Zhong party member, a member of the Provincial Calligraphers Association, is currently a researcher, insurance financial planner, calligraphy and painting appraiser and national third-class artist of the Chinese Painting and Calligraphy Institute. He studied calligraphy and painting with his grandfather (Mr. Long Guangming, a modern calligrapher in Guizhou Province) since he was 6 years old. After years of research, he created two accelerated Chinese paintings. The way is to dip the pen in ink with both hands, and the two pens run at the same time. /kloc-within 0 to 3 minutes, you can draw Qi Baishi and Zhang Daqian's landscape, fish, plum blossom, peony, horse, cabbage and other works on the rice paper. In 2008, he won the "Special Honor Award" and other awards in the national "Beihong Cup" painting and calligraphy competition.
Long Lingyun loved calligraphy so much that he was taught by the imperial court. His grandfather and father are both famous for their calligraphy, so they are deeply influenced. In childhood, lin xi Yan and Zhao Jiefa were praised by their teachers. Mr. Wang is good at writing and cursive script, which has a great influence on Long Lingyun and makes him more interested in calligraphy. He has devoted himself to calligraphy for a long time and has become a minor celebrity. He once wrote couplets for fellow villagers.
16, the famous painter Chen Jilin became his teacher, which is not only a major turning point in his painting and calligraphy creation, but also a new milestone in his artistic career. During this period, Long Lingyun not only studied Chinese painting, but also began to learn cursive script, learning the book spectrum of two kings (Zhi, Xian Zi) and Sun Zi.
He has a comprehensive artistic accomplishment. His paintings are famous for flowers, feathers and mountains and rivers. His calligraphy is good at bronze inscription, seal script, official script, cursive script and running script. Among them, running script and official script have the highest attainments. He can learn the ancient without mud, appreciate the ancient law and be novel. Although Long Lingyun's cursive script was born out of two kings and Sun Guoting, it did not imitate the predecessors step by step and was bound by the ancients. Long Lingyun once said, "There are two writers, two kings, Sun, and even Europe's Liu, Yan, Zhao, Su, Huang, Mi and Cai, but they just don't have themselves, so they can't' forget me' here, but' have me'".
He grasped the dialectical relationship between calligraphy inheritance and innovation. His cursive script is based on the tradition of predecessors, and strives to create his own style according to the needs of the times and the laws of art itself. Therefore, Long Lingyun's cursive script not only has the elegance of two kings, but also has the rigorous fluency of Sun, which not only does not lose the statutes of predecessors, but also is full of new breath. In particular, his cursive script is bold and unconstrained, ups and downs, and never takes madness as its function.
When you see Long Lingyun's running script, you will find that the lines reveal not only simplicity, but also the charm of the times. The elegance and frankness of the Han people, the elegance and tranquility of the Qing dynasty, and his own cultural accumulation and social experience are all on the paper, which makes people never tire of reading.
Long Lingyun studied the model of regular script such as Shouchuntang, Yan Liji Monument, Jiuchenggong in Europe, Zhang Menglong in Northern Wei Dynasty, and gradually formed his own character. Running script benefited from Lanting, Shengjiaoxu and Pan Linghao in Qing Dynasty. The cursive script starts with seventeen posts, is based on a thousand words of wisdom, and is proud of Huai Su's self-narrative posts. Calligraphy is elegant, dignified, vigorous, subtle and changeable in style.
He has successfully held many painting and calligraphy exhibitions and held many painting and calligraphy networking activities for the opening and establishment of many enterprises and institutions. It has played a very positive role in promoting China's national culture.
In 2005 10, 165438 The Soul of the Great Wall, a Chinese painting, was selected for the first China "Shui Bo Liangshan Cup" painting and calligraphy exhibition.
In 2006, the work "Teenager" was included in "Qian Shan Shuyun-Collection of Ten Young Calligraphers' Works in Guizhou" by Guizhou Calligraphy Association.
In 2008, the work Dianthus participated in Guizhou Calligraphy Exhibition.
June 5438+October 2008 10, the calligraphy work "Qin Xue" won the gold medal in the national painting and calligraphy competition to commemorate the birthday 1 15 anniversary.
In 2008, he won the first prize of the fifth regular script exhibition in Guizhou Province.
In 2008, he participated in the 10th China Book Newcomer Exhibition (China Book Association).
In 2009, the work "Qinyuanchun" was selected into the excellent works collection of young and middle-aged calligraphers in China.
20 10 National Silver Award Winner of Jian Zhen Cup Calligraphy Competition.
20 10 In June, China Times Style Organizing Committee awarded the title of "Most Contributing Young Artist of 20 10".
20 1 1 was awarded 100 advanced figures and advanced literary and art workers by China Times Style Organizing Committee.
20 1 1 The gold medal winner of calligraphy in China Times Style Competition was cordially received by Gu Xiulian, vice chairman of the 10th the National People's Congress Standing Committee (NPCSC).
Other information
Long Lingyun loved calligraphy so much that he was taught by the imperial court. His grandfather and father are both famous for their calligraphy, so they are deeply influenced. After Long Lingyun went to primary school, he learned Yan and Zhao Jiafa, and was praised by the teacher. Mr. Wang is good at writing cursive script, which has a great influence on Long Lingyun and made him interested in calligraphy. Long Lingyun became famous when he was still studying calligraphy when he was in middle school. He once wrote couplets for fellow villagers. In 2006, the famous painter Chen Jilin started his career, which was not only a major turning point in his painting and calligraphy creation, but also a new milestone in his artistic career. During this period, Long Lingyun not only studied Chinese painting, but also began to learn cursive script, learning the book spectrum of two kings (Zhi, Xian Zi) and Sun Zi. Long Lingyun's artistic accomplishment is comprehensive. His paintings are famous for flowers, feathers and mountains and rivers. His calligraphy is good at bronze inscription, seal script, official script, cursive script and running script. Among them, running script and official script have the highest attainments. He can learn the ancient without mud, appreciate the ancient law and be novel. Although Long Lingyun's cursive script was born out of two kings and Sun Guoting, it did not imitate the predecessors step by step and was bound by the ancients. Long Lingyun once said, "There are two writers, two kings, Sun, and even Europe's Liu, Yan, Zhao, Su, Huang, Mi and Cai, but they just don't have themselves, so they can't' forget me' here, but' have me'". Long Lingyun grasped the dialectical relationship between calligraphy inheritance and innovation. His cursive script is based on the tradition of predecessors, and strives to create his own style according to the needs of the times and the laws of art itself. Therefore, Long Lingyun's cursive script not only has the elegance of two kings, but also has the rigor and fluency of Sun, which not only does not lose the testimonies of predecessors, but also is full of new breath. In particular, his cursive script is bold and unconstrained, ups and downs, and never takes madness as its function.
Social assessment
When you see Long Lingyun's running script, you will find that the lines reveal not only simplicity, but also the charm of the times. The elegance and frankness of the Han people, the elegance and tranquility of the Qing dynasty, and his own cultural accumulation and social experience are all on the paper, which makes people never tire of reading. Long Lingyun studied the model of regular script such as Shouchuntang, Yan Liji Monument, Jiuchenggong in Europe, Zhang Menglong in Northern Wei Dynasty, and gradually formed his own character. Running script benefited from Lanting, Shengjiaoxu and Pan Linghao in Qing Dynasty. The cursive script starts with seventeen posts, is based on a thousand words of wisdom, and is proud of Huai Su's self-narrative posts. Calligraphy is elegant, dignified, vigorous, subtle and changeable in style. He not only made achievements in art, but also made people respect him in life. In an interview with CCTV reporters, he said: "Actually, I am very ordinary. I just did what I had to do." His works are deeply loved by calligraphy lovers. It is widely collected by museums, leaders at all levels and friends from all over the world. In 2009, he co-founded Duolei Painting and Calligraphy Institute with Mr. Cai Ronghe, a senior national appraiser of painting and calligraphy. He has successfully held many painting and calligraphy exhibitions and held many painting and calligraphy networking activities for the opening and establishment of many enterprises and institutions. It has played a very positive role in promoting China's national culture.