And most of the scenic spots are still lifes. Silence means no potential, and no potential means no movement. Therefore, we should try our best to make still life move, shock people's hearts, and let readers and authors write good songs. There are many traditional ways of writing in classical poetry. Jin Renyuan Haowen wrote such a poem "Miscellaneous Poems in the Mountains":
Fine bamboo vines hang obliquely, and the flowers and plants are messy.
The trees are tall and windy, and the moss is silent.
Its beauty lies in that it can write invisible "wind" through a dynamic tree, but it also expresses flowing water with moss and smoothness. Flowers, grass, bamboo, rattan, etc. It's all on paper, and it has become an ecological map of nature, with a sense of momentum and various subtle dynamics. All beautiful things are alive, which can stimulate people's vitality, make people think and feel, which is commendable and regrettable. Liu Xie said in Wen Xin Diao Long that when people climb a mountain, when they see the beautiful scenery of nature, they can't help but "look ahead and breathe in their hearts", that is, natural scenery stimulates the vitality of life, thinking and feelings.
In order to show the beauty of landscape and vegetation, I want to try my best to take the initiative. Although it is from the perspective of scenery, it is from the perspective of people's feelings and will communicate between subjective and objective. Scenery exists naturally, but it is the function of the article to convey beauty to readers. The article describes the form of a clay sculpture lady, with a wooden dragon attached to a big column, glaring at claws, and a stone bridge flying across the whole body, which is extended from the bridge to "on the footbridge, at will." The young monk who wrote the stone carvings laughed and fell in love with the water. Shi Hu grabbed the shore with his front paws and leaned his neck back, trying to absorb all the rivers. They all try to break through the beauty of nature and pursue art, or try to explore the beauty of natural scenery with the beauty of language art. People often say, "It is better to see the scenery than to listen to it." What you see is the prototype of nature, but what you hear is the exquisite artistic scenery, which naturally adds another layer of beauty.
Third, we can learn from our predecessors. Just as history is inseparable, the development of art has a fixed relationship with people's aesthetics. Learning art should start with copying, and then absorb the strengths of a hundred schools of thought to form its own style. A painter can always find from him what he learned and absorbed from his predecessors. So is the development of science. According to Newton, it is to climb on the shoulders of giants.