Similar excellent official script works with self-improvement glyphs can still be seen in many inscriptions in the Eastern Han Dynasty. The most famous ones are the Huashan Temple Monument in the 8th year of Yan Xi (165), Shi Chenbei in the 2nd year of Jianning (169), Cao Quanbei in the 2nd year of Zhong Ping (185) and 3rd year (186).
At the same time, there are some fonts in the inscriptions of the Western Han Dynasty, mostly square or with a few long characters, with only a short wave potential. Its representative views are: Lu Xiaowang carved stone in the second year of Xuandi Wufeng in the Western Han Dynasty (the first 56 years), Sangong Mountain Monument in the fourth year of Andi in the Eastern Han Dynasty (1 17), and Peicenji Monument in Dunhuang in the second year of Yonghe in Shun Di (137). Which of the above basically eliminated the seal script with slightly different forms? Regular characters? , has been popular between the Han and Three Kingdoms, almost monopolized the position in stone carvings. The epitaph of Xie Kun of the Eastern Jin Dynasty was unearthed in Nanjing, Jiangsu Province, and this font is still used today. This font should be said to be official, because its form has changed from Qin to Han, but it is not too big. In terms of the area of the glyph, it is rectangular first, then flat, and some places are still crossed. Long wave and short wave also cross each other. Therefore, it must not be said that one font has completely become the old and new body of another font, but the individual quantity change of one font in the middle of the front and back.
The artistic value of official script It is said that official script was compiled by Cheng Miao who was not in Qin Dynasty in prison. By eliminating complexity and simplifying, the font becomes round and square, the strokes are changed to straight, and the font is beautiful and flat. Officer, what was the name of official script in ancient times? Sasuke
Note: Han Li is a symbol of calligraphy art in Han Dynasty in China. General styles are:
His works are steady and dignified, such as the Huashan Temple Monument in Xiyue, the Ritual Monument, the Yiying Monument, the Han and Xiping Stone Classics and the Residual Stone;
Jin Fang's quaint categories, such as Zhang Qianbei, Sulphur Monument, Westbound Song and School Official Monument;
Beautiful and generous categories, such as Cao Quanbei, Confucius Monument, Liu Xiong Monument and Zhao Kuan Monument;
Wide and heavy, such as Fang Heng monument, army monument, Longshan ode;
There are four kinds of heroes: ode to Shimen, Yang Huai, and Xia Chengbei.