Adult Calligraphy Appreciate Adult Calligraphy Pictures 1
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How do adults practice calligraphy?
When the concept of calligraphy was formed, there were three basic elements: writing brush, writing and writing, all of which were indispensable.
When it comes to practicing calligraphy, we should start from these three aspects. First, do a good job of writing brush; The second is to understand and master the structure of the characters; Thirdly, after mastering the ability of writing and free writing, all comprehensive qualities and training are expressed actively and independently with the feeling of writing.
Calligraphy has formed today's system under the ladder inheritance and development of past dynasties. Many existing fonts and styles have been deeply rooted in people's hearts. These works are touching, just like giant trees that grow naturally and germinate naturally, leaving the nature of branches and leaves, the nutrition of water and light, the avoidance of growth, the erosion of the environment and so on to their own devices. The ancients learned calligraphy first by applying it, and formed habits and exerted their strength in such a natural development. Finally, people who have enough talent, vision, knowledge and character push calligraphy to the artistic height that people look forward to.
Practicing Chinese characters will start with strokes and strokes, and start with the basic structural principles of words. During this period, everyone wrote big-character posters, without drawing lessons from the experience of the ancients, as long as they were decent and neat. This trend has influenced a generation, straightforward and casual, but it can't stand thinking. Next, people realized this and focused on skills, hoping to be near their posts and always around the world, as if you couldn't write without it, so the so-called pro-creation statement came out, which was considered by the whole country and was vigorous. But today, no calligrapher can compare with the ancients. After all, he was a pupil of the ancients. The problem is that there are still many stages of digestion in the process from the word "pro" to the word "creation" (expression). Otherwise, it is mixed with cold dishes and patchwork, which tastes cool but has no aftertaste. In addition, writing is too conscious and artificial, and it is getting farther and farther away from the realm of harmony between man and nature!
You need a position when you start learning, but being present is only part of learning.
Contemporary calligraphy learning has no practical function and is easy to produce formal simulation. Posting is based on images, but it is not an end. The purpose is to master the principle and structure of using a pen. It's no use sketching again You should write with a pen in the original way. After writing, the edge of the ink is just similar to the outline of the strokes in the original post, instead of covering the strokes in the sketch post with a pen. In other words, we should write according to the requirements of brushwork, and adjust the weight and discretion when writing with a pen according to the effect of writing, instead of covering the outline of the strokes of the original post with a pen. ? Write? Pay attention to writing with brushwork, which is intended to repeat the essentials with brushwork. Describe it? It is intended to cover the edges of strokes so as to be more like the strokes in the post, but it cannot form a complete line brush. When writing, the trajectory of the pen is different from that of the tracing. Writing is done actively with inner determination, and description is passively changed with shape. Writing is what we will do in the future. Writing backwards forms the meaning of writing, and we will write situations under the guidance of the suffix principle. The situation determines the structure of personal fonts, that is, the style of words. Description may be easier to get close to the original traces, and the fonts memorized by heart will be more fulfilling, but if it develops, will it go to the place where the stone tablet is set? Shells? In the book, you can't change with your gender, and of course you can't write fast.
The first function of the post is to standardize the use of pens, and the second function is to understand the composition principle of words. The structure of words, like the structure of people, has certain rules. If you want to know, you should sort it out according to the shape in the post and the order of using the pen. This kind of combing is best combined with the speed of the pen, from completing a single stroke to writing several strokes in succession, from partial combination to writing a whole word in one breath. Only by writing stroke by stroke can we truly feel the combination of words in the dynamic. This connection is slow and urgent because of difficulty, weight and length, which is what we often say. What we write is what we are eager to see, but before writing, we must feel the coming words, this kind? Foreplay? Get twice the result with half the effort.
The use of pens and structures can be practiced with emphasis, and attention should be paid to the use of pens and structures that are too demanding. On the other hand, you can also dilute the pen, concentrate on understanding the structure, and the interactive practice is better. Don't try to be the same as the original post immediately. People's proficiency, habits, pen and ink, and scenes are different. How can they be exactly the same?
If you can use the pen smoothly in the post, you won't mess up the front when you write, and you don't have to rearrange the front when you write the next one, so the pen and the pen are in a regular form; The structure is similar to copybook. Even if it is not as good as the original, it is arranged and you can write casually for the time being.
You must concentrate on a post first, and then digest it yourself. Don't think about the original post when digesting, but base on the accuracy of the pen and the stability of each glyph. The quasi here is not the pen that captures the original post, but the ingredients that should be there must be no less. Writing a stable font is not to finish the original post, but to be correct and in place. Why not ask for it? Because no one can write the same pen and font as others. It's just a trend. In the trend example, correct the pen and understand the structure. Everyone is learning from Lei Feng, learning his way of doing things and helping others. There is no need to be a soldier, let alone do what he did!
What we should learn from the post is the feeling of using a pen and the style of writing, which will accompany us all our lives. Going to Yunhua by yourself is to eat this feeling correctly and make it more accurate and more arbitrary.
In the long-term self-transportation, you can selectively go to the clinic or read posts to absorb nutrition. At this time, the clinic is different from the first time, and it will be selectively absorbed. Only in transportation can we produce our own style, and other styles can only be felt and can no longer control our direction. If he studies faithfully all his life, he will never have his own style.
We often hear people talk about the basic skills of calligraphy. Sticking is only a small part of the basic skills, and the main part of the basic skills is to skillfully use the pen and complete the text arbitrarily, morphologically and adjustably, thus producing the ability to whitewash the whole article. The sum of all these skills is called basic skills.
The long study of calligraphy first boils down to the difficulty of mastering basic skills. The main thing here is the ability to realize the actions and thoughts of the ancients and keep up with them; There must be a master to teach the correct method; There should be enough time to step by step. The basic skills are well laid, but also depends on other words. Moreover, extra-word kung fu should be carried out while practicing calligraphy, so many people spend kung fu on writing. When they are old, the kung fu inside the words has arrived, but the kung fu outside the words is far from home. Things beyond words can't be done by practicing calligraphy. Without words, kung fu is only suitable for being a word maker. The craftsman's craft can be copied, but the artwork cannot be copied!
There is no shortcut to learning calligraphy, which refers to the pen and ink skills I have done before. This includes a lot of regulated writing, including temporary writing and independent writing. In addition, it takes time for writers to have sufficient accumulation in aesthetics, experience and life. At a jumping point, people's ideas will have a qualitative change. After qualitative change, people will lose their original ideas because of physical incompetence and subjective abandonment. Rich? Suddenly, I was poor, as if I had only enough money for myself. This is where I finally belong to myself, that is, my admirable personal style.
Skills need to be constantly strengthened and improved, and sublimation needs the precipitation and accumulation of years. No one can save this time-consuming absolute time, but there is one kind of learning that can save time relatively, and that is reading posts with certain writing ability and aesthetic ability. This kind of post reading is not before each post, but can replace post reading. Reading at this time is like hands-on, and this kind of reading is faster and wider. But the premise is to have considerable writing ability, that is to say, you can write by hand wherever you read. This kind of learning does not pursue the type of the original post, but quickly integrates itself in the place where it is obtained. Understand your heart and then express it with your heart. Aside from the figurative pen and concrete shape, the meaning in the classic inscription will be understood more directly and purely. The absorbed ingredients are what you want from the beginning, and what you don't want can't be absorbed. In other words, what you read is your own, and what you write is a part of yourself. This is a process of reflecting on the hearts of the ancients, a process of learning from the ancients and accumulating from me. This accumulation is the rule when we are willful after our self-confidence bursts. Me? The formation of technical characteristics? Me? Act.
Anyone who has the ability can benefit from reading the post. Think about how many posts need to be studied and how long it will take to read them over and over again. Of course, the better the foundation, the more you can learn from reading it once. The stronger your writing ability, the more you read, and the more you show in independent writing. The more you have your own style, the more you can find useful ingredients in reading posts, and the more you can turn others into yourself.
The magic of reading posts can be traced back to the ancients. Jin people read letters to each other; Ou Yangxun visited the monument. Before going to Italy, he laid the floor in front of the Suo Jing Monument and lay down for three days. After Huai Su entered Beijing, he was invited to the home of dignitaries and rich people, and his calligraphy improved greatly when he left Beijing. Dong Qichang was invited to his home by a large number of Jiangnan collectors, and what he saw was unparalleled. In ancient times, all people could see were rare books, and there was no printed matter at all, so it was rare to see them, let alone borrow them. Modern people can easily buy simulated printed matter, and then pick up one after another all day long. They just forgot to write, let alone read. Want to do one thing, will take up a lot of people's minds. How to get along can also be distracted, and reading is very pure, fully understand with your heart, follow the brushstrokes and trends of your predecessors, and write your feelings. How fast and subtle you can feel, the part you forget when you express it is the part you want to give up. Don't worry about the concrete form that will be eyeful, and don't worry about the difficulty in admiring the ancients in the macro style and trend. So people who have a certain writing foundation must read the posts.
Reading can be deepened step by step. People who have just learned to write can read the shape of each stroke and think about the brushwork of the writer at that time. We should firmly believe in the ancient method of Tibetan front, and then use the dynamics of fast pen to imagine the separation and combination of brush strokes outside and on paper. We should not simply think that strokes are wiped out by strokes through covering. Erasing is a conical nib with paper on one side, while writing is a stroke with paper on both sides. The edge of the stroke is only the trace of the pen passing by, which may be the ink edge superimposed or squeezed by the pen turning or crawling. Learn to follow posts with your eyes, and see empathy in every stroke.
Stroke is the most basic element, no matter what level you write, you can understand it, so that you can see the texture of the stroke, and then your own texture will naturally come out.
Reading structure should be read one by one, word by word. All word structures are improvisational expressions written by calligraphers at that time, and there is no possibility of repetition. To draw a stroke, from thickness to tightness, from stroke to trend, from angle to radian, we should form a sense of association with a word in our hearts. See is to put an end to people's preconceptions about fonts. Don't memorize the length of fonts and the arrangement of entry and exit, but pay attention to the structure with speed and strength in the connection of writing. This dynamic understanding is not only the word-formation process of writers, but also the sense of rhythm that learners should master. All the learning and understanding of Chinese characters must be based on this dynamic way, otherwise it is very easy to fall into composition, and the composition will become a craftsman when it remains unchanged, and it will become an artifact when it changes. Because change is based on the motivation of writing, this nature is more infectious. The best and most effective way for ancient people to learn dynamically is to read posts.
Reading is to follow the ancients with your heart, and you can keep up with it no matter how fast you write. So word by word, line by line, slow down to understand the details. The macro feeling must be read, and the reading speed must be accelerated to a certain extent, so that some momentum and charm can be exaggerated, discovered and restored. If you master such reading, the speed of reading a page is sometimes calculated in seconds. This kind of reading is superior to other reading, and its absorption is more metaphysical. Read quickly and you will have a feeling. The feeling is subtle, but it is also easy to disappear. Therefore, read it repeatedly at different times, and something better can stand scrutiny!
Reading can only look at horizontal, small horizontal, cursive prefix or the same part of a certain post, you can open a calligraphy dictionary to compare a word that you are not satisfied with at ordinary times, or you can look at the movements of some unscrupulous calligraphers, such as Li Beihai; Read the cloth and tension of some introverted calligraphers, such as Liu Yong; You can watch the flicking of some strokes, such as Chunhua Pavilion Post.
In short, there are so many jobs, and Pro is the foundation, but Pro will learn all the figurative features, so it is impossible to use them together. If they are all learned, they are not learned. When reading posts, it is time to filter and absorb. What is not suitable for you will naturally be forgotten, and no amount of reading can get along. When it comes to writing, some things will come out without thinking at all, which shows how important reading is.
Reading is here? Miscellaneous? After finishing; Reading is the continuation of being present; Reading is extensive knowledge; Reading is a macro-feeling of the ancient characters; Reading is the preparation for self-creation; Reading is the gateway to the metaphysical daily order.
When learning calligraphy, don't memorize fonts. Although memorizing fonts seems to make rapid progress, showing your face is the process of forgetting fonts. After understanding the formation principle of fonts, it is the right way to turn them into your own use.
When learning calligraphy, it is not advisable to use rice paper that absorbs too much ink in the early stage. Learning alone can't cope with so many variables as using a pen, writing and ink, and it is impossible to complete the training of using a pen on rice paper. It is suggested that beginners can practice on semi-cooked paper, and they must master the brushwork after the practice of cooked paper.
Use the pen correctly and skillfully, write with your own scrutiny, and write Chinese characters with changes from beginning to end. Harmony is the core value of calligraphy!
When you write without him, you must read the original! Look at the entire extension of the original monument. Face to face with the ancients, a truly verve three-dimensional ink image, in and out of the paper, is by no means printable, the colorful colors of ink exist in understanding, and the nuances are unrecognizable to the naked eye!
The fun of learning books lies in the process, following the words, improvising, being bold and natural, and being close to the Tao.