Appreciation of Kangzhuang's Calligraphy Works
Pictures of Kangzhuang Calligraphy Works 1
Pictures of Kangzhuang's calligraphy works 2
Fig. 3 Kangzhuang calligraphy works
Fig. 4 Kangzhuang calligraphy works
Kangzhuang art evaluation
Great landscape, great momentum, great realm? The landscape home of contemporary painters? Xue Yongnian
As the projection of the inner world of the Chinese nation, Chinese painting has always shown the unique aesthetics of China people. Through painting, or expressing feelings in the landscape, or directly expressing one's own thoughts, it is always pleasing to the eye, and viewers can always enjoy these classic works and accept the washing of the soul together. Only those painters with noble pursuits can feel the true meaning of the beauty of all things in the world and create truly valuable works of art. Mr. Kang Zhuang is such a painter who has always adhered to his artistic beliefs.
Mountains and rivers are great things. What is the most direct impression of the famous painter Mr. Kang Zhuang's landscape paintings? Big? . Great landscape, great momentum and great realm. Viewers can temporarily forget where they are, and wander among them, hoping, feasible, livable and swimming, just like bathing in the breeze.
The mountains stand in the misty rain curtain, the flowing spring water flies between the majestic hills and valleys, the gurgling stream flows naturally, the misty and rainy cottages and the mountains with white clouds, accompanied by clouds and water, glow with the spirit of serenity, harmony and tranquility in the grandeur. Mr. Kang Zhuang's brushwork is very profound in traditional painting. He expresses his feelings and fun in the process of painting, rubbing and dyeing. He creates landscapes with images, shapes with emotions, and creates the layers of the picture through the shades of pen and ink and the changes of lines, which complement the mountains, rivers, Woods and houses. Steep rocks, faintly visible farmhouses and jagged trees make the work winding and isolated from the world. His landscape is magnificent, vigorous, beautiful and profound.
Even in this era, the conception of landscape painting is still inseparable from traditional nature, and its spirit is still inspired by foreign teachers. In order to better inherit the predecessors and reproduce the magnificence of the great rivers and mountains of the motherland with the brushwork of modern people, he traveled all over the famous mountains and rivers, and he was fascinated by the quiet beauty and mystery of nature.
But he not only polished his pen and ink skills, but also consciously pursued the meaning and spirit of a traditional culture. He tries to get rid of the traces of sketches in his works, exert his imagination in his conception, and dialectically handle the relationship between the virtual and the real in the picture space and black and white. In this way, the formal language of the picture is richer and more interesting. While respecting tradition, he paid attention to exploring and discovering beauty from a perceptual point of view, and created landscape paintings that fit his heart. His landscape painting is an expression of inner spirit, which embodies the aesthetic orientation of painting a family with lofty aspirations.
The environment is created by the heart, and the environment turns with the heart; Wherever love and pen go, listening to the waves, discharging clouds, Yuquan flowing water, Cangning Qingjing and Wolong Money Ball Wave all flow freely, presenting a vast and romantic space, giving people an aesthetic impact that is elegant and magnificent, rich in meaning and not carved.
A wonderful pen, brilliant in one hand, with endless changes in ink and wash, touching the mountains and rivers like a picture. On the pictures such as How the Yellow River Water Moves Out of the Sky, Pastoral in Qilian, Top of Taidai, Overlooking Yantai Mountain and fairy mountain Qiongge, the wind is full of character, moving quietly, and the lines are cadenced, forming a rhythm in the crisscross. Unique layout, splash-ink color and faint crimson complement each other, and there is a kind of transmission between square inches. "Dragon Hidden" is like a rainbow, "Shazikou" is bright and clean, and the flowing water is as clear as eyes and endless. He turned the majesty of Qian Shan into the elegance of an open atmosphere, creating a wonderful realm of boredom and silence, a realm of detachment and refinement.
With a simple and sincere learning attitude, Mr. Kang spared no effort to continue the practice and exploration of China's traditional painting and calligraphy. In his long-term unremitting exploration of the harmonious unity of ink language, painting context and personal nature, he constantly enriched and improved the taste and connotation of his works, and brought the pen and ink and spirit of Chinese painting to a high level! This is very valuable. On the one hand, we hope that he can stick to the spirit of China's traditional pen and ink, and at the same time, we hope that he can constantly surpass himself with the development of the times, leaving more classics!