Mi Fei (1051~1107) was a calligrapher, painter and painting theorist in the Northern Song Dynasty in China. First named Kun, later changed to Fu, the word stamp, Xiangyang lay man, Haiyue Mountain people and so on. Originally from Wuwei County, Anhui Province, he moved to Xiangyang, Hubei Province and lived in Runzhou (now Zhenjiang, Jiangsu Province) for a long time. Mi Fei's fifth ancestor was Mi Xin, a scholar in the early Song Dynasty. His great-grandfather and great-grandfather were mostly Wu Zhi officials. His father's name is Zuo, the word Guangfu, and the official is Wuwei. His mother Yan is the wet nurse of Queen Gao. He used to be a school book lang, a doctor of calligraphy and painting, and a foreign minister of the Ministry of Rites. Good at poetry and calligraphy, good at seal script, official script, regular script, running script, cursive script and so on. And he is good at copying ancient calligraphy, reaching a chaotic level. At first, he was a scholar at that time, then Ou Yangxun and Liu Gongquan, with tight fonts and strong strokes. Later, he moved to Wang Xizhi and Wang Xianzhi. His posture was enlarged, his brushwork was vigorous and refreshing. He called himself "Calligraphy", and he was also called the four great calligraphers in Song Dynasty with Su Shi, Huang Tingjian and Cai Xiang. His paintings are good at dead wood and bamboo stones, especially ink and wash landscapes. It is very creative to express the changes of mountains and rivers in the south of the Yangtze River with brush strokes, which is called the Yunshan of rice. Mi Fei's calligraphy ink handed down from generation to generation includes Mourning the Empress Dowager, Shu Su Tie, Tiaoxi Iron Stone, Bai Zhong Yue Ming Tie, Hong Xian Shi Juan, Cao Shu Jiu Tie, Duojing Lou Iron Stone and so on, but no paintings have been handed down from generation to generation. The book Mountain Forest Collection has been lost. His theory of calligraphy and painting has been dabbled and recorded in books such as History of Calligraphy, History of Painting and Zhang Bao.
Is this the story you told?
Epilepsy inkstone
Miffy loves inkstone to the depths? For an inkstone, even in front of the emperor, I don't care about elegance On one occasion, Song Huizong asked Mi Fei to write a cursive script with two rhymes. In fact, he also wants to see Mi Fei's calligraphy, because Song Huizong is also a great calligrapher, and his "thin gold body" is also very famous. Mi Fei's pen moves the dragon and snake, straight as a line from top to bottom. After reading it, Song Huizong really liked it and praised it. When Mi Fei saw the emperor happy, he immediately held his favorite inkstone in his arms, and ink splashed everywhere. He told the emperor that the minister of inkstone had already used it, and the emperor could not use it any more. Can I have it, please? Seeing that he loved this inkstone so much and cherished its calligraphy, the emperor couldn't help laughing and gave it to the emperor. Mi Fei's inkstone was deep. He compared it to his own head, held his beloved inkstone and slept for several days. He loves inkstones not only because he appreciates them, but also because he constantly studies them. He discussed the origin, color, fineness and technology of various inkstones, and wrote a book "History of Ink", which left valuable experience for future generations.
Baidu encyclopedia is very detailed.
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Two pronunciations in Advanced Chinese Dictionary;
(of grass and trees) lush.
Fay
-"shelter" ({bīfèI}): describes the tiny leaves on the trunk.
(of grass and trees) lush.
fú
shape
The lush plants look lush. Children, lungs, lungs)
Part of speech change
Pass the word "Lu" around the knee [knee skin]
Zhu Sihuang, the king of the family. -"Poetry and Xiaoya's Four Drives"
Another example is Zhu (red kneepad)
"Pass the word down". The rope that pulls the coffin [the rope that guides the hearse]
There will be a difference between red and gold. -"Poetry Xiaoya Car Attack"