It is impossible to verify the specific work of that dynasty.
The poems recorded in The Book of Songs span a long time span, from the early years of the Western Zhou Dynasty (11th century BC) to more than 500 years of social life in the middle Spring and Autumn Period (6th century BC), covering a wide area, from the north of the Yellow River to They are found in the Jianghan River Basin.
The Book of Songs is the earliest poetry collection in China. It is a treasure of the Chinese nation. The Book of Songs was originally called "Poems" and contains 305 poems (another 6 have titles but no content, that is, they have goals but no words, and are called Sheng poems), so it is also called "Three Hundred Poems".
Since Emperor Wu of the Han Dynasty, Confucianism has regarded it as a classic, so it is called "The Book of Songs". Mao Heng and Mao Chang in the Han Dynasty once commented on the Book of Songs, so it is also called "Mao Shi". The authors of most of the poems in the Book of Songs cannot be verified.
Extended information
The language style of "The Book of Songs"
The language form of "The Book of Songs" is vivid and colorful, often able to "use less to make more", " "Emotional and beautiful"? However, the language styles of Ya, Song and Guofeng are different. Most chapters of Ya and Song use strict four-character sentences with very few miscellaneous words, while Guofeng has more miscellaneous words.
In Xiaoya and Guofeng, the use of repeated chapters and overlapping sentences is more common, but in Daya and Song, it is less common. Many modal particles are used in the national style, such as "xi", "zhi", "zhi", "si", "hu", "er", "矣", "ye", etc. These modal particles also appear in Ya and Song, but they are not as numerous and varied as in Guofeng.
The wonderful use of modal particles in Chinese style enhances the image and vividness of poetry and achieves a state of expressiveness. The different linguistic characteristics of Ya, Song and Guofeng reflect the changes in the society of the times, as well as the differences in the identity of the creative subjects.
Most of Ya and Song are works from the Western Zhou Dynasty, written by nobles, reflecting the majesty and dignity of "grace". Most of the national styles are works from the Spring and Autumn Period, many of which were collected from the folk. More It fully reflects the free and unrestrained new voice, which is closer to the spoken language at that time.
Baidu Encyclopedia-Book of Songs