As Mr. Yu said, "I find that the places I particularly want to go are always those places where ancient cultures and literati have left deep footprints, which shows that the mountains and rivers in my heart are not completely natural mountains and rivers, but' human mountains and rivers'."
The cultural connotation of this landscape far exceeds the outline of any book. As long as there are more savvy literati standing up, all "landscapes, landscapes" will become heroes who can breathe for thousands of years. As a result, the literati straightened their backs and stopped languishing. Mr. Yu's love for history is especially reflected in his cultural journey. Once a person is full of enthusiasm for history, it will inevitably increase the load of life. "Affectionate Ying Xiao Wo was born early" is because of the vicissitudes of history, which has brought vicissitudes to people and added more strength and strength to pen and ink.
From the thick history of Taoist Pagoda and Mogao Grottoes, Mr. Yu wrote about the barren edge of Yangguan Snow and Hidden Springs in the Desert. He also moved from Yixian Spring to Liu Hou Temple, the ancestral temple of the great writer. The second is to explore the "White Lotus Cave" of human origin. Then "Dujiangyan", "Three Gorges" and "Corner of Dongting" gradually became clear. Although there is no lack of heavy space behind, it is still a bit dull and frivolous compared with the pain in my heart.
I can't agree with all the comments about Mr. Yu and many of his books. But one thing, Mr. Yu's erudition is well known and beyond doubt. Especially history, is widely read. In this book, it is quite sharp, with various articles and rich words. My good articles in specific books should belong to Liu Hou Temple and A Corner of Dongting. Of course, there are also concerns about Dujiangyan, the Three Gorges, stormy days, wine cemeteries, ruins and book collections. Only the former is a little heavier.
My loyalty to Liu Hou Temple stems from my admiration and regret for Liu Zongyuan. Liu Gongzong and vilen not only represented him, but also represented the sadness and helplessness of China's feudal literati for nearly a hundred years. Unfortunately, it's right here. What they admire is his or their cultural personality. In China at that time, the literati in China at that time valued their personality. But people with this personality are gradually changing from sadness to loneliness. However, under this general trend, people are eager to spend time with each other, and the S room in Na Ba Warehouse Province is being changed for the Cherry Blossom Festival. Prepare a zinc badge and let our boat burn. ⑿ ⑿ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ ⑽ o:P & gt； ;
Whether the calligraphers with many inscriptions beside Liu Hou Temple admire this writer as much as I do. Just look at the magnificent words and elegant calligraphy, and you will know that they are also literati. The difference is not as helpless and sad as Liu Zongyuan's generation.
No matter who wrote the inscription, being pointed at and read by young people represents a kind of reverence for their ancestors. If we can have more such reverence, then the literati will have less helplessness.
As for my preference for the corner of Dongting, it is entirely out of my love for Yueyang Tower. As mentioned in the article, Yueyang Tower should start with the "culture of demoting officials". Officials were banished to the outside, and the sense of loneliness and tragic climbed into my heart, so I had to walk here and look there, making out with mountains and rivers. In this way, there are articles and poems, and they are often not badly written. Times have changed and dynasties have changed, and the court will think this person is good. Therefore, reputation, character and literature have been restored, circulated in history and recited by future generations. The landscape pavilion they used to be close to has become a relic. The ground is passed by people, and people pass by the ground. The two complement each other and have their own reputations. Described in this way, there was Fan Zhongyan, with "The Story of Yueyang Tower" and Yueyang Tower.
The Yellow Crane Tower in Wuchang, Wang Tengting Pavilion in Nanchang and Yueyang Tower in Dongting are also called the Three Musts of the Yangtze River. The Yellow Crane Tower and Wang Tengting have disappeared, and now there is only one Yueyang Tower left. It was originally built by Zhang Shuo, the middle school secretary of Tang Kaiyuan, and later rebuilt, so many hardships need not be said. Yueyang Tower is built in the west gate of Yueyang City, and there is a desolate and lofty spirit for Dongting Lake within 800 meters. There is no wind and waves in the gurgling lake, as if it had been rushing for thousands of years.
The vast Dongting Lake bears the weathered Yueyang Tower, and it is pregnant with the philosophy of "worrying about the world first and enjoying it". This fully shows the mind of Lao Tzu Fan, a man with tens of thousands of soldiers in his chest, when writing about this lake and this building. These two sentences have nurtured many descendants and had a far-reaching impact on the moral formation of intellectuals in China. One person is a hundred teachers, and one word is the law of the world. The value of making a statement is heavy and great. He borrowed the building to write about the lake, borrowed the lake to express his feelings, and directly wrote to the world from Dongting Lake, making people breathe in the momentum of the tape.
There is a Sanzui Pavilion next to Yueyang Tower, and there is Lv Chunyang behind Fan Zhongyan. This Taoist ancestor filled the Yueyang Tower with fairy tales.
Swimming in the North Sea, dusk sky,
The green snake in the sleeve is bold.
Three drunken Yueyang people don't know,
Lang Yin flew over Dongting Lake.
This immortal Lu drinks and sings poems here from time to time, which makes people feel that Yueyang Tower is strange. It is Lv Dongbin's sage demeanor that makes Yueyang Tower more complicated and mysterious.
I can't tell the whole story of doting on Yueyang Tower. Let's talk about the seriousness of teacher Yu's book first. After reading it from beginning to end, the cultural journey is called mental journey, which will make people feel endless bitterness and bitterness, but it can be said that it is a cultural journey through ancient and modern times and a process of self-cultivation for me. The true meaning learned from suffering is engraved in the heart and has far-reaching influence.
In fact, any knowledge is a painful journey, and knowing the essence of things is the destination of the journey. However, Mr. Yu's writing style is not ostentatious, but he writes the process of understanding thoroughly and profoundly. It often makes me reverberate in my heart and whirl in my ear. Mr. Yu's charm of turning simplicity into illusion and turning small into wonderful, and his exposition of historical materials are beyond my reach, and I have always admired him.