Song Huizong Evonne is quite famous. After all, people created a thin golden body.
~ The following content is transferred from Zhihu ~
Calligraphy originated from Song Huizong Evonne of Chu Suiliang and his party, which refers to the radiation of Huang Tingjian, that is, the so-called long strokes and four exhibitions, and the tightening of the palace. It also absorbed the brushwork of Xue Ji and Xue Yao in the early Tang Dynasty and created a thin gold body. First of all, his thin gold style is a bold innovation of calligraphy in the conservative era on the basis of retro and inheritance. Secondly, Song Huizong integrated Cynthia's paintings into calligraphy, forming a unique and beautiful gesture. There are pictures in the book and books in the picture. Compared with the decline of the Song Dynasty, it is a concentrated expression of personality, personal thoughts and emotions. On the other hand, Li Shimin's calligraphy level is really quite good, and the inscriptions of Jinci and Wenquan are excellent. Compared with Evonne, I think what is lacking is an innovation based on the times, which is particularly valuable in the history of China's relatively conservative calligraphy, which emphasizes inheritance and retro. Li Shimin's greatest influence in the history of calligraphy is that he fully praised Wang Xizhi, promoted Wang Xizhi to the status of a person throughout the ages, personally wrote praises for The Book of Jin * Wang Xizhi's Biography, lavished eulogies, frantically collected Wang Xizhi's original calligraphy, engaged in Lanting funeral and Wang Shengjiao's collection, which led to the uproar of later generations and honored Wang Xizhi as a book saint. Personally, from the perspective of calligraphy itself rather than the times, Tang Taizong, Song Huizong, Qing, etc ... don't care who is higher or lower, who is good or bad, each has its own charm, so don't forget that calligraphy cultivation and meditation are passed down according to the different aesthetic tastes of the public.
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