Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.
Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.
2. Calligraphy idioms are characterized by falling rocks at the peak, changeable charm, vigorous and wrong, elegant and graceful, thunderous, combining rigidity with softness, superficial, Rowen tiger shock, repeated change of heart, elegant and delicate, dignified and elegant, unrestrained and uninhibited, concise brushwork, covering iron with cotton, smooth and orderly, and natural and delicate. Learn from others' strengths, be meaningful and handsome, simple and bold, vigorous and powerful, dancing like a dragon and dancing like a phoenix, with vivid charm, profound skill, smart and smooth, agile and shocking, magnificent, completely natural, gorgeous and natural, with thousands of miles of clouds, interesting all day long, pleasing to the eye, magnificent, graceful, graceful, dignified and smooth. Skilled brushwork, smooth charm, natural and graceful, peaceful and smooth, iron-painted silver hook, lifelike, round and smooth, simple and far-reaching, easy to write, well matched with bones and muscles, close to see, firm brushwork, moderate pen collection, smart and delicate, hearty and graceful, charming and healthy, beautiful structure, unique personality, tight and elegant.
3. The four words of Yan-style brush calligraphy are dragon snake at the bottom of the pen, ink with fine pen, dragon snake pen, swallow tail with silkworm head, hiding the head to protect the tail, sinking happily, being calm, carefree, learning to doodle, ups and downs, Ding Zhenyong grass, flying dragon dancing phoenix, full of strength, phoenix floating, phoenix dancing dragonfly, phoenix dancing back. Strong bones and muscles, thirst for spring, anger for spring, thirst for deer for spring, stress on paper, learning medical books, willow bones and muscles, dragon and phoenix dance, dragon and snake dancing, dragon stretching and bending, dragon jumping and tiger lying, Rowen Tiger Zhen, Rowen Tiger Zhen, Qi Long. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook.
Describe the vigorous and beautiful calligraphy. Graffiti: letter pen: write casually.
Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti at the bottom of the pen, Mo Miao, writing dragon and snake, silkworm head and phoenix tail, hiding the head and protecting the tail, happy and heavy, leisurely and happy, learning graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragon dancing phoenix, infinite strength, phoenix floating, phoenix dancing dragonfly, phoenix flying back, ancient fat and barren, phoenix dancing. Thirsty deer rushing to the spring, full of paper, snow trees in Linchi, six valleys of Yanjin, dragon and phoenix dance, dragon and snake flying, dragon stretching and bending, Yue Long tiger lying, Rowen tiger shock, Rowen tiger shock, dragon and leopard changing, dragon and phoenix dance, dragon and phoenix dance, dragon and phoenix dance. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian. 1, the dragon and snake race through the iron inkstone and never stop waving their hands; 2, Gu Mo lightly grinds a few incense, and the new bath shines; 3. The glyphs are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates.
The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt".
He writes quickly and forcefully. 4. A few times, a flying dragon appeared on the paper. The dragons he painted are lifelike, magnificent and varied.
Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said). 5,: "Books are scattered, and if you want to read, you should spread your arms first."
(Cai Yong's On the Pen) You must "write a book before the pen." (Wang Xizhi's "Mrs. Wei's brushwork") When writing, "the description of love means * * *; Yang Shu's melancholy is based on the heart of heaven and earth "(Sun Shupu)" The spirit of the book must reach the Tao, which is the same as the mixed element theory ... it is based on nature. "
6. In the Qing Dynasty, Liu Xizai was even more critical: "A writer writes his will" and "Calligraphy, like learning, like talent, like ambition, is like a person". 7. On the pen.
4. Four-character calligraphy idioms are rich and plump, graceful and restrained, both rigid and flexible, wrapped in iron, powerful and vigorous, majestic, thunderous, Rowen Tiger Shock, vigorous and vigorous, vigorous and vigorous, both rigid and flexible, smooth and smooth, full of fun, strewn at random, moderately beautiful. The dragon and phoenix dance, with beautiful style, moves like a snake with a pen, which is smart, bold, steep, tall and straight, penetrating the back of the paper, penetrating the wood, combining rigidity with softness, showing the atmosphere, concise brushwork, skillful brushwork, flowing, hearty, pleasing to the eye, elegant and beautiful. Natural, elegant, smart, chic, simple, peaceful, peaceful, smooth, graceful, generous, natural stretch, natural, smart, smooth, lifelike, smooth in class, round and round, smooth in turns, learning from others, profound in skill, solemn and majestic, smooth in charm, vigorous and simple, changeable in charm, and changeable in thought.