1, Zheng Banqiao's calligraphy features. His calligraphy, learning "He", Huang Gu and Er Wang in regular script, is fresh and beautiful; Later, drawing lessons from the style of official script, the style of seal script and the brush of cursive script, he created a new calligraphy style of "six methods and a half", which is based on opening script and official script, integrating opening script, grass script, official script and seal script, and taking painting as the brush, which is his bold and original creation in calligraphy art. Structural exaggeration makes long and narrow characters longer, narrower, wider and wider, and more oblique; In the composition and layout, the size is scattered, echoing up and down, and the density is alternating. The so-called "littering all over the street" is full of rhythm and rhythm. Zheng Banqiao's calligraphy appeared in the calligraphy field in Qing Dynasty, and he praised the study of calligraphy, giving people a refreshing feeling. There are many couplets, banners, screens and other ink handed down from generation to generation.
2. Zheng Banqiao represents calligraphy works. His scroll "Man Jiang Hong" is a masterpiece of cursive script, which is now in the National Palace Museum in Taipei. Because Zheng Banqiao was good at painting half bamboo and his brushwork was elegant, he surpassed the prevailing kitsch atmosphere at that time. In addition, his calligraphy often combines the five styles of seal, official, model, line and grass, thus creating his own unique personal style, calling himself "six books and a half". This picture is the work of his later years, written by his teacher Lu Zhen (No.1 Seed Garden). The whole axis is dominated by lines and grass, and the strokes, structures and strokes of seal script, official script and official script are simple, elegant, heavy, elegant and unrestrained, which can be called masterpieces.