Mr. Zhu Fei was a famous calligrapher in Jin and Tang Dynasties. He believed that goodness was a kind of belief and behavioral ability in the past. Later, I had a chance to see more of his works, and I believe the comments were correct. I can't praise Zhu Fei's calligraphy achievements from a non-professional standpoint, but it seems that he took the calligraphy language of Jin and Tang Dynasties as his own language, and his fingers slightly stagnated. Therefore, while admiring Yan Yan, it is inevitable to suspect that the so-called "famous religion has its own paradise" is not in daily life ethics, nor in metaphysical speculation, but in the artistic conception of calligraphy and other arts. (Preface to Thrush Depth)
Tiantai Jiang Shouwen
Mr Zhu Fei is my book friend. He calls himself a "Yin Shan writer" and has written Ou Kai and Zhaoti for nearly sixty years. I am in awe of the ancients and dare not go beyond them. As a Geng Jie, he is not good at socializing. The only good thing in life is pen and ink. Many years ago, I asked Shou Tiandi to publish Mr. Zhu's works in the Calligraphy Guide, and wrote an article "Is the career of cooking words a name?" , which became famous and gradually became known. He has been invited to perform in Korean, Japanese and other places in China. During my work in Beijing, I asked Mr. Zhu to write plaques, couplets and inscriptions for Taoist temples in various places, and introduced them to China Taoist College to teach doctoral students, which was well received.
Shaoxing Shen Dingan
Brother and Yu have been learning from each other for decades. His book won the ignorance of Europe and Zhao, and is being directly confirmed. In its prime, the title of this book is becoming more and more popular in China. Those who get the book will add luster to the signboard street shop, and the hall will be brilliant, the cliff will be magnificent and the temple will be empty. The scale of the vertical axis shows that his master has inherited his kung fu and his purport, and he can linger and learn from the game. Today, I saw two kinds of photo album pages, and my brain was wide open. The Postscript of Thirteen is fluent and ingenious, with strict rules and regulations, and how deep the chewing posts are; "Jin Lu Qu" is gloomy and full of concern, and I appreciate Zhang Ci's nuance. Zhu Jun is a book, his age keeps pace with his wrist strength, and his practice increases with his taste. I love it deeply and enjoy it. ("Two Prefaces to Zhu Fei Album")
Hebei Witch (King)
Mr. Zhu Fei's calligraphy has a unique, elegant, straight and easy-going style. Most of the plaques in Shaoxing are from his hands. The regular script of "Gu Shan Monument" created by Mr. Wang of China Yellow Rice Wine Museum is even more amazing to the industry. Eight lines 15 1 regular script are dignified, rigorous and profound, and the lines between them are full of jade. Some people commented that this card is the crystallization of Mr. Wang's fifty years of brewing words. ("Real Confucian who is full of interest in ink")
Lushan Mountain in Shaoxing
It is true that Zhu is famous for his calligraphy, claiming that he dreamed of chasing Jin and Tang dynasties, and spent half his life in the pool, only taking orders from Europe. I don't know if the outside world criticized its board of directors, but I still blame it for being rigid. Today's collection of ancient Yue Longshan Monument, Lufeng Temple Monument and Yongheyuan stories is quite reasonable, because it is calm and powerful, sometimes charming and moving, with different styles and brand-new, and its rapid change is amazing. (The Spirit of Combining Stiffness with Flexibility —— A Brief Comment on Zhu Fei's The Thrush Depth after 1960s)
Mr. Wang's regular script "Going in and out of Europe and Zhao" has got the essence in terms of word method, composition and writing. As far as Shaoxing is concerned, it is second to none.
But his infatuation did not change, and he still hit it off, one vertical and one horizontal, without hesitation. Occasionally, if a word is not satisfactory, it is necessary to change paper and rewrite it. As the ancients said, "Every word is a rule, and every word is a foundation", so is Zhu Fei. ("Scenery in the Chest-Watching Zhu Fei Calligraphy Exhibition")
Li Hao, Jiang Qian
Generally speaking, his calligraphy works are similar to Mr. Qi Gong's style: exquisite brushwork, symmetrical structure, exquisite layout and beautiful shape. Su Shi's "Thank You Letter" said: "Ouyang Wenzhong's public words are like fine gold and beautiful jade, and the market has a price. Non-human people decide the rank by mouth." Beautiful things have their own aesthetic value. My intuition tells me that Mr. Zhu Fei's calligraphy is a real artistic treasure and a "pure gold and beautiful jade" in contemporary calligraphy.
His calligraphy is exquisite and elegant, concise and elegant, and the spirit of the book overflows at the end. What I saw in Mr. Zhu Fei's blog were mainly the works of Vietnamese celebrities such as Pan Yue in the Eastern Jin Dynasty, Guan Xiu in the Tang and Song Dynasties, Lu You, etc., which showed Mr.'s love for local culture. With his exquisite pen, Mr. Zhu Fei inherited and carried forward the essence of ancient culture, and his artistic achievements attracted more and more attention. ("Mr. Zhu Fei has a little knowledge of Mo Bao")
Qingdao Jiang Shoutian
Zhu Fei is a famous calligrapher in Shaoxing. There are many people who write monuments, pavilions and pavilions in Shaoxing, but they regard themselves as ordinary, and call themselves craftsmen and lyricists instead of famous artists. I have devoted myself to calligraphy for decades and am more interested in running. So I'm not tired of fame, and I'm not driven by common customs. A scholar, completely honest and clean, can also be called Geng.
As a calligrapher born and raised in his hometown, Zhu Fei undoubtedly has great expectations and awe of calligraphy, so he pays attention to the ancient style in calligraphy, but he dare not slack off and spread it, so he teaches himself to live in ancient times and is not afraid of being laughed at by calligraphers. People can have different views on his calligraphy position and ideas, and they can hide them from each other, but his awe and admiration for calligraphy reflects the value of a calligrapher, which is valuable and embarrassing. (Is the occupation of cooking words a name?)
Lu 'an Maowanbao
Zhu Fei is a very pragmatic person. He works calmly and orderly, and his pursuit of calligraphy is also based on fairness. This is obviously the result of the influence of Confucian doctrine of the mean. We know that the doctrine of the mean attaches great importance to fairness and does not agree with danger, strangeness and openness. In the view of the golden mean, only fairness can achieve harmony and maintain the normal development of things. It is because he is obsessed with the golden mean and regards Zheng Ping as the highest realm of calligraphy that he has studied European studies for decades. It was not until he was 50 years old that he accepted his friend's advice, stopped studying in Europe, and decided to use Zhao Mengfu's Dear John Letter to correct his tendency of being beaten up by studying in Europe for a long time. The running script always follows the norms of the preface to the holy teachings of Wang Jizi of Huairen. Now it seems that these choices are very correct for him, otherwise, we will not see the wonderful calligraphy works he has made since he was 60 years old and the gratifying realm he has achieved: tall, straight, vigorous, moist and harmonious. (Zhu Fei: Lighting Life with Calligraphy)
Qingzhou Liu Xiangliang
Mr. Zhu Fei was born in a scholarly family and was educated since childhood. Famous writers such as Europe and Zhao learn regular script. His works are dignified and Shu Lang, with rich connotations, profound knowledge and superb skills. The running script is based on the two kings. The small print is exquisite and elegant, and the big print is strong and powerful. Mr. Wang Can can be described as a powerful old calligrapher who has a good knowledge of books, is good at writing, walking and cursive.
Mr. Zhu Fei's calligraphy works are chic and elegant, with bright and powerful lines. The whole work exudes a fresh, romantic and elegant literati scroll. He is good at traditional calligraphy classics and can skillfully choose and choose, use them for his own use, learn from the past without mud, accumulate a lot of money, and finally achieve something.
Looking closely at the running of his pen, his pen drags left and right, his breath lingers, and his blood is full, such as a breeze blowing, and Wei Yun unwinds. This is extremely natural and seems to be full of meaning and testimonies. Exquisite posture, natural and unrestrained expression, quite elegant charm of Jin people. (A Brief Analysis of Zhu Fei's Calligraphy)
Zhengzhou Liu Yonghe
Zhu Fei, a teacher, has been good at calligraphy since childhood and has been imitating European styles for nearly 50 years. He occasionally studied Erwang, Zhao Mengfu, Zhao, Beibei, Cao Quan and Li Li. Reading Zhu Fei's calligraphy work "Ancient Yuelongshan Monument", the whole book is based on European style, with rigorous structure, dignified style, exquisite brushwork, delicate and graceful style, combining rigidity with softness, and full of vitality. Every brushwork has its own beauty of profundity, elegance and completeness.
Long-term love for literature and extensive efforts outside the words have brought him refined temperament, noble taste, profound cultural heritage, rich experience and broad mind. Reading Mr. Zhu Fei's books has not only his personal style and appearance, but also his profound connotation. He is full of "book spirit", as if he can feel his carefully planned and freely written books, as well as his ups and downs. (vigorous, graceful and elegant-reading the art of regular script by the famous calligrapher Zhu Fei)
Shaoxing Xiesantong
In the sixty years of Jin and Tang Dynasties, Mr. Wang dreamed of chasing immortals, but inkstone never did. I have been in Europe and Zhao for fifty years, and I have never felt at ease. Lying silkworm willow leaves, get the shape of god. Over the past ten years, Mr. Wang has been looking back at Qin and Han Dynasties, looking at monuments and bamboo slips, making friends and learning, and making continuous progress over time. Therefore, it has been a good thing to have diarrhea in recent years. Reading is like sitting in the spring breeze. Is thrush deep and fashionable? Popular deep, popular shallow. (Postscript of Thrush Depth)
Ji' nan ren huaiqiang
He loved calligraphy since childhood, and insisted on studying Linchi, Europe, Erwang and Zhao, and worshiping factories. Stick to tradition, pursue beauty, fluency, charm and meticulous skills. Up to now, calligraphy skills have reached the point of perfection.
Zhu Fei's "Zhuti" calligraphy is unique. He integrated the natural essence of China Taoism and the profoundness of Confucianism into his own calligraphy, forming his own unique calligraphy style. He studied European style, practiced French and offered two kings, and also made in-depth and meticulous research on Han bamboo slips. ("Daoism and Nature, Returning to Nature-Calligrapher Zhu Fei's Notes")
Shaoxing Zheng Xiubai
People who have seen the "Ancient Yue Longshan Monument" in the front center of the office building of Shaoxing Yellow Rice Wine Group are not without admiration. The eight lines 15 1 regular script are dignified, rigorous and profound, and there is a unique flavor of Shi Zhongyu between the lines. Some people say that this card is the crystallization of his 50 years of brewing words.
Looking at his regular script, we can see the delicate places in Zhao Mengfu's Dear John and Biography of Ji An. Huai Su's autobiography and bitter bamboo shoots can be explored in the unrestrained place; Zhao's interest in monuments can be seen everywhere, with exquisite stippling, beautiful words and peaceful composition; The subtlety can be traced back to Wang Xizhi's Preface to the Lanting Pavilion, which is calm and elegant, beautiful and refined, and natural and unrestrained. Savor the "Ancient Yue Longshan Monument" carefully, and there are indeed many elements reflected by everyone in the world in the book. ("Civil Boiler-Zhu Fei")
Huangshan Liu Dongfang
Zhu Fei is the man who holds the cow's ear today. Born and raised in Sri Lanka, he was deeply impressed by the simple folk customs and profound cultural connotations. He has been in the pool for decades, and his calligraphy has been improving, old and rare. Mr. Wang studied since childhood and inherited it in an orderly way. Using Euclid's model, two kings were born, and Wei Bei and Han Li also dabbled in it. It won the charm of predecessors, inherited the legacy of sages and legalists, accepted the tolerance of rivers and mountains, and gathered the strengths of many families. Looking at his book, there is no floating or stagnation between the flowing clouds, and there is no lack of traditional power between the lines. The layout of the rules is elegant and natural. Learning from the past is not solid in the past, people walk in the Tao, and books come from the Tao. Years of hard work paid off today. ("Wandering in Ancient Times, Knowing Zhu Fei")
Shanghai Qiao Song
It is not easy for Mr. Wang's calligraphy to become famous in Shao Shu. Because Shaoshu is a famous hometown of calligraphy: Xie Wang family, Yu Shinan, Li Yong, Lu You, Yang Weizhen, Xu Wei, Zhao and so on. , the holy master, the famous master, and initiated legislation, which became a common practice. There are many people who know books well and are good to the author. It's not easy for Mr. Wang to attack block letters by himself, specialize in European and French, and inject new ideas into his own style! No wonder Guyuelongshan Yellow Rice Wine Group wants to invest heavily in the letter of appointment and build the China Yellow Rice Wine Museum. (The Famous Zhu Fei)
Huizhou Wu Mantang
Bao Jianfeng has been honed, and Zhu Fei's brushwork today has also been honed for decades. In his studio, there is a book "Flying Horse Will Arrive, Long Volume Success", which goes without saying. ("Zhu Fei's Post-60s Calligraphy Exhibition in Pujiang")
I appreciate Mr. Zhu's good at writing free and easy list books, elegant and vigorous official style, dignified and regular regular regular script, beautiful and gentle running script. Each of his works is a life-long effort, following the tradition, emphasizing statutes, accumulating changes, not decorating, carefree and rigorous, aboveboard, Confucian style, and approaching perfection. This is really due to the pursuit of knowledge, in-depth study of calligraphy, and consideration of human nature. (On Teacher Zhu Fei and His Calligraphy Art)
Hangzhou Ye Jinwen
Writing without losing the rigor, integrity and extraordinary spirit of calligraphers; Between the lines, they are full of true feelings, wisdom and insight. What seems to be a polite reply to others is actually a good display of oneself, which not only makes people appreciate the chic of calligraphy art, but also makes people feel the perfection of human nature: broad and implicit, heroic and modest, solemn and generous, vigorous and gentle ... ("Trio of a bystander")
Hangzhou Zhang Jianmin
In recent years, he not only frequently exchanged calligraphy with calligraphers from other parts of the country, but also often learned calligraphy skills from Korean calligraphers on the same day. He not only published personal calligraphy collections such as Zhu Fei Regular Script Ancient Yue Longshan Monument and Thrush-Zhu Fei's Works after 60s, but also successfully held personal calligraphy exhibitions in Xuancheng, Shaoxing, Beijing, Wuxi and Xiaoshan. Fortunately, everyone who knows Zhu Fei agrees with Zhu Fei's calligraphy works. ("Understanding the Spirit-Recording the Great Calligrapher Zhu Fei")
Master Zibo Zhitong
Teacher Zhu Fei's calligraphy looks like flowing water from a distance, leisurely, but it is beautiful and pleasing to the eye from a close look. Although this word is not a masterpiece, it also shows the author's skill and intention, and it is by no means a social work. I'm not a painter, so I dare not comment, but my intuition tells me that this word has kung fu and this person is not simple.
Looking back at the current flashy atmosphere in the art circle of calligraphy and painting, how many people can cultivate their self-cultivation like Zhu Fei and brew words for decades? Do not pursue official career, fame and fortune, be a calligrapher in vain, and silently be a cultivator and sower of traditional calligraphy art ("On the Character of Zhu Fei by Dancing with Mohist Inside and Outside")
Yang zaian
Look at this block letter, the brushwork is solemn and majestic, and the atmosphere is heroic. Look at this running script, the calligraphy and painting are fascinating and the brushwork is fluttering. No matter from the perspective of calligraphy art, word by word, or the breath conveyed as a whole, its upright and elegant style is awe-inspiring.
I admire the integrity conveyed by Mr. Zhu Fei's works most. Whether it is a flowing running script or a vigorous block letter, each stroke is full of integrity, and a moving rhythm is formed between the lines. Looking at Mr. Zhu's words, our eyes will be captured by this strong artistic style, and our hearts will flow with the literal melody. This is the elegance that people pursue! How can you not be moved by a sudden encounter? ! ("Modest gentleman is upright")
Shaoxing Tao Jinrong
Zhu Fei's regular script can be described as clear pronunciation and mellow voice, flowing freely. In addition to seemingly dull stippling, it also reveals a quiet and peaceful rhythm. This is especially rare in regular script calligraphy, just like old wine, only under the fine products can we feel the fragrance, mellow, smart and elegant.
Many calligraphy elements of everyone in the book world are reflected in Mr. Wang's calligraphy. Mr. Wang's writing is based on the danger and strength of European books. Zhao Mengfu's Dear John and Ji An's Biography can be seen in Lingxiu. Huai Su's autobiography and bitter bamboo shoots can be explored in unrestrained places; Zhao's interest in stone tablets can be seen in Guangqu. Accurate stippling, beautiful writing and peaceful composition. Judging from the systematic inheritance of Erwang's calligraphy, Mr. Wang is undoubtedly the most devout and marathon practitioner. Long-term repeated study of running script and regular script, love of literature and extensive extra-word effort have made Mr. Wang obtain extremely high personalized aesthetic requirements in the practice of writing regular script and regular script. The master of regular script in Viet Nam and China is Mr. Wei. (women soldiers)
Shaoxing Danxiujia
Zhu Fei acted as a ghostwriter for the first time. He was a little nervous under the shooting of lights and cameras, but he soon calmed down and entered the role because he was well prepared. Zhu Fei wrote the first two lines of the world's first running script with ease, regardless of the font and structure. After a while, he removed the camera and took the full text. The last paragraph was written by "Wang Xizhi" himself, and the actors and ghostwriters were seamlessly connected. Early the next morning, Director Gu came to tell you that the lens engraved with "Preface to Lanting" had a good effect.
On the day of closing the mirror, Wang Youqiu, the leading actor who plays Wang Xizhi, took Zhu Fei's hand and said, You and I have cooperated very well, and we have cooperated very happily. Thank you for your help!
The director also said happily: Mr. Zhu's ghostwriting has improved the level of our TV series. ("He ghosted for" Wang Xizhi ")
Luoyang hanrongwei
In today's impetuous social atmosphere, it is rare to concentrate on learning regular script, which is the right choice to cultivate one's mind and cultivate one's nature. Originally, the art of calligraphy is the comprehensive embodiment of calligrapher's knowledge and accomplishment, and people with high accomplishment will be able to withstand loneliness. Mr Zhu Fei inherited his calligraphy from Tang Kai in a proper way. His calligraphy style was mainly Ou Yangxun's, and later he became a famous artist, and he also participated in the brushwork of the classics in Jin and Tang Dynasties. There is also the strength and strength of Liu's body and his own style. Choose a banner of Mr. Zhu or hang it in the living room, invite three or five literary friends to make a cup of fragrant tea, and savor the artistic conception of Mr. Zhu's calligraphy, so as to appreciate the beauty of his calligraphy. In his calligraphy, he wrote "Don't be aggressive, the style is far away", the charm is far away, and the combination of rigidity and softness shows the master's brilliance.