Brief introduction of Jiang Rongyu

Jiang Rongyu, born in 1940, is currently the president of Hong Kong Pearl River Painting and Calligraphy Institute, the vice chairman of China Painting and Calligraphy Society, the vice chairman of China National Artists Association, the president of China Famous Painting and Calligraphy Institute, the president of China Painters Association, and the director of Guangdong Chinese Yanhuang Culture Research Association. His works were approved as "Top Art Brand in China" by China (International) Art Brand Qualification Certification Committee. 20 14, 14 In June, China Contemporary Art Association appraised Jiang Rongyu's traditional Chinese painting as 5 yuan/square foot and his calligraphy as 6.5 yuan/square foot. He has served as vice president of China National Painting and Calligraphy Institute, vice president of China International Painting Institute and vice president of China Arts and Crafts Association. Recently, the General Office of the State Council of the People's Republic of China awarded him the honorary titles of People's Republic of China (PRC) and the Ministry of Culture, such as "Outstanding Innovative Entrepreneur of China", "Cultural and Artistic Meritorious Person of the Republic of China" and "Outstanding Calligraphy Master of the Republic of China". The Guangdong Provincial Party Committee and the provincial government awarded him the "Outstanding Literary Contribution Award". His works and achievements have been published in more than 290 classic works, such as Dictionary of Meritorious Artists in China, Collection of Calligraphy and Painting, Complete Works of China's Calligraphy, China News Figures, Archives of Famous Artists, Eight Masters of Painting and Calligraphy in New China, Master of Art, World Chinese Art Leaders and Cultural Power. At present, his calligraphy level can be said to be the pinnacle. In particular, his works are rhythmic, thick and gentle, and his brush strokes fly like flies at the same time. His lines are undulating and elastic. It can be said that he is full of charm, learning from others and more innovative. At the junction of classical and modern, he formed his own meaningful form.