"Ink Bone" is a technique of "Gongbi" in Chinese painting, which is a technique of dyeing with ink.
Origin: Zeng Jing was a famous portrait painter in the Ming Dynasty, and spent his whole life engaged in the creation of portraits. He faithfully inherited the tradition, and pioneered the ink bone painting method in the creation process, and was very dynamic, image, and Innovations were made in aspects such as composition and background.
Background: There are many reasons for the fundamental change in Chinese figure painting in the historical process. Within our field of vision, it is not unrelated to China’s Confucian trend of thought. Chinese landscape painting sprouted from the Sui Dynasty to the Tang Dynasty when the style classification became increasingly mature.
Extended information
Chinese painting techniques:
The ink should be used holistically. Generally speaking, "dense and light" are more integrated, while "light and thick" are due to the natural Rice paper has the characteristic of being drawn first, especially when the thick ink is 80% dry and then broken with light ink or water, so that the first drawing will be clearer. When painting a painting, you must have an overall design, and pay attention to the arrangement of black, white, and gray ink colors. Black is thick ink, gray is light ink, white is white paper and space.
The white space and white paper space in the crowd should echo well. Another point that must not be forgotten is that changes in the density of the threads will also cause a gray effect, and the matching of threads and surfaces must be reasonable. Especially when there are many characters in the picture, don't look for too many small changes in parts, but look for big contrasts in groups.
Six methods of ancient painting:
1. Vivid charm. One way of saying it is to express the spirit. In addition, it also means to express the artist’s character or the technical skills of using brushes and inks. statement.
2. The use of brushes in the bone method, that is, the technique of using the brush must have "bone strength" when expressing hooks, lines, and pokes. This is related to the inseparable relationship between calligraphy and painting at that time.
3. Respond to object pictograms, that is, feel the structure of objects and then describe the shape of the objects.
4. Add color according to type, that is, adding appropriate tones to the work according to the original color of the object and showing a sense of hierarchy.
5. Business position, that is, thinking about the composition and depth of the work.
6. Transfer imitation, that is, adding, deleting, and redrawing one's own drafts to complete the work. In addition, it also means imitating ancient works as a means of learning.
Baidu Encyclopedia-Ink Painting