The gourd painting of pure spicy Zhu
outer city wall
Since ancient times, experts and experts in the field of calligraphy and painting have existed for generations, as far away as Sheikh in the Southern Qi Dynasty, Su Shi in the Song Dynasty and Dong Qichang in the Ming Dynasty, and as close as Qi Gong and Xie. Their theories had a great influence in the long history, which not only created or led the aesthetic fashion of an era, but also became an unavoidable milestone in the history of China's calligraphy and painting. These famous elderly residents will go down in history, and their spiritual wealth will be passed down to future generations, and Hui Ze will last forever. Zhu has many years of experience in calligraphy and painting appraisal. He knows all about the authenticity of his paintings, and everyone cherishes only a few words. Therefore, there is no doubt that Zhu's identity is first of all a scholar and scholar, and his paintings and calligraphy belong to literati paintings and calligraphy.
Literati painting and calligraphy have always paid attention to artistic conception, and Zhu's paintings need to be viewed from this height, otherwise it is difficult to appreciate the real interest. Years of experience in calligraphy and painting appraisal laid a strategic foundation for Zhu's paintings. In front of his paintings, many application techniques in painting creation, such as composition, composition and theme, have become superficial, just like the story of "Bo Le Xiang Ma, you can't tell a man from a woman". There is a kind of content related to the soul that needs to be touched through superficial language programs, because his paintings express.
In the traditional context of China's calligraphy and painting art, there is an important point: reading a painting is like reading a person, and painting is a character. It is difficult to achieve the unity of man and painting. How many people have found a new way after decades of study and countless detours, or have never seen the real meaning in their lives. But with Zhu, he did it easily. It is precisely because he is always sincere and calm that he can easily be as good as he is and as good as he looks. An emoji that conforms to one's own language style often takes a long time to refine, but Zhu did not climb the ladder from the foundation. On the contrary, it is an arduous task. The truth is just like Buddhism legalists and Zen Buddhism. In order to seek the truth of Buddhism, legalists require learning precepts, while Zen advocates enlightenment and becoming a Buddha. And Zhu Neng got this calligraphy and painting karma, and when he first got involved in painting, he could go straight to the true nature of art. I think this is all a good result of his hard practice. He is diligent, persistent, witty and persistent, and has studied calligraphy and painting for ten years. Now it has entered 2 1 year, and has developed a high-level appreciation vision.
The characteristics of Zhu's paintings can be described in four words: pure, true, old and spicy. At first glance, these words are contradictory. Naivety generally describes the state of being ignorant of the world, while old age is the result of vicissitudes. It is extremely rare to enter a pure spiritual realm after vicissitudes.
These two characteristics are vividly reflected in the pen. As the saying goes, painting and calligraphy are of the same origin. Since Wang Wei, Su Shi and other literati paintings, calligraphy has been advocated. Until now, contemporary painters still regard painting as the top grade. Zhu's paintings are full of pens, ups and downs, twists and turns, and changes. It seems that every stroke is washed away by the ancient paintings he has hidden in his chest for many years. I have to mention here that Zhu has an amazing memory for painting, just like a large data processor running at high speed. Every painting he visited was listed in an orderly way, and the times, people and details were vivid and vivid, like a few treasures. These repeated lines also reflect his own aesthetic style, and what he appreciates is this indomitable vitality.
Pure and true not only describe the form of pen and ink, but also describe some spiritual content. Zhu often says "vulgar and elegant" when instructing students to evaluate calligraphy and painting, and this aesthetic view is also reflected in his works. In the choice of theme, "gourd" means "blessing", which is quite popular, but Zhu has repeatedly expressed his love for Han folk culture; His colors are often bright and colorful, and he likes to use gamboge, vermilion, rouge, cyan and purple. However, his pen and ink are relaxed and lightly touched, thus showing an unadorned natural and innocent posture.
Among many paintings, the classic work that can particularly embody these characteristics is One Gourd, One World. It is extremely difficult to see the coexistence of pure, true, old and spicy words in a picture. However, all the features of this work have been expanded to the extreme in their respective categories, which makes readers cry with joy. Old vines squander the charm of lines, freedom and varicose veins, exuding the tenacity and strength of life; Scattered wisteria flowers show a natural and extensive attitude towards life with the aim of "painting without drawing shapes"; What truly reflects the author's original intention is to sit on a gourd, be dignified and neat, be Fiona Fang's golden mean, hold a pure heart, be quiet and stable, let time flow, and let things shuttle.
Other works, such as Summer Map, Autumn Meaning, Ziteng Hulu Map and so on, have obvious lines and Mo Yun. Mottled ink and varicose lines are unpredictable everywhere, and they are far away and near, and they are careless and thick, giving people endless surprises and lasting appeal.
In today's mature and professional artistic atmosphere, Zhu's "Don't be clever" pen and ink seems to have a distinct literati style, while the bright tone conveys the positive energy inside, the relaxed and casual style expresses the tolerance and relaxation of life, and the dignified and silent gourd symbolizes his principle of settling down. Therefore, since he became attached to calligraphy and painting, he has his gourd, and with his world, his world is well known and admired by the world.