't know if there is Wang Fu among them, and I don't know if his future wife will open the door to meet him. ......

It's late spring, the apricot branches sticking out of the garden wall are still red flowers, and the shady green leaves are covered with young fruits the size of broad beans. The tidbits on the willow tree by the stream drifted with the wind ... I don't know if it was the sadness of Xichun or the frustration that his unmarried wife didn't come to the appointment. Su Shi felt a little sour in his heart. He walked back listlessly, along the way, the breeze was blowing gently, the milk swallows danced, the grass on the slope of the stream was green, and a fresh joy rose in his heart.

At home, he made the song "Recently":

Flowers wither and red apricots are small. Swallows fly, green water people go around. There are few branches blowing willows, and there are plenty of fragrant grass in the sea!

Swing inside and outside the wall. The layman in the wall, the beauty in the wall laughs. Laughter dies in silence, but passion is mercilessly annoyed.

This is a small word that laments the passing of spring and the beauty is hard to see. The poet's frustrated feelings and broad-minded attitude towards life are also faintly revealed here. However, "flowers wither, red apricots are small, swallows fly, and green water people are around." The phrase "There are fewer willows blowing on the branches, and there are more grass in the end of the world" can always go beyond Su Shi and Wang Fu and think of Wang Chaoyun.