Appreciation of Chen Jianzhong's Yan Style Calligraphy Teaching Works
Pictures of Chen Jianzhong Yan Ti Calligraphy Teaching Works 1
Pictures of Chen Jianzhong's Yan Style Calligraphy Teaching Works 2
Chen Jianzhong Yan Ti Calligraphy Teaching Works Picture 3
Fig. 4 Chen Jianzhong's Yan calligraphy teaching works.
Detailed explanation of the structural law of Yan-ti regular script
I. Basic structure of regular script: fairness
Fairness: reasonable stroke distribution, consistent length, stable structural center of gravity and even density. The upright structure can give people a pleasant and comfortable feeling.
1、? Hey? The weight is in the prefix? Tianyu? , is it? Hey? The word should be expanded to include the following strokes.
However, if there is a cross arm, it should be? Hey? Narrow it and let the cross arm extend.
When there is oil skimming in the middle and lower part, the color will stretch, making the structure open and imposing.
Both in the same word? Hey? And the appearance of the characters conforms to the rules of regular cutting.
2. How long is the bottom? Ground load? . This long horizontal line should be lengthened and the strokes on it should be narrowed appropriately.
In short, there are both in the sky and underground. Steep is big, steady is big.
3. For words with few strokes, the style requires the strokes to stretch, so that the lines are full.
4. Words with many strokes should be tied together evenly. The face should be tight and loose, and the font should be dense.
5. The left and right structures of word, face and body make their independence far apart, and pay attention to the echo of both sides.
6. For words with left and right structures, if the two strokes are basically equal, the face style makes them opponents. Sometimes the right half is pressed down to make the shape of the word conform to the rule of regular cutting.
7. Less left and more right, so that the left is small and the right is big, and the left is closed and the right is put.
8. Words with more left and less right make the right half attached to the left.
9. The horizontal and the left intersect at the top, and some words shorten the length of the horizontal. However, Yan style is not very strict with this, and often shoots horizontally and horizontally, and the brushwork is indulgent.
L O horizontal and left intersect at the top, and some words make horizontal short and left long.
1 1. Characters that are long horizontally and short vertically will become dots. When these two points are in the middle, the left is low and the right is high, and the left is far and the right is near. Outside the point, the face and body are always on the same circumference.
L 2。 Words that are short horizontally and long vertically should be lengthened.
1 3. The space of words composed of upper and lower paragraphs depends on the number of stippling in each part, so that the parts with more strokes occupy more space. If possible, pay attention to interspersed avoidance.
14. The principle of spatial arrangement of words consisting of upper, middle and lower paragraphs is symmetry. In particular, the color body should pay attention to tightening up and loosening down.
15. If there are few strokes in the middle of a three-part word, the middle part takes up less space.
16, if there are many strokes in the left, middle and right, the middle part will occupy a relatively large space.