How to learn Sun's cursive script well?

Pu Shu is a calligraphy work written by Sun in the third year of Tang Dynasty (AD 687). As a calligraphy treatise and a famous cursive script, Pu Shu's exquisite aesthetic thought occupies a very important historical position in the history of China's calligraphy. Pu Shu's word structure is empty, round and dense, and his composition is naturally natural in uneven levels, winning the essence of the two kings. When it comes to Sun's creation, Liu Xizai in Qing Dynasty brilliantly summarized the artistic features of Sun's Book Score: the pen is broken and the dispute is handled; Elegant and calm, graceful and vigorous.

First, the characteristics of Pu Shu pen.

1, clean and neat, with a little painting during the turn. Brush strokes are never sloppy, and the strokes are simple and vigorous, so you can't be artificial.

2, according to the degree, the main belt is clear. Pu Shu is a masterpiece of modern grass, and the combination of strokes and characters is very rich. The main strokes are heavier (such as Sun Guoting); Stroke association and word association are written more carefully and lightly. After the stroke is aggravated, it is necessary to lift it, and a new stroke can be started only after the stroke is broken, which constitutes the contrast between continuous and broken strokes, as well as the change of severity (such as drunkenness and repetition).

3. Both parties. The winger uses freely and smoothly, and combines with the center tacitly, and the middle road constitutes contrast and contrast. The flank is beautiful and generous; The center takes quality, thick and subtle. The winger's writing style is heavy and sharp, but it is not the mainstream, and the mainstream is the center. (For example, Center: Husband, yes; Wings: Yes, Zagreb, meeting, positive. ) It is common to draw the edge as a pen and complete the Bian Feng to the center through frustration.

4. History. Fang often puts aside things about using a pen; The circle is usually related to the pen used in the center. Just like the comparative writing of "line, less" on a page.

5. There is a certain continuity. Cursive script often gives people a consistent and continuous feeling, but it is not the style of book notation. You can neither connect nor disconnect blindly, so the contrast between connection and disconnection is outstanding. (for example, you should pay attention to the end of the line and be idle)

6. Slightly rough, with wavy corners at the end of the pen, but not the mainstream style of the book spectrum. (1) The enclosure at the bottom has the characteristics of Cao Zhang; (2) Some short strokes also have the characteristics of Cao Zhang, making them more dynamic. (such as the back, people are afraid of being old. In addition, there is a short way to write at the end of the walk, that is, the center pen.