In order to write well, children must handle the brush on rice paper flexibly and skillfully to achieve better results. Children should gradually learn how to present a beautiful stroke with a soft pen, how to hold a pen, how to lift a pen on paper, how hard, how heavy, how fast, how straight, and so on. This is a matter of grinding children's emotions and temper.
In the slow practice and tempering, the child's temper was smoothed out. The child's temperament has become soft, not impatient and calm. Slowly, at an early age, there is a broad mood and a good quality, which sets the tone for the temperament direction of children's life. "Slow can't have vitality, and danger can't have temperament" (Zhuge Liang's words). Early exposure to calligraphy can make children jump over these two pits earlier, and can make children develop a peaceful mind earlier.
Second, improve children's humanistic atmosphere.
Chinese characters are as aura as children. Unlike us adults, there are more or less calculations in the bumps of the years. Children's aura is innate, just like Chinese characters.
The so-called humanities refers to how much education people have received, and the most aura in culture is the words themselves. Our words come from nature, and the longer we soak them, the more natural aura will fill our body and mind.
A few days ago, I saw a little girl in Tik Tok. At the age of five, she took a big pen and splashed ink on the ground with water. Although the quality of the words is not ready yet, the elegance and aura of this girl have made millions of netizens like it, which has to be said to be the injection of humanistic aura in calligraphy art.
Third, cultivate children's pattern awareness.
We often say that the pattern determines the success or failure of life. In fact, the argument between Zhuge Liang and Confucianism is not literary talent and eloquence, but that Zhuge Liang's internal pattern is far above those Confucian scholars.
Only when there is the world in your heart can you have the ambition of the world. It is difficult for us to see a child in a ravine who has never left home with the ambition to help the world. He doesn't even know where the world is. Calligraphy, on the other hand, is a world, big enough to accommodate the world and small enough to be difficult to say.
From the strokes of a word, to the shelf structure of a word, to the reaction of the upper and lower words, and then to the overall effect of the whole article. Children should have a clear idea before writing.