1, monograph Su Shi's Calligraphy and Painting Art and Buddhism, Commercial Press, June 2004 10.
2. Monograph "Reaching the Tathagata-Zen in Dong Qichang's Painting and Calligraphy", Zhonghua Book Company, June 5438+ 10.
3. Monograph "Living without a Fixed Place-Huineng's World", Commercial Press, September 20 13.
4. Monograph Selected Works of Chen Zhongzhe's Calligraphy and Seal Cutting, Xiling Publishing House, March 2000.
5. Monograph "China Calligrapher's Yearbook, Seal Carving Volume and Chen Zhongzhe Volume", Sichuan Fine Arts Publishing House, March 2009.
6. Monograph Volume of Chen Zhongzhe, China Contemporary Calligraphers Collection, Sichuan Fine Arts Publishing House, March 2009.
7. Monograph Chen Zhongzhe's Volume of Contemporary China Calligraphy Works, Macau Publishing House, July 20 10.
8. Monograph "Learning from Time-Selected Calligraphy Works of Chen Nanzhang", Macau Publishing House, 2065438+March 2003.
thesis
1, On "Vivid Portrait Banned" (Wen Shizhe 20065438+0 September 24th)
2. An Analysis of the Confucian Six-Day Theory (Confucius Studies, No.3, 2002)
3. Secularization analysis of temples in Japanese cities (Kale B Japan Research Fund 200 1-2002, 2002)
4. On the realm and level of dedication (People's Daily, June 2, 2003)
5. Seeking Peace of Mind (Shu Creation, Shanghai Calligraphy and Painting Publishing House, June 5-438+ 10, 2003)
6. Su Shi's concept of "form and spirit" in painting and its relationship with Buddhism (Journal of Jiangsu Administration College, No.9, 2004)
7. On the Zen Meaning of Su Shi's View of Painting and Calligraphy (Journal of Xiaogan College, No.9, 2004)
8. Su Shi's "Impossible Method" and His Zen Meaning (Calligraphy 10, 2004)
9. On Su Shi's thought of pleasing people in calligraphy and painting (China Calligraphy, 10, 2004).
10, On Su Shi's Friendship with Buddhists and Monks (Philosophy, Religion and Humanities, Commercial Press, 2004, 65438+February)
1 1, Analysis of Six Days Theory (I) (Academy No.6, 1998)
12, Analysis of Six Days Theory (Part Two) (Academy No.6, 1998)
13。 "Writing Poems with Guodian Bamboo Slips" (original Japanese, author Yan,), Tsinghua University Journal of Philosophy and Social Sciences, 2nd edition, 2002.
14, Man and Nature in the Philosophy of Laozi and Zhuangzi (Zhejiang Daily, March 7, 2005)
15, Six Days of Taoism in Liu and Song Dynasties (China Taoism, No.3 in 2005).
16, on Su Shi's aesthetic taste of "poetry and painting are of the same origin" (Aesthetics and Art Research, edited by Ruxin Zhang, the fourth episode, Jiangsu Literature and Art Publishing House, 2005)
17, Zen of Dong Qichang's "sui generis" calligraphy view (Calligraphy Newspaper 2005165438+1October 28th (totalNo. 109 1 issue))
18, the calligraphy feeling of Dong Qichang's "participle sentence" (Calligraphy Newspaper, 2005, 65438+February, 65438+February)
19, Buddhism and Zen in Dong Qichang (China Calligraphy,No. 1 issue, 2006)
20. What is "social integration" (Zhejiang Daily, April 3, 2006)
2 1, "Reading Great Realm-My Life Feeling" (Wenzhou Daily, April 28, 2006)
22. "Straight into the Tathagata"-On "Literati Painting" and Zen (Tsinghua Fine Arts, No.2, April 2006)
23. The natural beauty of the best running script in the world "(study times Party School Education Special Issue,No. 152, May 8, 2006).
24, "Iron Shoulder and Wonderful Hands Reflect Danqing-Li Dazhao's Calligraphy" ("China Calligraphy", No.7, 2006)
25. The Confucian philosophical foundation of a harmonious society-centered on Xunzi's ideal politics of "living together in groups" (Philosophical Research, No.5, 2007)
26. Look at the fate of historians from Dong Hu's Invisible Calligraphy (study times,No. 174, 2007).
27. Cultural Journey of Ancient Chang 'an-Random Thoughts on Terracotta Warriors (study times) (No.177, 2007).
28. Ancient Chang 'an Cultural Tour-Yanta Forest of Steles (study times) (No.:180, 2007).
29. Ancient Silk Road (study times), a cultural tour of ancient Chang 'an (No.178, 2007).
30. The Political Significance of Dong Qichang's "Painting and Calligraphy Inspire Zen" (China Calligraphy, No.2008 10)
3 1, Xunzi's Success (Yan Qun, No.9, 2008)
32. On Xunzi's View of "Desire to Establish People" (Philosophical Research,No. 10, 2008)
33. On Xunzi's thought of "sharing wealth from top to bottom" (Confucius Studies, No.6, 2008)
34. "Modern people should always have a heart of awe" (People's Daily, 2008, 1 1.4).
35. Xun Zi's Way of Distinguishing Points (Guangming Daily, 2008165438+1October 3).
36. The Art of War and Calligraphy (Liberation Army Daily, 2008, 65438+10.27).
37. The modern significance of Xunzi's thought of "increasing revenue and reducing expenditure" (study times 2008 1 1.3).
39. Screenwriter of the fourth episode of CCTV's large-scale historical documentary "Chinese Civilization" and "Rational Glory" (Hundred Schools in the Spring and Autumn Period and the Warring States Period). China CCTV 1, 4, 9 broadcast. Published by China International Television Company (DVD), 2008.
40. On the relationship between Su Shi's literary creation and Zen Buddhism (The third in the series of Reading Classics for College Students, edited by, Communication University of China Press, 2009)
4 1, "The Cultural Basis for the Construction of Confucian Political Ideals in the Pre-Qin Period" (philosophical trends,No. 10, 2009).
42. Confucius' Ideal and Helplessness (Guangming Daily, March 2009 16)
43. Social Function and Political Significance of Traditional Calligraphy and Painting (Buddhism and Chinese Studies, edited by Li, Kyushu Island Press, 2009)
44. The Spirit of Seeking Truth from Facts in Zhuangzi's Philosophy (Philosophy and Society, edited by Jia Gaojian, China Times Economic Publishing House, 20 10).
45. Dong Qichang's epiphany spirit of learning from the past ("China Calligraphy" No.3, 20 10)
46. Today's Zen (Twenty Lectures on Chinese Studies for Leading Cadres, edited by Wang Jie, Central Party School Press, 20 1 1 year).
47. Zen Buddhism and China's artistic spirit (China Social Sciences Journal, 20 1 1, June 30th).
48. "Taking art as an official and rectifying the name of the world": An analysis of the political influence of Dong Qichang's calligraphy and painting art (Calligraphy Guide 20 1 1 July)
49. Writing with Wind and Waves: On Mao Zedong's Calligraphy (China Calligrapher, 20 1 1, No.21issue).
The subject or problem of study.
1. Hosted the National Social Science Fund Project in 2006: Dong Qichang Painting and Calligraphy Aesthetics and Zen Thought ApprovalNo. 06CZX023. Has been completed, and the appraisal grade of the results is excellent.
2.2001-In 2002, he presided over the Kale B Japan Research Fund Project: Secularization Analysis of Japanese Urban Temples.
3. In 2004, he presided over the research fund project of the Philosophy Department of the Central Party School: Su Shi's aesthetic taste of "poetry and painting are of the same origin"
4. In 2005, he presided over the excellent postgraduate courses of three fund projects of the Central Party School: Systematic Research on Confucian Literature Unearthed since Liberation.
5. In 2009, he presided over the research fund project of the Department of Philosophy of the Central Party School: Research on the Political Ideal of Confucianism in Pre-Qin Dynasty.
6. Presided over the excellent teaching and research talent project of the Second Central Party School Talent Strengthening School Fund: "Contemporary Society and Confucianism in China".
course
At the Central Party School, he taught graduate students The Analects of Confucius, Mencius, University, The Doctrine of the Mean, Tanjing, Philosophy of Laozi and Zhuangzi, The Art of War, History of China Philosophy, China Philosophy and Traditional Culture, and offered cadres Zen and China Culture, A Guide to Mencius and China Painting and Calligraphy. In recent years, invited by many famous universities such as Peking University, Tsinghua University and China University of Political Science and Law, special lectures have been held.