Application of traditional model elements in animation design

The application of traditional modeling elements in animation design

symbolizes the success of animation and indicates great cultural value. At present, China's traditional art modeling elements are almost invisible in the animation image, and the once brilliant China animation character image has become a vassal. It is urgent to excavate and carry forward the excellent culture of the nation and reshape the national animation image in the new era. It is of great value and significance that how to use the traditional modeling elements of China to create the beloved cartoon characters of China, and at the same time highlight the charm of the Chinese nation in terms of values, customs and aesthetic concepts.

"Animation can express any thoughts that people may hold, which makes it the most effective and clear tool in communication, even though it is only designed for quick appreciation." The role design of animation is an artistic style that uses the language of images to transform abstract symbolic meaning into concreteness and directly appeal to human vision. It eliminates the distance between people's perception and symbols, and makes it have an unprecedented wide range of acceptance. Among them, the role modeling design of animation plays an extremely important role in the whole animation creation. A good cartoon must have good character modeling to fully express the theme of the story and the personality characteristics of the characters, so that the audience can have a sense of identity.

China's traditional art culture has a long history, with a history of 5, years, and occupies an extremely glorious position in the world art forest. And there are many forms of expression, such as Chinese painting, Shi Zhuan sculpture, sculpture, calligraphy, embroidery, paper-cutting, puppet, shadow play and so on. Some of them have been used in the role creation of cartoons, such as paper-cutting, Chinese painting and shadow play. However, there are others that have not been utilized, such as embroidery, ceramics, calligraphy, etc. These are all good forms of artistic expression, which are not only changeable in image, strong in plasticity, but also rich in colors, and we can all try them.

With the internationalization and popularization of animation language, the key problem to be solved in China's animation character design at present lies in: how to absorb the experience of animation in Europe, America and Japan, and integrate the traditional artistic modeling elements of China into the animation character design, so as to make the audience love and be influenced by art, and at the same time highlight the unique oriental charm and cultural charm of the Chinese nation in terms of values, aesthetic concepts, customs and habits.

"China's traditional art has the same aesthetic standard in modeling, which affects people invisibly and standardizes people by convention. There are norms in content, image, composition and color, which become the same scale of aesthetics. It is the embodiment of the aesthetic standard of folk artists summing up practical experience. About modeling: a beauty should be slender, a scholar should have a nail, and a warrior should have a bow. In terms of line performance: the flowing water pleats should be looped, and the money line pleats should be straight. Color matching: if you want to be pretty, take a little filial piety. Black with purple, smelly shit. Red is yellow and bright. " British scholar Bernice once praised China's art and said: "There is another country in the world, which has formed an even stronger and more sustainable artistic tradition, and the result is even more unique-this country is China. China's art enjoys a high prestige throughout Asia, just as Greek art enjoys a high reputation in Europe. "The basic characteristics of China's traditional artistic modeling reflect that folk craftsmen are used to starting from the whole in observation methods, attaching importance to the part in technology, attaching importance to the whole in object modeling, and attaching importance to the partial depiction in decoration."

The modeling elements contained in China's traditional art are a concept with a wide range, with the largest number of creators and users, involving almost all aspects of life. This is because, when people create art, they start from local materials according to their needs, not according to established forms. Such as folk New Year pictures, paper-cuts, shadow puppets and clay toys, are some common forms of traditional art modeling in China. According to the different artistic expressions, the representative traditional art can be divided into the following three parts:

(1) line and shadow; Specifically, it includes: paper-cutting art, shadow play, tie-dyeing, New Year pictures and puppets;

(2) angle, color; Specifically, it includes: opera culture, purity and ugliness;

(3) artistic conception; Specifically, it includes: Chinese painting, calligraphy, and freehand brushwork.

The expression methods of China traditional art modeling elements include: modal silhouette modeling, decorative deformation, geometric modeling, and symbolic symbol method.

"The so-called modeling style in animation refers to the manifestation of externalization of works. Different countries or regions will present different animation modeling styles under the influence of their respective traditional cultures and arts. Every independent animator will have an obvious and unique personal style in animation modeling because of his own aesthetic taste, personal experience and artistic accomplishment, and it is these ever-changing artistic styles that provide the audience with colorful aesthetic styles. Comic style, realistic style, cute style and personification style. In animation design, there are many factors that affect the design of animated characters, including: the influence of stories on the modeling of characters, the influence of the artistic style of cartoons on the design of animated rabbit colors, the influence of different materials or performance media on the modeling of animations, etc. How to make good use of these design shapes is related to the quality of China's design.

China has a long history of civilization, and the traditional cultural resources are like rich treasures. It is the responsibility of our generation of China traditional culture inheritors and animation creators to excavate the spiritual heritage of China culture and form the style and style of China animation. At the same time, it is also a concrete aspect to let the world know the cultural charm of China. It should be said that China's traditional culture contains profound creative ideas, creative processes and creative forms, which provides a good and complete reference for our artistic creation today. The animated image is not only a film and television image, but also permeates all aspects of teenagers' life through the development of a series of follow-up products, and its role and influence on the spiritual and cultural life of the younger generation cannot be underestimated. Then, animation creators should think more about the responsibility they should bear to the society as cultural workers. We have the responsibility to protect and develop rich traditional cultural resources and let them find their new cultural home through the art form of animation. ;