The red color of the seal, combined with black and white, is strong and rich. If there is no seal, there is only ink on white paper, which is strong in contrast but less moderate. The combination of the text content of the seal and the written text content makes the connotation of the work more hierarchical, heavy and malleable. Therefore, the role of seal in calligraphy works is very rich, and the seal on calligraphy works is also particular. Its stress can also be explored from its function. Calligraphy works are generally stamped with the author's name at the signature.
A work with an inscription is usually regarded as a complete work. With the title chapter, it would be more perfect if you put a chapter at the beginning of the writing. The title stamp echoes the title stamp. The middle part of the work is dark and the handwriting is bright, with two red dots before and after, which will let readers know the author of the handwriting. The moral of the text content of the seal, in addition to the title seal and the opening chapter, can also affix some seals in the appropriate position of the work to increase the rich content of the seal effect, but this is obviously a technical job. To put it bluntly, the author needs to have higher aesthetic ability and integration ability. If it is not well controlled, it is redundant.