(A) the change of point and point
The basic strokes of Yan-style regular script, which has just learned calligraphy, are difficult to write. If you want to write a point as a falling stone, you can't do it without three or two years of basic skills. Yan stippling is very low, full and heavy.
(2) Horizontal and horizontal changes
There are many kinds of horizontal paintings with different expressions. It is as long as spurge but not heavy, as short as stippling but not stiff, or as thin as unscathed but not frivolous, all because of Yan Zhenqing's skillful use of pen to seal calligraphy.
(C) skimming and skimming changes
The writing speed of skimming regular script in Yan style should not be fast or slow, and skimming should be tough and round, and there should be no failure;
(D) Si and Si changes
In the Yan-style regular script "Qin Li Monument", the strokes of seal script are all in it, so they are all thick, and many of them are against the previous strokes, and then the strokes gradually thicken, and the writing process should be natural, full of twists and turns.
(5) Vertical and vertical changes
The vertical painting of Yan body is thick and powerful, and it is usually collected when it is written for about five minutes. The middle is vertical, the left side is often arched to the left, and the right side is often arched to the right.
(vi) Folds and changes in folds
The folding pen of Yan body usually has no obvious folding angle, and sometimes it is even a round stroke. The time varying with the folding angle is written as the square in the circle and the angle in the outer circle.
(7) Hooks and changes in hooks
Hook painting in Yan-style regular script has its own characteristics. As the saying goes, you can't know a face until you read it. The characteristics of Yan hook are more obvious. In many pagodas, the hook is thick and full, and in the refined monument, the hook is subtle and subtle. Although it is short, it does not lose its strength at all, just like Yan's subtle and deep life.