Zhang Shufen studied her business seriously and sought advice from the older generation of experts and scholars such as Zhu Jiasu, Yin Runsheng, Zheng Minzhong, Zhou Shaoliang, and Zhang Zigao, and she made rapid progress. Five years of work in the warehouse laid a solid foundation for Zhang Shufen to later go to the display department to engage in display and exhibition research, and gave Zhang Shufen a physical basis for appraising cultural relics. Basic introduction Chinese name: Zhang Shufen Nationality: Chinese Ethnicity: Han Birthplace: Guangzhou City, Guangdong Province Date of Birth: 1939 Occupation: Appraisal expert of China Family Appraisal Committee Graduated from: Department of Art History and Art Theory, Central Academy of Fine Arts Character profile, employment status, Work situation, character achievements, character profile Zhang Shufen graduated from the Art History and Art Theory Department of the Central Academy of Fine Arts in 1966. After six years of study, she took dozens of historical theory courses and professional courses. After graduation, she was assigned to work in the Palace Museum. This place is The knowledge Zhang Shufen learned has been put to use. Zhang Shufen worked in the Civil Affairs Department, Custody Department, and Display Department in the hospital until her retirement. Employment status ■ Appraisal expert of China Family Cultural Relics Appraisal Committee ■ Scholarship expert ■ Member of Jianbo Art Collection Appraisal Committee ■ Researcher of the Palace Museum Work status The Palace Museum Arts and Crafts Group is a comprehensive group that integrates multiple disciplines. At that time, there was a lack of college students in the group, so Zhang Shufen was assigned to this group and was engaged in the display and research of the Four Treasures of the Study and bamboo, wood, tooth and horn crafts. On the morning of November 24, 2012, Zhang Shufen, as a researcher of the Palace Museum and an expert judge of CCTV's "Treasure Hunt" column, composed an expert appraisal team composed of Shan Guoqiang and Li Zongyang, arrived at the Jincheng Antique City and Art Museum, and opened the "Jincheng Antique Collection Appraisal Competition" The curtain of the treasure appraisal activity in "Lecture Hall". Zhang Shufen loves her job and can lead by example, contacting the public to do various display and scientific research work. She is also qualified for her job, has a solid business theoretical foundation, a high professional level, and has achieved remarkable results. Zhang Shufen was employed as assistant librarian, librarian, and associate research librarian from 1981 to 1987. In 1988, she was appointed as the leader of the technology group. In 1996, she was employed as a researcher. In the past few years, Zhang Shufen has completed dozens of large, medium and small exhibitions at home and abroad, and published many monographs on cultural relics. In the display of cultural relics independently hosted by Zhang Shufen, Zhang Shufen used various layouts and methods to boldly integrate the use of the four treasures of the study into people's living environment, and set up a "literati study" display method to truly and concretely show the changes in the history of the study. The development of social economy and culture, as well as changes in writing tools such as pens, inks, paper and inkstones, have made people understand their artistic tradition from design to production, and then developed into an independent art discipline. The function of displaying the Four Treasures of the Study is that it can fully make people realize that the chess, calligraphy and painting played an important role in the cultural life of Zhang Shufen, and the Four Treasures of the Study are the basis of the chess, calligraphy and painting. At the same time, the Four Treasures of the Study combine calligraphy, painting, Various artistic features such as sculpture and decoration are integrated into one, and have the artistic value of comprehensive works of art (Zhang Shufen put forward the argument that the display and exhibition should reflect that pen, ink, paper and inkstone are the first of all culture and art, and are the forerunners of all science and culture) . Due to the rich display content and novel methods, it left a deep impression on the audience, had a great impact on society, and was recognized by the society and praised by leaders. Zhang Shufen and comrades in the museum completed the exhibition task of the Forbidden City series exhibition "Art Museum of Ancient Dynasties". This is Dean Zhang Shufen's annual exhibition. The purpose is to show that the Palace Museum is the largest art museum in China through the exhibition, so that more people can understand China. Excellent traditional culture with a long history. Zhang Shufen independently completed the display and exhibition tasks of "Four Treasures of the Study", which excellently reflected the results of display research. In addition, Zhang Shufen and comrades in the hospital also completed the "First Cultural Relics Exhibition" assigned by the State Administration of Cultural Heritage. Zhang Shufen was responsible for picking up and delivering the exhibits, arranging the four treasures of the study, bamboo, wood, teeth, horns and miscellaneous display content, image and text descriptions, and did a lot of work for the publication of large-scale catalogues. She completed the task well and won the national award. It was well received by the Cultural Relics Bureau and the hospital. It was rated as an "Excellent Exhibition" by the State Administration of Cultural Heritage, and Zhang Shufen was also rated as an advanced individual. Zhang Shufen Zhang Shufen went to the United States, Japan, Germany, and France in 1986, 1989, 1990, and 1998 to complete exhibitions and inspect cultural exchange activities.
Going to Disneyland in the United States to hold the "Chinese Watch and Clock Exhibition", Zhang Shufen was responsible for identifying cultural relics, copying and repairing cultural relics, designing the venue content, and writing and publishing the text description of the catalogue. Audiences from the United States and other countries can learn more about China through the exhibition, which has given a good start to cultural exchanges between China and the United States. The "Qing Dynasty Palace Culture Exhibition" was held in Tokyo and Nagoya, Japan. This exhibition focused on China's unique study utensils and comprehensively and systematically displayed the connotation of Chinese culture. By exhibiting a replica of the "Sanxi Hall", foreign audiences can see the royal necessities of the Chinese emperors and understand that the Manchu emperors of the Qing Dynasty worked tirelessly to learn and succeed in order to learn from the long cultural traditions of the Han people, seek the etiquette of monarchs and ministers, and the principles of governing the country and bringing peace to the world. situation, thus understanding the situation of the prosperous period of Qianlong in the Qing Dynasty. The exhibition plays a very good role in Sino-Japanese friendship and Sino-Japanese cultural exchanges by promoting China's excellent national culture. Character Achievements As the leader of the visiting exhibition exhibition, Zhang Shufen not only completed the exhibition content design, venue art design drawings, venue layout, copying cultural relics, writing papers for published catalogs, cultural relics text descriptions, and Chinese and Japanese translation and proofreading, but also required Aichi Prefecture Invited by , Mie Prefecture, Gifu Prefecture, Nagoya City Cultural Office and other units, he gave a special report entitled "Refined Stationery Utensils of the Ming and Qing Dynasties", which was well received by the audience. It was publicized on radio, television, and newspapers, and was also published in Posted a photo of Zhang Shufen. Over the past decades, Zhang Shufen has participated in the writing of the introduction to pens, inks, paper and inkstones in the fourth volume of the "Encyclopedia of China" Cultural Relics Volume, "The Essence of Chinese Cultural Relics", and the "Forbidden City Cultural Relics Collection"; published the famous inkstone collection of the Forbidden City Thesis "Appreciation of Chinese Famous Inkstones". Completed Chinese and Japanese translation and proofreading work; completed the writing of exhibition catalog narrations such as "National Exhibition of Unearthed Treasures", "National Exhibition of Diaspora Cultural Relics", "Collaboration with American Weng Wange on "Forbidden City Culture"". Published a collection of image essays used in the exhibition in Japan, "Four Treasures of the Ancient Chinese Study" and "Qing Dynasty Palace Culture Exhibition"; participated in the writing of images and entries for the first and second "Essence of Chinese Cultural Relics Exhibition". He has published monographs and papers such as "Antique Appreciation and Collection Series - Appreciation and Collection of the Four Treasures of the Study", "Appraisal of the Four Treasures of the Study", and "Appreciation of the Four Treasures of the Study". In 2002, the work of editing, writing essays and entries for three volumes of "Four Treasures of the Study" will be completed, which is a collection of 60 volumes of "Exquisite Art" collected by the Palace Museum. In 2004, he will be the editor-in-chief of the five volumes of "The Complete Collection of Chinese Art - The Four Treasures of the Study" assigned by the Propaganda Department of the Central Committee of the Communist Party of China and the General Administration of Publication. Zhang Shufen has given lectures to young people many times, guided them in investigation and research, and done a good job of spreading, helping and leading. In order to cultivate talents, Zhang Shufen did her best to teach them the knowledge of cultural relic identification and appreciation, and proactively provided them with more conditions and opportunities to exercise their work abilities. He has taught lectures inside and outside the institute, including: an intern at Fudan University in Shanghai, a training class for Tianjin Cultural Relics Company, a geology department at Peking University, a Chinese famous inkstone research association, a cultural relics class at Beijing Institute of Education, and a training class for customs appraisers across the country, etc. As a senior intellectual outside the Party, Zhang Shufen has been elected as a member of the Eighth and Ninth CPPCC since 1992. In 1993, he was hired as a special inspector of the Beijing Municipal People's Government and a juror of the Beijing Second Intermediate People's Court. Zhang Shufen has participated in five batches of joint inspections by the Capital Civilization Office and the Corruption Office. In January 2002, he was hired as a librarian of the Beijing Institute of Literature and History.