How do you evaluate Huang Binhong's paintings and calligraphy before his death?

Huang Binhong:

(1865-1955) is an outstanding modern painter. Formerly known as Maozhi, Mingzhi, the words Piaocun, Piaocen, also known as Piaocheng, Qiqin,No. Bin Hong, Bie Department Yu Xiang, Hongzuo, Huangshan Mountain middleman, etc. Originally from Shexian County, Anhui Province, I was born in Jinhua, Zhejiang Province. Young people like painting, and in their spare time, they also study seal cutting. At the age of six, he copied Shen Tingrui's landscape book, and learned flowers and birds from Zheng and Chen Chongguang. After living in Shanghai for 3 years, in the first 2 years, I mainly worked in newspapers and bookstores, engaged in news and Art editor; Later, he turned to education and served as a professor at various art schools in Shanghai. He has also taught at the Academy of Fine Arts in Beijing and Hangzhou. Vice Chairman of East China Branch of China Artists Association. His techniques are applied to Li Liufang, Cheng Sui, Can, Hong Ren, etc., but also to France, Song and Yuan Dynasties. Pay attention to the unity of reality, complexity and density in composition; If you use a pen as a seal brush, you are dignified, vigorous and powerful, and you are interested in writing carefully. After the age of seventy, the post-painting works will be dripping and magnificent; I like to use accumulated ink, spilled ink, broken ink and Su Mo to make the mountains and rivers deep and magnificent. The so-called "black, dense, thick and heavy" painting style is his remarkable feature. His calligraphy "Zhong Ding" has a deep skill. His works include: A Study on the Origin of Huangshan Painters, A Talk on Honglu Paintings, Micro-analysis of Ancient Paintings, Compilation of Paintings, Compilation of Jinshi Paintings and Calligraphy, Essentials of Paintings, etc. He and Deng Shi compiled the Fine Arts Series and compiled the Quotations of Huang Binhong's Paintings.

In the history of modern painting in China, there is a saying that "the Northern Qi refers to Qi Baishi, a flower-and-bird painting master living in Beijing, while the Southern Yellow refers to Huang Binhong, a master of landscape painting in Zhejiang. They are juxtaposed by the art world, which shows that Huang Binhong's artistic skills and achievements are extraordinary. Huang Binhong was born in Jinhua, Zhejiang Province in 1865 and died in 1955. He is good at landscapes, flowers and sketches, but he became famous relatively late. After the age of 5, his painting style gradually became realistic, and after the age of 8, he really formed the familiar "black, dense, thick and heavy" painting style. Huang Binhong's landscape paintings in his later years are profound, magnificent and shocking, which makes China's landscape paintings rise to a supreme level. Because of his outstanding contribution in the art history, Huang Binhong was awarded the title of "Excellent Painter of China People" by the state on his 9th birthday.

it is used as the axis of Lin Qiu Map, and the paper is in color. 122.8 cm in length and 48.8 cm in width. Now in Tianjin People's Fine Arts Publishing House. At first glance, this picture shows overlapping mountains, sparse trees and misty clouds. The prospect is hillside, Gu Song is lush, and there are several bungalows, which are strewn at random. There is a four-corner pavilion behind the garden, in which one person sits. There are many trees on the mountainside, and the branches are slanting, towering up the mountains and standing alone. On the left, there is a vast lake, and two sailboats run downwind between the two mountains, which are lined with water and dried with water, so that the mountains and rivers have a close relationship of mutual beauty. Although this picture is full of mountains, winding mountain roads, dense forests and many levels, it is still beautiful and vivid. The conception is plain and strange, close to its essence, far from its potential, unconventional, dry and moist, virtual and real, complex but not chaotic. This is inseparable from the painter's long-term artistic practice, which makes his painting art reach a perfect state. This painting can also fully reflect his artistic style of "rich peaks and lush vegetation".