He likes traveling, but he didn't see anything when he came home. Stay in Yangzhou overnight and sell calligraphy and painting for self-sufficiency. Curious and eager to learn, good at poetry and calligraphy. Poetry is quaint, and he is good at distinguishing. Calligraphy creates the style of flat pen, which has both open pen and official pen, and is called "lacquer book". I didn't start painting until I was fifty-three. His painting style is strange and ancient, and he is good at sketching flowers with light ink dry pen, especially painting plums.
His representative works include Huadong Calyx Opening, Air Defense Like Sprinkling, Chimonanthus Chimonanthus Opening, Jade Butterfly Clearing, Tie Xuan Sparse Flowers, Wonderful Picture of Bodhisattva, Qiongzi Waiting for a Picture, etc. He is the author of Winter Heart Poetry, Winter Heart Essay and Winter Heart Essay.
Jinnong, whose real name is Shoumen, Sinong and Jinji, is also called Dongxin, also known as Keelung Shanmin, Qujiang Waishi and Yejushi yesterday. There are many nicknames, including: Jinniu, Mrding, Gu Quan, Zhuquan, Jimei Zhu, Shen Lian lay man, Suolong Xianke, Shame Chunweng, Shou Daoshi, Jin, Xinliulang, Xiantan Sweeping Flowers, Meeting the Old Man on Jinniu Lake, and the rich man in Bayer Yantian. Born in the 26th year of Kangxi in Qing Dynasty (1686), died in the 28th year of Qianlong (1763) and was born in Qiantang (now Hangzhou, Zhejiang). According to Jin Nong's self-report: "There are several farmhouses at home, beside the Qiantang River, there is a study hall in the middle, and there are mountains behind the river, and the river is endless."
Jinnong was born smart. He studied in He Chao's home as a scholar in his early years. He lived next door to Ding Jing, one of the eight schools of Xiling, and was influenced by his association with the so-called "three sons of western Zhejiang", which further increased Jin Nong's erudition. In the first year of Qianlong (1736), Qiu recommended him as a scholar of Hongci, but he failed the list. He was depressed and frustrated, so he traveled all over the world, visiting Qi, Lu, Yan, Zhao, Qin, Jin and wuyue, and finally found nothing. At the age of 50, he began to learn painting. Because of his profound knowledge, numerous browsing traces and profound calligraphy skills, he eventually became a generation of famous artists. In the evening, Yangzhou is self-sufficient in selling calligraphy and painting, ranking first among the "Eight Eccentrics of Yangzhou". My wife died and had no children, so she didn't come back.
Jin Nong spent most of his life in ups and downs, and sometimes "being a daughter is also casual." In difficult times, I have to rely on selling antiques, copying Buddhist scriptures and even carving inkstones to increase my income. Yuan Mei was also invited to write lanterns, and Wang Chang wrote Poems on Pu Brown Mountain House to describe Jin Nong. "The temperament is steep and the world is so strange." However, if you meet a comrade, you will feel very comfortable and comfortable. "He died at the age of seventy-seven, and one was seventy-eight.
Jin Nong is well-read, versatile, curious about the past and has a collection of ten thousand volumes of epigraphy. Fine appreciation of seal cutting, good at painting bamboo, plum, pommel horse, Buddha statue, figure and landscape. Your MoMuMei plum blossom is full of flowers, full of vitality, simple and simple.
calligraphy
Jinnong is the core figure of Yangzhou Eight Eccentrics. He is a master of poetry, calligraphy, painting, printing, piano music, appreciation and collection. Jin Nong studied calligraphy since he was a child, and his literary attainments were very high. Strong academic education made him the first of the "Eight Eccentrics in Yangzhou".
However, Jin Nong's nature is weak, and his calligraphy works are few compared with others in Yangzhou Eight Eccentrics. He lived in the three dynasties of Kang, Yong and Gan, so he gave himself a casual name of "the old man in the three dynasties". Jin Nong didn't think of calligraphy at first, but his calligraphy attainments have become one of the highest achievements among the "Eight Eccentrics of Yangzhou", especially his running script and official script, which have wonderful and unique aesthetic value.
In his early years, his official script was "stick * * rope ink", with regular brushwork, rough strokes, tight structure, more restrained posture, less outward development and simple and concise style. Jin Nong's calligraphy art is known for its simplicity and simplicity. His "lacquer book" is a special method of using pen and ink. "Jinnong Ink" is as thick as paint, and the written words protrude from the paper. The brush used, like a flat brush, can only be folded when dipped in thick ink, just like painting with a brush. The words written in this way look vulgar and simple, with no rules at all. In fact, they are all about the overall situation and have a grand charm.
Jin Nong's cursive script is the best embodiment of his calligraphy artistic realm. He combines regular script brushwork, official script brushwork and seal script brushwork, and is unique. His stippling looks like official script, and it is also careless. The long horizontal and vertical hooks are all in the shape of official script, and the pen-skimming posture is often close to Wei Bei, which is particularly vigorous and graceful. Especially those poems written honestly, Gu Zhuo is elegant and has a natural charm and artistic conception, which makes people fondle it. Jin Nong's cursive script is different from others from the early days, but the cursive script written by the method of tablet inscription and his own "lacquer script" is frank and free, and the brushwork is mellow and rough, revealing innocent and clumsy interest, which is amazing; Its regular script of "writing classics and seal cutting" seems to come down in one continuous line with folk calligraphy. There are no light and heavy lines and round pens, and there is no Teton wave pick. The lines are uniform, the square turns hard, and the calligraphy style similar to single-line artistic characters is as old as organ-shaped characters. His calligraphy has far-reaching enlightenment significance. The book Measuring Like a Sea Post has been handed down from generation to generation and has flowed into Japan. Zhong Sheng Jiao Zan, Silk Lacquerware Book.
draw
He started painting in 1950, and his pen is a brief introduction of Gu. He broke away from the painter's habit and saw many historical sites. At the beginning, it was written about the old man who was a bamboo teacher and missed the villagers. At the back, it was written about Bai Yuchan, a painter of Mei, who used to be an evil layman. Draw a Buddhist name and become a monk. He also drew a horse, claiming to have studied Cao Han's law, but Zhao Wangsun was not good at it. Its landscape flowers and fruits are arranged strangely, with little cold light, which has never been seen in the world. If you ask, you will say something like "Bedouin Dragon Nest". He painted plum blossoms, calling himself "wild plum blossoms in the river" and demanding that "when it is cold, it smells thousands of miles." He drew a horse with the inscription: "Today I drew a horse. It was desolate, and I felt sorry for my shadow. How hard is it to trudge? There is no Bole in the world, even if you meet someone, you will die. I don't want to seek knowledge in the wilderness. " It shows his incompetence. He drew a page of a book, which showed a scholar-bureaucrat lying high in a pool pavilion with ventilation on all sides. The title was: "The wind is coming, lying on all sides." Free and unfettered, not as worldly, but also "lofty." At the first sight, Jin Nong declared in his painting that he wanted to "live a noble life". "express grievances." In a "Ink Bamboo Map", he actually wrote: "Grinding five liters of ink, painting this crazy bamboo, not to catch silver carp, but also to catch princes." I like to draw thin bamboo, saying, "Draw thin bamboo, it will last a long time, and the natural wind and frost will be full." After each painting, there must be an inscription, such as "Jin Nong is self-ordered, humble, upright and unyielding, and does not change his exercise for a long time, and the virtue of bamboo is also." The poem "Building a mound after rain" says: "It is especially green after rain, and the rustling is like crossing a pavilion. The world is ruthless, and only autumn sounds are the best. "
The painted characters are simple and exaggerated, the ancient poor brushwork is concise, and the image is distinct and prominent; Unique landscape composition, casual writing and dyeing, simple and sparse; Its plum and bamboo pens are strange, simple and heavy. Calligraphy evolved from the Temple of Heaven Monument, the Zen Mountain Monument and the Gulang Monument, with flat brushwork, light vertical and heavy horizontal, unique taste and unique style, so it is called lacquer book. Jin Nong's paintings and calligraphy were very famous at that time, and he was one of the eight eccentrics in Yangzhou. Handed down from ancient times, there are landscape figure books, moon maps, maps with sticks on their backs, maps of eastern calyx soil and maps of Zhu Mo. He is the author of Winter Heart Poetry, Winter Heart Essay and Winter Heart Essay.