Mr. Wang is unique in the world, and the land of China is everywhere. He visited more than 20 countries for exchanges.
Mr. Wang's calligraphy is like a sword. He is skillful, ingenious and changeable, ranging from four feet to fine print, and his works are magnificent and unique. He is one of the most powerful artists in contemporary calligraphy in China, and also the founder and founder of Yang Shufa's style.
A rough picture of rivers and lakes, an iron pen to write mountains and rivers
He is a famous contemporary calligraphy master in China, but he often calls himself an ordinary citizen.
He won numerous awards in his life, but he was only dressed in cloth and pen all over the world.
He, a stunt, regardless of the size of the paper, the number of articles, writing, and rigorous layout.
For 60 years, day and night, on the basis of China's traditional calligraphy, he created the unique style of Yang Shufa, which shocked China and foreign countries.
He is such an artist who cares about the world, but he often wears cloth. He is Yang Hanru, an "infatuated person" whose lifelong hobby is calligraphy art and national quintessence, and whose lifelong responsibility is to carry forward the culture of the motherland and inherit the national civilization.
Mr. Wang is humble, approachable, full of peaches and plums and friends all over the world. He hates being famous, likes to brag, is flashy, never comments on his fellow works, and humbly learns from his ancestors. He does not stick to anything, does not imitate anything, never fails to work hard and never forgets others, while I learn from others and take the lead in realizing Yang's unrepeatable calligraphy style. With the eternal identity of "* * * and the last people of the country, the first pawn of calligraphy", Mr. Wang vowed to dedicate the unique knowledge of real calligraphy to the present and spread it to future generations. He has won the respect and praise of international peers with his exquisite skills, profound skill and extraordinary bold creation. He was hired as a visiting professor and art consultant by many universities at home and abroad, and led many delegations of famous painters and calligraphers from China to communicate with other places. In April, 2005, he was awarded "Master of Contemporary Painting and Calligraphy in China" by the International Yanhuang Painting and Calligraphy Association. 20 15 was awarded the title of "Hall-level Artist of the Year" by China Calligraphers Research Association.
So far, he has won the praise of countless people of insight, but also faces the slander of many jealous people. He has no sense of honor or disgrace and is dismissive. He braved the wind and waves, cut through thorns, boldly innovated and never slackened, creating a peerless masterpiece that made the gods cry.
Mr. Wang said: "Praise and criticize the free spring and autumn, stop at being clean and honest", "only do good deeds, don't ask about the future" and "do what you should do and let others say". It is suggested that Mr. Wang write less or not in the future to reduce the stock of the world, and things are rare. Mr. Wang said, "I hope every family in China will have my promise before I die." .
Calligraphy cultivation should take the ancient rhyme as the right path, but there are few people in contemporary calligraphy circles who dare to establish a monument by law like the famous calligrapher Mr. Yang Hanru. Therefore, the calligraphy circle takes self-creation as its ability and takes pride in appreciating ugliness. These shortcomings and superficial advantages of calligraphy cultivation will be swept away in the fair atmosphere of Mr. Yang Hanru's pen and ink, and there is no place to live.
In this sense, Yang Hanru's efforts to revise inscriptions and examine ancient rhymes in calligraphy are just the towering towers of contemporary calligraphy, and the cultural significance led by light is particularly clear. The practice of tracing the source of his calligraphy is the ultimate practice. Ordinary people practice
Calligraphy and Buddhism are integrated into seal script, which is the source of law. However, his calligraphy has been honed from seal script to Shi Guwen, Zhong Dingwen and Oracle Bone Inscriptions, and the combing and description of these pre-Qin calligraphy are extremely successful, which makes his brushwork produce an ancient and simple style at the height of "source method", which conforms to the conservation and inheritance of the original meaning of calligraphy.
Because calligraphy is the ultimate source of exploration, his pen and ink have roots, the weather is first prosperous, and the pen and ink return to the original, and they are handed down one by one. He consciously injected the beauty of calligraphy into the creation of the real Cao Li seal, and all the books were successful, with their own tastes and unique styles.
The uniqueness of his calligraphy style is the righteousness that has long been ignored by the world! An eagle-eyed friend can see the structural phenomenon of flowers, birds and insects in his calligraphy, which is exquisite, vivid and wonderful, and even more amazing for his calligraphy accomplishment! We should know that bird and insect seal script is a kind of calligraphy that has almost disappeared. It is a blessing of cultural communication and a profound accomplishment of his calligraphy to re-examine the vitality in Yang Hanru's pen and ink.
How the water of the Yellow River moves out of the sky with pen and ink is a great spectacle of his cursive script. Running script calligraphy can not only reflect a person's skillful brushwork, but also maximize a person's cultural feelings. His cursive script is centered on the natural and unrestrained freedom of the brushwork of the two kings, supported by the achievements of ancient calligraphy, and is famous in history.
The lean overhaul of Jia Tie Shu has formed the imposing features of being free and vigorous, splashing ink like a waterfall and dancing like a phoenix. The dynamic quality of calligraphy lines is outstanding, and the pen and ink style is beautiful and generous, which has absorbed the changeable quality of Preface to Lanting and the lyrical style of Mid-Autumn Festival Post by Wang Xianzhi. Of course, thin iron is natural, and the exquisite pen and ink temperament is also perfect. Stone Zhong Ding stone drum strength, Mid-Autumn Festival three winds. His cursive script surpassed the three schools of Jinyun, and this kind of work cast a unique style.
Appreciation of Teacher Yang Hanru's Works
Self-cultivation is the testimony of Mr. Yang Hanru's firm will to learn from others, sharpen his pen and ink and sing forward. Running grass can get all-round operation of Sanxi Hall's calligraphy posts, which shows that his pen and ink techniques have completely reached the state of perfection!