Ding Bokui was born as a teacher.

He studied under Mr. Li Luogong, a famous stone painter and art educator. As an assistant and screenwriter of Mr. Li. Under the guidance of Teacher Li Luogong, I got to know artists such as Liu Haisu, Cheng Shifa, Jiang Feng, Li Keran,,, Hua,, Yan Ming. Encouraged by his predecessors, Ding Bokui devoted himself to studying and assiduously studied the calligraphy of Da Zhuan, with Zhong Dingwen in Shang and Zhou Dynasties as the main body. As the only inheritor of Li Luogong's Da Zhuan and Jinshi Zhuan, Ding Bokui has created a large number of ink seal scripts after Li Luogong. In 2004, he was invited to participate in the Sun Yat-sen Memorial Hall in Taiwan Province Province and the Vienna Art Exhibition, and his great seal works were collected by the Central Hall of the Great Hall of the People in China. Ding Bokui has a special relationship with Lillo. He is both Li Luogong's apprentice and son-in-law. But no matter what his status is, he is full of respect for Li Luogong, and his innovative spirit is constantly infecting him, which has benefited him a lot. Ding Bokui followed Li Luogong for a long time, often chatting with him until midnight, and often helping him process some stones and write some articles. Later, whenever Li Luogong made a combination seal, he would be called. The combined seal has jumped out of the traditional seal cutting, and its creativity and final effect are different from those of small famous seals and leisure seals, becoming a separate work. For example, there are more than 20 seals in Li Sao, with different seal cutting, knife cutting, composition and yin and yang, and the effect is very vivid.

China's calligraphy art in related schools has a long history and diverse styles, so it is particularly difficult to really "innovate". Since the appearance of ink painting seal script, it has washed away the styles of schools of past dynasties. Its completely unconventional traditional style, which originated from Lao Guo's Chinese Civilization, immediately caused two completely different disputes: praise and criticism, affirmation and negation. But its beauty, in another sense, explains the beauty of calligraphy art, which is understandable.