Introduction:
The Three-body Stone Classic was built in 24 1 year (the second year of ICY, the king of Wei and Qi in the Three Kingdoms), and it was named because each word of the inscription was written and engraved in three fonts: ancient Chinese, Xiao Zhuan and Han Li. The Book of Songs is inscribed with Shangshu, Chunqiu and some Zuozhuan, which is the second Book of Songs established after Xiping Book of Songs in the Eastern Han Dynasty. The Story of the Stone is of great significance in the history of calligraphy and the development of Chinese characters in China.
Stone scripture data:
Three-body stone classics
The Three Kingdoms Wei in the 1970s
Material carving stone
Font ancient prose, seal script, official script
The establishment and spread of Shijing
abstract
The Three-body Stone Classic was built in 24 1 year, and was started in two years by ICY, king of Wei and Qi in the Three Kingdoms. Because every word of the inscription is written and engraved in three fonts: ancient Chinese, Xiao Zhuan and Han Li, it is named. The Three-body Shijing is engraved with Shangshu, Chunqiu and some Zuozhuan, about 28 pieces, which is the second Shijing established after Xiping Shijing in the Eastern Han Dynasty. The Three-body Book of Songs, also known as Zhengshi Book of Songs and Weishi Book of Songs, was founded in the second year of Wei Zhengshi in the Three Kingdoms period (AD 24 1 year). The book has three fonts: ancient Chinese, seal script and official script. The authors are Wei Ji, Han Danchun and Ji Kang, but there is no conclusion. The brushwork and structure of seal cutting are very regular and are often used as templates by beginners. But because it is a stone carving, the font is small and the brushwork is distorted. You need some experience to really understand. -"Appreciation of Historic Sites" Fee
China's classical prose
The study of China ancient literature in the Eastern Han Dynasty mainly spread in the form of private studies, but gradually became the mainstream of academic research. After Cao Wei replaced Han Dynasty, the study of ancient Chinese classics replaced today's literature and became the official knowledge. Xiping Shijing, published in A.D. 175, was founded in imperial academy, and all the engravings are modern. After Cao Wei established the study of ancient Chinese classics, it was obviously out of place for imperial academy to have only this essay. So in 24 1 year (the year of Emperor Fang's abolition), China's ancient books were published and carved on stones, and imperial academy was established side by side with the present writing.
content
The contents of the three-body stone sutra are mainly Shangshu and Chunqiu Sutra. Shangshu was immediately passed down by Ma Rong and Zheng Xuan. "Spring and Autumn Annals" immediately "Hanshu? The twelve books of Shi's Chunqiu recorded in Yiwenzhi are not eleven books of modern writers.
In addition, the three-body stone sutra recorded by Xu Li has Zuo Zhuan? Seven years of Huan Gong, 9 words, Zuo Zhuan? Twenty-six words in Seventeen Years of Huan Gong. Ma Heng thinks that Xu Li's left-over words in Zuo Zhuan are a trial engraving, which is an unofficial engraving (Ma Heng's "Fan Jiangzhai's Contemporary Congwen Draft"). There are still some residual stones of unknown origin, such as The Analects of Confucius and Collected Nine Articles, which are only a few words, and may all be trial engravings.
structure
The formal format of the three-body stone sutra is 20 crosses per line, and each word has three bodies, which are arranged directly below. There is also a kind of characters, the ancient prose ranks first, and the seal script and official script rank lower. The word "style" can only be found in two books, Yaodian and Hao Tao Mo, at the beginning of Shangshu (three-body straight body also has these two books). In addition, there are residual stones in ancient prose, and there are also residual stones in ancient prose and seal script. Three-body stone classics are bounded by vertical lines and horizontal lines on each tablet surface. A word three body, straight down the book, about 33 lines on each side, 60 words per line. The number of rows of each monument is different. According to Wang Guowei's calculation, it is most likely 35 tablets. According to 1922, a stone sutra unearthed from Luoyang Taixue site, Ma Heng concluded that there should be 28 stone sutras in Zhengshi.
purpose
The main purpose of publishing the stone carving sutra is "Jin Yong's story in the ancestral temple of Taiwan Province Province and Confucian classics in the ancient stone sutra of imperial academy", aiming at spreading and emphasizing Confucianism. In addition, the word "Book of Songs" also has the function of correcting the contents, characters and styles of documents. "Yi Wen Zhi" contains: "The three-character sutra was built in the west of the Han monument, with brilliant style and three weights." The seal script of Shuowen in this school is similar, but the ancient characters are different. "Biography again? Youminggen? Liu Fang: "In the past, the three-character classics were made by imperial academy in the Han Dynasty, but what scholars said was not correct, and many of them were qualitative. "After the inscription was carved, students from all over the country came to the school to expand, which played a great role in the preservation and development of culture at that time.
range
After the Three-body Stone Classic was carved, it stood side by side with Han Xiping's Stone Classic written by imperial academy. Since the 3 1 1 Yongjia Rebellion, Wang Mi and Liu Cong were trapped in Luoyang, and two schools were burned (The Book of Jin? Wang Mi biography), that "Shijing" should have been damaged. From Shu Wei? Feng Xichuan recorded that "Luo Yang has been destroyed, the old three-character classics still exist, and Xi Zhi and Changbo have successively become States, which have been abandoned and used separately, to a great extent." It is known that the stone scriptures of the Northern Wei Dynasty have been seriously damaged and scattered all over the place. In August of 537 (the fourth year of Xiaojing in the Eastern Wei Dynasty), the stone sutra of the Han and Wei Dynasties in Luoyang was moved to Yeh. In February 579 (the first year of the Northern Zhou Dynasty), he was involved in Luoyang. In 586 (the sixth year of Emperor Kai of Sui Dynasty), he was put into Chang 'an from Ye Jing and placed in the minister's introspection. After the Tang Dynasty, Wei Zhi collected them, and they all disappeared.