The term "National Day" originally refers to a national celebration, which was first seen in the Western Jin Dynasty. Lu Ji, a writer in the Western Jin Dynasty, once recorded in the article "On the Five Permanent Members" that "the National Day is only beneficial, and the main worry is not harmful". In the feudal era of China, the national festive events were nothing more than the emperor's accession to the throne and his birthday.
1, national symbol
National Day is a feature of modern nation-state, which appears with the emergence of modern nation-state and becomes particularly important. It has become a symbol of an independent country, reflecting the country's state system and polity.
2. Functional embodiment
Once the National Day, a special commemorative way, becomes a new and national holiday form, it will carry the function of reflecting the cohesion of this country and nation. At the same time, the large-scale celebration of the National Day is also a concrete manifestation of the government's mobilization and call.
3. Choose a copybook that interests you.
There are many calligraphy works left over from history, which can be said to be vast. Because everyone's appreciation ability is different, if you want to learn to copy predecessors' copybooks, you must find copybooks that suit your interests to learn.
Some people like to write regular script, so they have to look for classic works of regular script, but regular script also has different styles in different periods, such as Zhong You, Wang Xizhi, Wang Xianzhi, Ou Yangxun, Yu Shinan, Chu Suiliang, Yan Zhenqing and Liu Gongquan in the Tang Dynasty, Zhao Meng and others in the Song and Yuan Dynasties, and their styles are different.
Therefore, if you want to choose the copybooks you are interested in, you must go to the bookstore to browse one by one and find the ones that suit your interest style to learn to copy.
4. The brushwork is an important factor to make the font look good.
Some people may understand that learning calligraphy means writing. As long as you write the fonts one by one, as long as the structure is reasonable, the fonts will definitely look good. In fact, this statement is only superficial. The real beauty is not only the problem of font, but also the problem of brushwork.
From this perspective, brushwork is like the soul of a word, which is a kind of dominance hidden in the word. People are considering whether the font is good-looking. In addition to examining whether the stippling collocation is reasonable, the other is to look at the brushwork used.
There are many brushstrokes, which are also emphasized because of the different glyphs learned, but one is crucial, that is, using the characteristics of the brush to make the center use the pen, which is the basis of any calligraphy style.