The Iron Stone of Song Fengge is a parallel edition of Huang Tingjian's seven-character poem, with a length of 32.8 cm and a width of 2 19.2 cm. The full text consists of 29 lines, 153 words. Collected by the National Palace Museum in Taipei. Songfengge is located near Lingquan Temple in Xishan, west of Ezhou City, Hubei Province, with an altitude of 1.6 meters above sea level. In ancient times, Fanshan was the place where Sun Quan gave lectures on martial arts and literature, and held a banquet to worship heaven. In September of the first year of Chongning, Song Huizong (1 102), Huang Tingjian and his friends traveled to Fanshan in the north of the lake, passing through a pavilion in the pine forest and listening to Songtao overnight.
Song Feng Ge Tie Shi is a work of Huang Tingjian in his later years. Huang Tingjian wrote thousands of excellent running scripts in his life, the most famous of which is Song Feng Ge Tie Shi. Its Shen Feng is swaying, the long wave is big, Teton is ups and downs, and it is full of meaning. It is a masterpiece of running script to add Lanting to Yan's Sacrifice to My Nephew.
Collection history:
Song Feng Ge Tie Shi spread in Song, Yuan, Ming and Qing Dynasties. In the Song Dynasty, it was collected by the people, returned to Jia Sidao, passed through Xiang in the Ming Dynasty and Qing Dynasty, and then entered the imperial palace of the Qing Dynasty.
This post was given to Hubei Wang (Xiaofeng) during the light year of the Qing Dynasty.
In the twenty-fourth year of Daoguang (1844), Wang Jinshi, Ministry of Military Education, took the provincial examination in Shuntian (Hebei), served as a copywriter, and served as an examiner after the senior high school entrance examination. Taking advantage of his position, he specially collected Huang Tingjian's Poems of Song Fengge and Cai Xiang's Ink in Song Dynasty and brought them back to Hubei.
Ke Maozhi's preface to the poem Volume of Songfengge in the Yellow Valley says: "Wang Xiaofeng's Ministry of War got this volume in Luchen, Liu Jun, and it has been covering the property of the princess's family for a long time. There are more than a dozen famous poems and postscript on it, which are often hidden in Li Tianlai's pavilion. There are many private prints of Xiangzi Jingbian Ling, and I asked for Xi's baby. Without the name of Fu Weng (Valley), the paper color and silk color are still fresh and beautiful, but they are full of energy, not turning the phoenix. Wuchang (Ezhou) handed a poem by Fu Weng to Songfeng Pavilion, but it was abandoned from time to time in the pavilion, and the poem was unique in the world. After several dynasties, this Mo Bao returned to the hands of literati in our city, and the fate of mountains and rivers was accidental. I loved playing for a long time, and I gave it its original rhyme. It was the spring and March of the ninth year of Xianfeng (1859). "