What symmetry principles are included in the writing principle of hard-pen regular script?

I don't think it is necessary to say more about the literal meaning of symmetry. Everything in the world is unbalanced in proportion, different in size, length, weight and density, and can't keep balance with each other, which will make people feel bad and uncomfortable, all of which are related to asymmetry. Any object with appropriate proportion, appropriate degree of severity, appropriate density, or meeting the requirements of the golden section law is symmetrical. Such an object will make people feel beautiful and comfortable. The stippling of Chinese characters in China is wide and narrow, biased, dense and fat. When writing, in order to make it conform to the law of structural symmetry, we must strive to achieve: sparseness does not want to be small, density does not want to be big, right does not want to climb, slant, width does not want to be fat, narrow does not want to be thin, the sky covers the ground, the ground carries the sky, the inside takes the outside, the outside faces inward, the density is harmonious, and the size is commensurate. This is true not only between points of a word, but also between a line of words and a word. I will give you examples one by one:

1, sparse don't want to small, dense don't want to big. For example, the words "Ding, Ten, Eight, and Shang" are few, but they must cover the overall situation, and that is not small.

For example, there are many acupuncture methods such as "from, using, ordering and regulating", but they can't go beyond the bureau. This is the secret that I don't want to be big. The so-called inside and outside refers to the boundaries of characters. As we all know, Chinese characters in our country are square characters, and the basic requirement of writing is that each character occupies one space. Although calligraphy requires shaping by characters, all Chinese characters except grass are required to abide by this law.

I don't want to be on the board of directors, but I don't want to rely on it either. For example, words such as "Lord, righteousness, king and Wei". The vertical painting in the middle demands justice in honest and frank, but other stippling must strive to change, which is right or wrong.

For example, the words "tick, light, gram, drag" are uneven in weight, but we must try our best to adjust the profit to the loss in order to balance, which is biased.

3, wide don't want to be fat, narrow don't want to be thin. For example, the words "four, two, mountain and class" are all flat in shape. In order to keep the shape symmetrical, we should converge some stippling, just don't want to be fat.

For example, the words "no, joy, moon and inch" are narrow and long. In order to achieve symmetrical beauty, we should relax some stippling, which is narrow and unwilling to be detailed.

4, the sky will cover the ground, and the ground will carry the sky. Such as: "Yu, Zhou, Party, Deng". The upper part must cover the lower part, and it is impossible to make the head big and the hat small. This is what the sky will cover.

Such as: "basin, Tao, jade, thinking" and other words, the following must be supported above, not lightly loaded on the boat, this is the earth will support the sky.

5, the inside must be taken outside, and the outside must face inward. For example, the words "device, country, flying and trillion" are interrelated, such as the central sun and the surrounding planets, which means that the inside must be taken from the outside and the outside must be inward.

6, density phase modulation, commensurate with the size. For example, the words "fog, fog, count and stir" are combined, one is dense and one is sparse, the dense one is big, and the big one is sparse; Rare people should be small, and small people should become rare and dense. This is density and density, and the size is commensurate.

Even if the words "Dai, Lin, Jing and Xie" are equally divided or equal, although they are independent, they still need to be attached to each other and become one. Only in this way can we achieve the goal of fairness without losing the momentum of continuity.

Another example is: "Xun Shi" is equivalent, "If" is juxtaposed, with different density and size. Small and big, big and small, sparse and not crowded. In one go, the spirit is unified, and there is no need to worry about structural asymmetry.