Liu Ti Ryan's Calligraphy Formula

Liu Tizheng's regular script formula: the middle palace is tight, and the horizontal and vertical are comfortable. The pen is broken. Skillfully weigh the scales, and transport them. Point circular wave is short, weak in transverse direction and strong in longitudinal direction. Short and thick, short and horizontal. Back to the front, the mouth is equal. Put away your pen, and Yan Liu will walk with you. ?

1, the uterus is tight and comfortable.

A word is written in a square, which is divided into nine squares, and the square in the middle is the middle palace. The middle part of Liu style is tight, but the horizontal and vertical (including some strokes) are stretched very long. In this way, the structure of words is compact and relaxed.

2. the pen is frustrated and the bones are open.

Pay attention to every stroke of Liu Zi. The performance of frustration lies in that every stroke should be written and maintained with great force, and the intention, pen and pen can be delivered, so that the brushwork can be written and the strokes can be powerful.

3. Light and heavy scales, transport.

Liu's apostrophe is lighter, but Si's apostrophe is heavier. Although Liu's style is mostly in Fang Bi, there are sometimes round pens, which are mostly used for point, vertical and left strokes. Some words are written with a round pen.

4. The point circular wave is short, weak in transverse direction and strong in longitudinal direction.

The dots of willow characters are always round, sometimes round and straight, and the flat writing is often very short, and it stops just after the first half. It's shorter than other homes. Willow characters are thin and thick.

5, short and thick, short and horizontal.

The long left and long left of Liu body are thinner, and the short left and short left are thicker. Short crosses are mostly upturned, that is, bent upward. If it is long, it will be more prone.

6. Turn your back forward and your mouth is quite flat.

The word Liu is written vertically at the end, and when it comes back, it is called "frustrated" and "mouth", and then it is picked out. This action is similar to Yan's hook, but pay attention. If you exaggerate, it will become a habit.

7, folding pen, Yan Liu counterparts.

The upper right corner of the word is called "folding pen" Like Yan characters, Liu characters often write a horizontal line first and then start from scratch, which shows a rigid square folding brushwork.

This formula basically explains the most important characteristics of Liu Ti. If beginners can recite this rhyme, then the characteristics of Liu style will be basically mastered.