It was not until the Song and Jin Dynasties (960- 1234) that tourists inscribed on the tablet and became a tablet with words. But most of these people have no orthodoxy and respect.
The trip of commander-in-chief Lang Jun of Di Chin [1]
The historical attitude only pays attention to self-catharsis. When a place is caught, it begins to dance, and a monument to Nuoda has become an old monk's patchwork. The words in front are blurred, and the words in the back are engraved, overlapping bedsteads and a pot of paste. There is an inexplicable feeling: "The mistress is gone, and I hate her for thousands of years"; There is a feeling that the local people miss and respect Wu Shi. The poem reads: "Pines and cypresses in Ganling were killed by soldiers, and cattle, sheep and grass were everywhere. Only the dry person Huaide, wheat and rice worship every year. " Guo Moruo's "Gan Yong Order" says: "After a thousand years of case-solving, a hundred hectares of fertile land in Cheng Liangtian. No word tablet is full of words, who can know Gu Kunyuan. "
Because of the long history, predecessors and descendants can't communicate and coordinate and take care of each other, which leads to trouble and no rules. Among them, only the Jurchen language "The Travels of Lang Jun, the Emperor's Brother of Daikin" is relatively intact in 1 135 (with Chinese translation). Jurchen script is now extinct, and inscriptions have become valuable materials for studying Jurchen script and the history and culture of ethnic minorities in China.
Many words of Song, Jin, Yuan, Ming and Qing dynasties are engraved on the majestic wordless tablet, which not only naturally forms an "inscription" to evaluate Wu Zetian in content, but also provides five elements: original works, cursive script, official seal and calligraphy. Figuratively speaking, it is indeed a masterpiece that spans dynasties. This may be in line with the original intention of Wu Zetian's monument.