Dai calligraphy is based on the Dai font as the apparent content, using the initial charcoal pens, white mud pens and later "Lezhan" (iron cone pens), fern pens, fountain pens and calligraphy brushes It is a kind of line modeling art that expresses tools. It has high aesthetic value, and its concise curve shape can express complex thoughts and interests. An excellent Dai calligraphy work can attract many viewers in society, and remind viewers of beautiful things like appreciating excellent Buddhist temple murals, pagoda sculptures, Aoding music, peacock dance, Zanha tunes, etc. Live your life and enjoy all kinds of beauty.
According to relevant Dai historical records, in the 850th year of the Dai calendar (the end of the 15th century AD), the "calligraphy craze" arose again among the Dai literati and monks, and many famous calligraphers emerged. Most of the hundreds of narrative poems were adapted at that time. In the long-term practice of calligraphy, on the one hand, in order to be more beautiful, convenient and practical; on the other hand, out of more familiarity with the writing styles of charcoal pen, mud pen, iron cone pen, fern pen and so on, people created the "lead, roll, and New artistic techniques such as "bending and drifting" have promoted the renewal and development of Dai calligraphy. In the Yuan, Ming and early Qing dynasties, Dai calligraphy reached its peak. Following "Duo Wen Fei", "Duo Qin Da Yi", "Duo Fa Zhe", "Duo Luo Gu", "Duo Ma Huan Zhe" and "Duo Ma Huan Zhe" were successively produced. Five types of calligraphy, including "Duonan Lianduo", have become unique artistic styles recognized by the Dai people. The above-mentioned six calligraphy styles with distinctive artistic characteristics are collectively called "Nanzan Hezhe" in Dai language, which means "six techniques" or "six major forms".
From an aesthetic perspective, the essence of calligraphy itself is the sublimation of the artistic beauty of the glyph structure. Without "personality", there is no so-called originality in art. Over the past 40 years since the liberation of the border areas, national culture and education have become more popularized. Groups of Dai intellectuals have grown and developed. The people's cultural quality and ability to appreciate various arts have improved, not only among the Dai people but also among some people. Among the Han people, a group of young Dai calligraphers emerged. In their long years of practical work, they not only mastered the new and old Dai scripts proficiently, but also directly received the great influence and influence from Chinese calligraphy on Chinese regular script, running script, official script, cursive script and other excellent arts. They also pursued their ideals On the way to the artistic realm, we have also extensively absorbed and learned from the artistic expertise of Thai, Lao and Burmese calligraphy, focusing on neatness, beauty, convenience, practicality and other aspects, working hard and striving for excellence.
At the same time, we continue to consciously push the artistic achievements we have made to the society for testing, and successfully create various schools of new and old Dai literature that are more contemporary and distinctive. Excellent calligraphy. According to the investigation, the new outstanding arts that emerged after liberation include "folded strips shape", "cat's eyes closed shape", "cube shape", "laminated shape", "chicken claw shape", "front scroll shape", "golden vine shape" There are many excellent Dai calligraphy styles with different genres and styles, such as the circle shape and the "golden flower silk shape".