Gu Xiangling's calligraphy "Looking at the Sea"

Gu Xiangling's works began to enter the auction market in the 1990s, and rose steadily, neutralizing the aesthetic power, which made him have a wide range of collectors and supported a collection circle of Chinese studies. Academic experts at home and abroad have always praised his artistic creation. A seal cutting work was sold at the auction of Xiling Printing Factory this year for 72,800 yuan, which became the highest auction record of contemporary young and middle-aged seal cutting works. These achievements show that its artistic influence is infinite. In the new upsurge of China calligraphy and painting market, many emerging art investors began to flood into the art market. Gu Xiangling's works as a good investment project, with the appreciation effect of his works, many new investors began to buy a lot of Gu Xiangling's works. Generally, when new buyers enter the market, the first thing they face is authenticity. Gu Xiangling's works were operated by brokers earlier, so there are few fakes, and new buyers will not be afraid of the lack of identification ability, which reduces the risk in this respect. Gu Xiangling's calligraphy and painting market should be a "blue chip" that can be held for a long time and has a stable return. At present, China's economy is developing steadily, the capital market is constantly improving, and the art market is also in the process of heating up. Gu Xiangling's works have been rising steadily since entering the market, but we think there is still a certain gap between the market price of Gu Xiangling and its academic value, which is worthy of investors' continued collection. With the increasingly rational and standardized art market, we believe that the market price of Gu Xiangling's works will become stronger and stronger.

"Yangchun Meteorological Tang Collection Painting and Calligraphy Exhibition" was grandly opened in Guangsha Tang Exhibition Hall, Yaojiang District, Hangzhou from March 6 to 8, 2002. This exhibition will display more than 60 paintings and calligraphy works of Gu Xiangling, a famous contemporary artist in China, collected by Hangzhou Jingyitang Art Company. At the same time, he will also present his artistic achievements in recent years to the audience, such as "The Original Stone of Jin Yan in Zhouyi" and "The Ancient Analects of Gu Xiangling".

As an important representative of contemporary sinology art camp, Gu Xiangling's works are lofty and broad-minded, with profound and dignified connotation, simple brushwork and unique composition, which are permeated with traditional expressive elements and aesthetic taste, showing his unique artistic style and profound aesthetic implication. He combines artistic elements such as boldness, elegance, exquisiteness, vigor, naturalness, boldness, novelty and elegance with the charm of China's traditional classics, and through exquisite pen and ink skills, it is natural. His works exude a strong traditional power and give the audience a wonderful and shocking visual experience. Gu Xiangling has been engaged in calligraphy and painting education for many years, and devoted himself to the creative research of calligraphy seal cutting. He has won more than 100 important awards and successfully held more than 20 solo exhibitions at home and abroad. His works and theoretical articles are scattered in hundreds of painting and calligraphy periodicals. Many times by the mass media as "the most appreciation potential, the most collectible painter" and "the most popular painter". He is also the first person in the history of personal calligraphy auction, and his works have created the highest auction record of contemporary young and middle-aged seal cutting works. ...

Gu Xiangling's calligraphy is simple and vigorous, and his seal cutting is magnificent, which shows the realm of great life and raises the "tool" of technology to the height of Tao. It fully embodies the contemporary aesthetic demand-"harmony is morality". Zheng Zeng, president of the Palace Museum, once commented: "The value of the work lies in its artistic conception, clarity and harmony. At the same time of being determined to innovate, it does not stick to the pattern, and shows a kind of vitality between being free. This dynamic and static artistic view is very consistent with the traditional artistic spirit of the East, which is very rare today ... ".