1, stippling. The pen is flexible and changeable, and Fiona Fang uses it at the same time, so that the center, flank, exposed front and hidden front are integrated.
2. Sketch. This tablet hook method has the statutes of the Six Dynasties, and its shape is changeable, simple and full, so it is necessary to avoid being frivolous.
3. Fold the picture. There are two kinds of folding: square folding and round folding, and the transition and pen change should be natural and coherent.
4. stippling There are oblique points, dots, vertical points, vertical points, pick points and various combination points. When writing, fully express the gestures of various entry points. Oblique points, such as falling rocks; The dot is dignified and complete; The vertical point is multi-elbow, and the posture is unique; Falling like water drops, lively and smart; Pick a point with coherent momentum, which is very interesting in the running script.
5. Draw horizontally. Horizontal painting is divided into long painting and short painting. Long and horizontal, backward, not smooth and tight, bulging in the middle, forming an arc and elastic; Short horizontal, cut pen into paper, loose, light, concise lines.
6. vertical painting. There are all kinds of vertical, long and short, straight and hanging, all of which need to be straight and powerful, and the end should be supported.
7. draw pictures. Painting is an extension of picking points, so we should control the strength and not be weak.
8. Painting. Long left, the pen should not be too heavy, and the pen should be slightly pressed at the end; Short and heavy pen, angular, short and powerful.
9. draw pictures. Full of ancient meaning, showing the charm of Han Li, from light to heavy, full of twists and turns.
Second, the structural characteristics of calligraphy:
1, the biggest feature of Chu Suiliang's calligraphy structure is square, which laid the foundation for the evolution of calligraphy style in later generations. It becomes flat and spacious.
2. Structural features: Although there are certain rules to follow in its regular script brushwork and structure, it is not rigid, with correct structure, agility, generosity and elegance.
3. In the development of regular script, Tang Kai's "testimonies" are beyond the reach of later generations, but there is one exception, that is, Chu Suiliang. Yan mei is dominant and her posture is changeable.
4. It is manifested in the use of pen and structure. The so-called pen structure, the flexibility of pen lifting and rotation, etc. , leading to a beautiful structure.
5. Enter the letters with lines and echo them coherently. The infiltration of running script and brushwork has strengthened the internal connection between stippling, and isolated stippling is connected with each other through connection, remote connection and frustration, which is full of vitality.
Related content:
Chu Suiliang (596-659), a native of Qiantang, Zhejiang, was a famous calligrapher in the Tang Dynasty. His calligraphy was a beginner in Shinan. In his later years, he accepted Zhong You and Wang Xizhi and merged with Han Li to form his own family. Chu Suiliang read widely, was proficient in literature and history, and was good at distinguishing the authenticity of Wang Zi, which was the first regular script in the early Tang Dynasty.
Chu Suiliang makes good use of the reverse pen in regular script, and uses the method of leveling with the reverse pen. The characteristic of receiving the pen is the front note. Because the pen is collected before the note, it not only has the meaning of official script, but also gives people a feeling of hard work and meticulous practice. Secondly, the twist of Chu regular script is quite diverse, and even the twist of stippling in each word has many changes. Third, the stippling in every word of Chu regular script echoes each other, even if
Its glyph is happy-go-lucky. Generally speaking, it depends on the local situation and the characteristics of Chinese characters themselves. When it is wide, it will be wide, and when it is long, it will not deliberately change the shape of the characters. Secondly, the layout of rules and regulations is compared with that of Shu Lang, both in word spacing and line spacing are compared with that of Shu Lang, and even the layout of a word is compared with that of Shu Lang. Chu Suiliang is a master of regular script because he is good at making steep and easy to break in regular script, which is beyond the reach of other regular scripts.
Chu Suiliang's calligraphy can create a new situation because of tradition. In the book review of the Tang Dynasty, Chu Suiliang's ci was praised as "rich in words, regular in Wen Ya and beautiful". Even Mi Fei, a great painter who didn't take Tang calligraphy seriously in the Song Dynasty, praised him with the most beautiful words: "Nine dancing cranes and herons are full of courtyards, and I smell yuyin, graceful and harmonious."
Chu Suiliang is well-read, proficient in literature and history, and good at distinguishing the authenticity of Wang Zi. He not only pioneered the regular script in the early Tang dynasty, but also created a large number of famous calligraphy works, which were copied and studied by calligraphers of all ages and even worshipped. He also led the art of the new era, attracted generations of students who studied "Chu Feng" and cultivated a group of new forces for the calligraphy art world. Carry forward "Chu Feng", make the study of regular script more popular, make China calligraphy magnificent, and let the pioneers of oriental calligraphy gain a firm foothold and become famous all over the world.
Refer to the above content: Baidu Encyclopedia-Tang Dynasty statesman Chu Suiliang