What is the most difficult font in China? What is the basis?

The most obscure font in China is, of course, a kind of seal script font-Jiudui seal script, which came into being from the Song Dynasty, and is basically "unknown to immortals". Ten-fold seal script is based on small seal script, with only vertical and horizontal strokes. Parallel lines become curves, single-track railways become double-tracks, and then bumps. It can be said that there are 18 bends, and then the buildings are stacked, trying to cover all the stamps, that is, "bend, bend, flat and full." Sometimes, in order to better "overlay", the structure of Chinese characters in China will be constantly changed, which is more difficult to identify. Ten-fold seal script is not all "ten-fold", maybe it is from 3 to 13, because "the end of nine digits is all words", so it is called "ten-fold"

Of all kinds of calligraphy, cursive script is of course the most obscure. First, because every word is a relatively fixed grass method, and this grass method mostly comes from Cao Zhang, so many words are written differently from what is common today. For example, if you haven't learned the word "day", there is no doubt that you don't know it. Another example is the word "love", and grass is also confused. Second, even if a word is written by the same person, the application of lifting and pressing is different, and the writing is very different. Thirdly, in a calligraphy and painting, many marked cursive forms are connected together, which makes it very difficult to identify. Although grass is difficult to identify, it has been favored by everyone since ancient times. Because of its humanized characteristics, it is easier to express feelings and concepts for viewing.

Xixia script, alias Hedong character, model essay and Tanggut, is a script that records the language expression of Xixia Tangut. It belongs to the ideographic management system and belongs to the Qiang branch of the Sino-Tibetan language family. The language expression of Xixia people has died out, which is most closely related to Qiang language and Muya language at the same time. During the Qing Dynasty before Jing Zong Li Yuanhao of Xixia announced his accession to the throne, he ordered Nori Ren Rong, a senior official, to develop it. It took three years to complete, with more than 5,000 words, square and complicated strokes, and the construction of China-like Chinese characters is quite unique. It was popular in Gansu, Gansu Province, northern Shaanxi Province, southern Inner Mongolia Autonomous Region and other vast natural geographical areas under the jurisdiction of Xixia Dynasty for about two new centuries. The Yuan and Ming Dynasties are still widely circulated in some areas in the new three centuries or so.

China ancients carved marks on tortoise shells, bone implements, stone tools and ceramics, which continued the cultural history of "changing the initial knot of book contract into a tether" and opened the curtain of Chinese civilization. As the "God" worshipped by primitive humans, the ancients relied on the great magical power of birds to integrate birds with characters, get along with the new world, communicate with gods and ancestors, and "strengthen the body to eliminate evil and welcome happiness", thus creating the plastic arts of China characters-Bird and Insect Seal. From the second half of the Spring and Autumn Period to the Warring States Period, it was a special language that prevailed in southern countries such as Wu, Yue, Chu, Cai, Xu and Song. This kind of calligraphy still happens in the wrong way, elegant and beautiful, decorative, unpredictable and difficult to identify.