Appreciation of Lin Sanzhi's Excellent Calligraphy Works
Pictures of Lin Sanzhi's Excellent Calligraphy Works 1
Pictures of Lin Sanzhi's Excellent Calligraphy Works 2
Figure 3 Lin Sanzhi's Excellent Calligraphy Works
Lin Sanzhi's Excellent Calligraphy Works Figure 4
Mr. Lin Sanzhi's Painting and Calligraphy Life
Lin Sanzhi, right? Late bloomer? Typical. It is precisely because he became famous very late, studied hard for decades, devoted himself to research, accumulated rich knowledge and cultivated wealth. He not only has a profound knowledge of calligraphy, but also has nourished the spirit, rhyme, meaning and interest of his books because of his sincerity in being a man and his achievements in poetry rhetoric and painting, which made him reach an extraordinary height. Because of its extraordinary realm and profound and meaningful significance, the longer people in the book circle appreciate it, the more they benefit, the deeper they feel and the deeper they know. The deeper you know, the more you admire and admire. It can be said that his calligraphy art contains his true colors, poetic rhyme and artistic meaning. This is what we must know when we interpret Lin Sanzhi's calligraphy.
Lin Sanzhi is honest by nature, kind-hearted, sincere, enthusiastic about public welfare and aggressive. For example, in 193 1 year, when his hometown was hit by a serious flood, Lin was appointed as the director of the health department, in charge of the whole health department, and received government relief to prevent the township head from hurting the victims. At the same time, lead the villagers to build dikes. Because of its impartiality, it enjoys a high reputation in helping the victims tide over the difficulties.
Another example is 1953 Jiangpu drought. The pond dried up to the bottom, the fields cracked and the seedlings withered. At this time, the river is at high tide, and the water level is higher than the farmland in the dike, so it is urgent to dig the dike and release water for irrigation. Lin Sanzhi was anxious to find the county party secretary to state his experience and suggestions, but the matter was serious and the secretary was embarrassed. Lin Sanzhi, who has real feelings, can't help but talk grumpy: The river must be released immediately. If anything happens, kill my head! ? The secretary understood, called an emergency meeting, studied and passed Lin's suggestion, and the whole Jiangpu polder area got a good harvest this year.
After Lin Sanzhi became famous, scholars of all ages and occupations often came for advice. There are many pretentious people who want to get his praise when presenting their works, but they are ignorant of the world and simply say a few straightforward words to each other, which has aroused the resentment of the people who came. There are also many sincere seekers who accept their suggestions and study hard. Every time Lin sees something useful, he is happy and laughing, and often takes the initiative to write books as gifts. Gao Ershi, an outstanding poet and calligrapher, is afraid of his strong nature, likes to call names, and keeps him at a respectful distance. However, he and Erh Lin respect and love each other, and often write back poems and books, or stay up all night, so it is rare for them to be bosom friends. It can be seen that Lin Sanzhi treats people with sincerity and makes friends with sincerity, which is the most precious quality of artists. Lin once said: literary and art workers should be real people, not a deceptive world. ? He is himself? Be real? An example.
Lin Sanzhi has an indomitable spirit in his study. At the age of seventeen, he was famous for Fan Zhongyan? How about, inhuman? Sit in the right place and take the number? Three idiots? . He is obsessed with poetry, books and paintings, and has never stopped in his life.
At the age of twenty-six, he began to compile the Collection of Landscape, a book with 29 volumes and more than 350,000 words, which collected the previous discussions on landscape painting. These contents were collected from hundreds of documents and took more than three years to complete. It was a big project at that time, and no one else had done it, which shows its intention. 1930, Lin Zeng took the manuscript of this book to Shanghai and asked his teacher Huang to review it. Huang read it carefully and criticized it, intending to recommend it to China Guoguang Society for publication, but it was fruitless after the Anti-Japanese War.
Does he remember Huang? Learn from the ancients as well as from nature. After several years of frugality, I have accumulated some travel expenses, so that when I am 37 years old, 1934, I can pack my bags, bid farewell to my mother, wife and children and travel alone. After eight months, I visited Jiangsu, Anhui, Shandong, Shanxi, Henan, Shaanxi, Sichuan, Hubei and other famous mountains and rivers, such as Songshan, Huashan, Zhong Nanshan, Taibai Mountain, Emei Mountain, Lushan Mountain, Hunjiang River and Three Gorges. After more than 16,000 miles and difficulties, I have to draw more than 800 paintings and nearly 200 poems. This move is rarely implemented, which shows his persistence and perseverance in pursuing his ideals. After that, I visited Huangshan twice, and experienced the methods in the famous mountains and rivers, looking for new ideas, especially the charm of mountains, rivers, clouds and meteorological changes. This will play an important role in the formation of lofty styles of poetry, calligraphy and painting in the future.
Lin Sanzhi showed extraordinary poetic talent when he was a teenager. Today, there are still 19 14-year-old poems "Three Silly Students in Tang Fang", among which 1 16 poems are written in running script or regular script, and most of them have been revised. His poetry teacher commented:? It's extraordinary that the words are clear and beautiful, the allusion is muddy and the wind is whistling in Gorkon. ? Throughout his life, he scrutinized poems all the time. For example, when he was sick, sleeping, eating and walking, he often got up uncontrollably and wrote poems. Even sitting in the toilet, I often meditate. Suddenly I found a good sentence, so I got up and lifted my pants and went to the table to take a pen and paper to write it down, so as not to forget it, and it would soon become a joke.
He spent the most effort, the deepest experience and the highest self-evaluation on poetry. He was quite emotional in his eighties. He said: now the social situation is changeable, and everything does not compete with people, but only with the ancients for a position. This is a purpose. Poetry, calligraphy and painting, my poetry comes first. Kung fu is deep, and it took 60 or 70 years. Especially? _? At that time, my home was robbed and burned, and only my poems were always with me. At night, I had a pillow to keep them from being lost. That's really too painful. Starting from the bottom, the efforts of all parties can be printed and left to future generations. ?
There are two main points in this statement: First, Lin Sanzhi is an artist who aims to compete with the ancients for a position. He struggled all his life, and the ruler was placed at this height; The second is his self-evaluation poems. Poetry, calligraphy and painting. The process of protecting the manuscript shows the depth of his feelings. "Poetry on the river? Praise in the preface to the opening ceremony:? The old man's poems, full of history and mountains and rivers, were written by people who read thousands of books and took Wan Li Road. They are magnificent and casual. There is no heart to carve chapters and sentences, but there is handy joy. ? Is it in Zhao Puchu's Zanli? Have you seen the bully in Rewen? Sentence, evaluation is extremely high.
Lin's poems are quite close to those of Bai Juyi and Yang Wanli in Tang Dynasty. They are unpretentious and understated, and see the truth in them. This artistic conception is reflected in his personality temperament. However, how many people in this world can appreciate the beauty of these two thousand ancient poems full of the old man's lifelong talents and affection? However, his lyric freehand brushwork poems are often inscribed on paintings, which complement each other and are wonderful. Or in his calligraphy works, the meaning and rhyme of his poems become the deep connotation of his calligraphy style, so the formal beauty of his calligraphy art is full of strong poetic meaning and human touch. So it can be said that its poetic rhyme is the soul of this book!
At the age of thirteen, Lin Sanzhi studied portrait painting and meticulous figure painting, and then taught himself landscape painting. In his twenties, his calligraphers used regular script, official script and running script, meticulous figure painters Chen Zhelian and Huang Shen, landscape painters Wang and Wang Shigu, and became famous in eastern Anhui. When Huang was thirty-two years old, he went to Shanghai to study as a teacher recommended by his poetry teacher An, which was a major turning point in his artistic career. Huang Wei's poems, books, paintings and seals? Four in one? His landscape paintings are particularly appreciated at home and abroad. Lin studied in school for two years, and his painting and calligraphy skills were deeply inspired, which greatly broadened his horizons and increased his knowledge. He also read a lot of Huang's books and listened to the teachings, and made great progress in his study. The harvest of these two years has a far-reaching impact on his artistic progress throughout his life.
After liberation, Lin tried to express real life with China's paintings. 1955, he created a long scroll "Spring Show in Jiangpu", which was directly taken from the levee repair project and was full of his personal experience and deep feelings. This long scroll became one of the earliest masterpieces reflecting real life in China after liberation.
1963, after Lin Sanzhi was hired as a painter in Jiangsu Provincial Academy of Traditional Chinese Painting, he went to southern Jiangsu and northern Jiangsu to sketch with the academy. For three years, I painted very diligently. 1966? ""? After the catastrophe began, a large number of books, calligraphy and paintings, and inscriptions were confiscated and burned, and life was turbulent. 1970 was severely burned all over the body and almost died. After that, he wrote more books. When I was painting, I never went out to sketch again, recalling the impression of sketching in the past, especially the misty scenery of Huangshan Mountain. His pen, like writing a book, seeks straightness in music, and Fiona Fang has both. As far as possible, ink painting alternates between dry and wet shades, showing the rich interest of misty weather, thus creating its ink painting skill higher than that of modern people, which is different from that of its teacher Huang. Our brushwork is light and turbid, while Lin's brushwork is more spiritual and moist. His profound and unique experience in this field was applied to cursive script, which opened up a new realm for cursive script. However, his pursuit of artistic conception of freehand brushwork landscape painting, the modeling of scenery and the profound understanding of the treatment of strangeness, falsehood and ink white in cloth clothes penetrated into the calligraphy style and composition, which made his book have unique personality and interest.
Lin Sanzhi said? At the age of eight, I began to study art without a teacher. When I was sixteen, I studied under the villager Mr. Fan Peikai. Mr. Wang awarded the Tang tablet, gave the method of hanging the wrist, and had a good heart. Xi zhi is wide and cloudy:? Teacher Fan's new student Yu Xueshu has changed; After Mr. Zhang, it has changed; After Mr. Huang and his travels, he changed; After the party lost weight, it changed again. ? The process of calligraphy self-identity is divided into four stages.
He studied hard since he was a child. Judging from the existing draft of Three Silly Manuscripts written by Gu Tang 17 years old, at this time, not only his poems have already had skills and temperament, but also his fine-print cursive script, based on the preface to Huai Wang Sheng, has already had skills and literary talent, but the pen of stippling is weak. What can be summed up from the manuscript of this collection of poems? No teacher? By the beginning of the apprenticeship, this level has been reached.
Talking about what he learned from Fan Peikai, he said to himself: The reason why I write is because of Teacher Fan's teaching. Originally, I was writing on my desk, dragging it with a pen, and I didn't understand and dared to hang my wrist. Learn how to hang your wrist from Teacher Fan. Hanging the wrist can work with a pen and run freely. ? This feeling is very profound. You can't hang your wrist, and there is no big obstacle to writing small words like poetry. If you write bigger words, you won't be able to write freely. This teaching has given him a bright future.
He added:? Yu's books, from Tang to Wei, from Wei to Han, to Tang, Song and Yuan, were all copied and learned. Yu Han studied Li Qi, Zhang Qian, Kong Zhou, Fang Heng, Yi Ying and Cao Quan. Yu Wei's Zhang Menglong, Jia Shijun, Yan, Yan Baozi, Song Gaoling Temple, Zhang Heinv, Cui; Yu's Ge Tie; Xueyan Plain in Tang Dynasty. Liu Chengxuan, Yang and He studied in Beihai for the longest time, so they reviewed it. Take the Mi family in the Song Dynasty, the Zhao family in the Yuan Dynasty, Wang Juesi and Dong Sibai in the Ming Dynasty as examples, all of them are mechanical. ? This is the context of his study of books in ancient times. It can be seen that Lin Sanzhi was enlightened, and he was widely adopted by the ancients with an inclusive attitude. Regardless of the tablet and post, no matter what family or faction, he has his own strengths. Right, right, good. Grass body, all his life, painstaking research. Only in the seal script, he didn't mention it at last. I have read his books, which are also very skillful and interesting. This brushwork was obtained from his teacher Huang.
Lin Sanzhi once said that he wrote Liu Gongquan's Mysterious Tower at the age of 16, with beautiful structure and fine pen, which laid the foundation for the formation of his later personality style. At this time, he got Fan Peikai's instructions. After the age of eighteen, he studied poetry and ancient prose from Zhang Lian, and he also taught calligraphy. Zhang lived in the Jin and Tang Dynasties, and was especially good at Rong Sui Liang and Mi Hai Yue. It had a great influence on him in statutes and literati atmosphere; It can be seen clearly from the inscription he painted in his twenties and the manuscript of the true book poem "Reading Music in Four Seasons". He also made great efforts in Weibei, especially on the monument of Zhang Raptors. This monument is slender and stretched, and the stippling is also fine and hard, which can complement each other with Liu's body and is even more peculiar. Lin Shu's style is mainly based on these two monuments. What about him? What is the longest study time in Li Beihai? It takes the meaning of Beihai calligraphy style, which is broad in potential and close in knowledge, and beautiful in hiding.
Generally speaking, Lin Sanzhi's calligraphy is based on the inscriptions in the Northern and Southern Dynasties, Jin and Tang Dynasties. He studied the calligraphy of Jin people from Ge Tie and took the calligraphy of famous artists in Tang, Song, Yuan and Ming Dynasties to get his meaning and rhyme. At the same time, he studied the famous steles of Han Dynasty for decades, so his book was very soft from the beginning, with the charm of steles and the simple meaning of Han Li. His books not only create, but also write all kinds of inscriptions. Anyone with a strong style is often thin and hard. He believes in what Du Fu said? Books are expensive, thin, hard and spiritual? His aesthetic concept is also the basic feature of his book style.