Regular script of Yuan Shouan's epitaph in the Northern Dynasties and the Northern Wei Dynasty
Epitaph of Mu Yurong, the wife of Northern Wei Dynasty
Regular script of Yuan Zhen's epitaph in Northern Wei Dynasty
Epitaph of Yuan Zhen in Northern Wei Dynasty
The "Zhang Menglong Monument" in the Northern Dynasties and the Northern Wei Dynasty was erected in the first month of the third year of Zheng Guang in the Northern Wei Dynasty (522). Regular script is now in Confucius Temple in Qufu, Shandong Province. This monument is the most representative monument in the Northern Dynasties. Calligraphers have admired it since ancient times. Yang Shoujing commented in the Qing Dynasty: "The monument of Zhang Menglong is all stacked, but the monument is strange." He also said: "Calligraphy is chic and ancient, and the odd and the right are in harmony. The six generations are higher than the Tang people. " Zhao said to this letter: "The book is healthy, and it opens the door to Europe and danger." It's amazing that the structure collapsed and the rocks fluctuated. It should be second to none in VIV. >
The epitaph of Zhang Xuan in the Northern Wei Dynasty is in regular script.
The steles in the Northern Dynasties and the Northern Wei Dynasty are also called Zheng steles. The fourth year of the Northern Wei Dynasty (5 1 1) was carved in Yongfeng, Xuan Wudi. Cliff stone carvings, * * * the contents of the upper and lower tablets are the same. The upper monument is in Tianzhu Mountain, Pingdu County, Shandong Province, and the lower monument is in Yunfeng Mountain, Yexian County. Xiabei 5 1 line, 23 ~ 29 characters, slightly later than Shangbei, with larger characters and less peeling, so it is more famous than Shangbei. This monument was written by Zheng Zhaodao, and the fonts are all regular script. It is one of Wei Bei's representative works, with a broad knot, vigorous and round brushwork and interesting seal script. The content of the inscription is to describe Zheng's life story. Zheng Daozhao's father, Zheng, was an official in Gwangju for a long time (both Yexian and Pingdu are on the border) and was buried in his hometown Xingyang (Xingyang, Henan) after his death. Cheng Tianci, an old official, commemorates his achievements, so he has this moment. This monument is majestic and solemn, and is highly valued by calligraphers. For example, Bao and Gong Zizhen compare it to the "harmony of righteousness", the crown of the southern monument. Ouyang Fu commented on this monument and said: "The brushwork is vertical and horizontal, and there is no habit of wild evil. Xiabei is particularly thin and particularly healthy. " Ye even said, "His pen is healthy, he can gouge out rhinoceroses and kill dragons and snakes, but his swimming is vain, all by luck. In the early Tang Dynasty, the schools of Ou Yu, Chu and Xue were all shrouded, not only the first in the Northern Dynasties, but also only one person since the publication of the book. He also said: "My name is Zheng Daozhao, and I am a saint in the book. . Kang Youwei once praised Zheng Wengong as "the pole of Weibei round pen". Judging from the rubbings, this tablet is indeed round with a pen, but looking at the original stone, Fang Bi is the majority. Give people the feeling of a round pen because it belongs to a cliff >
Kou Qianzhi's Song Zhongyue Gaoling Temple Monument is one of the famous inscriptions in the Northern Wei Dynasty. Tai 'an was established in the second year of Northern Wei Dynasty (456) and in 435 ~ 440. Regular script, 23 lines, 50 words. In Dengfeng County, Henan Province, it is a transitional writing from official script to regular script. It is called The Book of Kou Qian. Kou Wei was a famous Taoist between Song and Hua. Kang Youwei's evaluation of this tablet book is that "the style and style are all Fiona Fang" because it was born out of the official script of Wei and Jin Dynasties, and the official script was rigorous; Because it is an immature regular script, it is free to form a structure and use a pen freely. This monument is cherished by the world because of its unique style. >
The Stone Statue of Zhu Yi in Northern Wei Dynasty was inscribed in regular script. Emperor Xiaowen of Wei () was completed on September 14th in the 22nd year of Taihe (AD 498). Regular script, 10 line, 20 characters, Fang Gezi. There are two lines and six characters in the official book "The First Flat Public Image Area". On the north wall of Guyang Cave in Longmen Grottoes in the southern suburbs of Luoyang. This department writes books for Meng Da and Zhu Yizhang. But the author and calligrapher's life experience is unknown, and they may be craftsmen at that time. As a calligraphy art, its characters are especially the first treasure in the famous "Longmen Twenty Products". During the Qianlong period of Qing Dynasty, Qiantang Yellow was sent to the world. Statue, that is, Buddha sculpture. Statues and monuments began in the Northern Wei Dynasty and ended in the middle of the Tang Dynasty. Most of them were created by Sakyamuni, Maitreya, Guanyin and Shi Zhi. At first, it was nothing more than carving stones, cliffs, monuments, or temples, and then painting with gold. The sculptor calls himself a disciple of Buddha, a disciple who believes in Buddha, a clear woman and an excellent woman. The people who contribute to the statue are called the elephant master and the deputy elephant master. The statue is 75 cm high and 39 cm wide. Generally, the inscriptions on the Longmen statues are not engraved with the calligrapher's name. Only this tablet and Sun Qiusheng's inscription are engraved with the calligrapher's name, which is really commendable. Kang Youwei called them calligraphers in Guang Yi Er Zhou, and further pointed out that Zhu Yizhang, the calligrapher of this tablet, was better than Sun Qiusheng, and commented that Zhu Yizhang was the most important. During the Northern Wei Dynasty, Buddhism was advocated and the wind of carving holes and praying for blessings prevailed. "Stone Statue" is an inscription on the stone statue made at that time, full of superstitious religious color, but its words are the treasures of calligraphy art, which broke the weak calligraphy style of the Southern Dynasties, created a typical monument in the North, and spread to the world with masculine beauty. The National Library has the best whole rubbings, which is the word "invite" in the third line. Only the last stroke is slightly damaged, and the other strokes are intact. In the five elements, the word "public" that "begins with fairness" still exists horizontally; The word "Wu" in the sixth line is intact. 90 cm high and 40 cm wide, with scroll. It was originally hidden in the lake pen mountain and inscribed in the ninth year of Xianfeng in Qing Dynasty (1859). The text says: "The font is as big as the scattered stars in the sky and the body is like a fish playing in the water." The rest have eleven inscriptions. For example, Qianshu was changed to Xianfeng for eight years (1858), and the inscription reads: "This Longmen stone carving is the best in the world. The stone carving in China is the only thing in ancient times. The cliff is so high and steep that it is extremely difficult to climb. No one has been interested since Liu Yanting expanded. Zhongshui got four shares in Liulichang, which was almost Liu's business, which made it a mountain. " July, uncle gage, five or five. "In addition, there are seals on the rubbings, such as Reading the Yellow Festival Monument, Hiding the Truth in the Lake Pen Mountain, Uncle Qian Songfeng's Long Life in Faith, and Carving Stones on the Bamboo Festival inkstone Zhai." The Statue of Shiping was carved in Yang Wen, which is rare in stone carvings of past dynasties, but it is even more rare that there are no writers and calligraphers in Weibei. This tablet is an early work in the heyday of calligraphy art in the Northern Wei Dynasty. The whole tablet body is neat and elegant, which makes the neat and simple style of calligraphy in the Northern Dynasties smooth and elegant. For example, Yang Shoujing's "Pingbei Ji" says: "At the beginning, public knowledge prevailed. "Especially from the official pen, bold innovation, turning the soft into the strong, turning the hidden into the dew, is really the extraordinary splendor of the North Monument stone carving. "Longmen Twenty Products" is a tablet of twenty statues in Longmen Grottoes, which is a masterpiece of calligraphy style in the Northern Wei Dynasty. Kang Youwei called Longmen Stone Carvings "magnificent, ambitious and well-organized in Fang Bi". The stone statue is a masterpiece of Longmen stone carving. The difference between this monument and other monuments is that the whole monument is carved on the front. The folds of the strokes are thick and sharp, and they look majestic. >
Wang Yuan's Shimen Ming in Northern Wei Dynasty
The Buddha's Name of Culai Mountain of Chun Wang in Northern Wei Dynasty
The portrait of Sun Qiusheng, a regular script written by Xiao Xianqing in Northern Wei Dynasty, was completed on May 27th, 502, the third year of Jingming in Northern Wei Dynasty (Yuanke). Regular script, south wall of Guyang Cave in Longmen Grottoes, Luoyang. There are not many calligraphers in the inscriptions of the Six Dynasties. Xiao Xianqing is writing here, and the calligrapher's situation is unknown. He should be a low-ranking craftsman or scribe. This tablet book is vigorous, broad and simple, and its brushwork is more varied than that of stone statues. It is one of the representative works of Longmen tablet calligraphy. >
According to Shu Wei, in March of the following year, Wen Chengdi Xingguang changed its name to Tai 'an, so it was not two years since Shu Wei changed its name to Tai 'an, and this monument was said to have been "erected at noon in March of the following year", and it took six days to change it after it was erected. It is said that it is the fourth time since Daowu, Mingyuan, Wu Tai and Wencheng. Wang Yu of Nan 'an, the ruler of Wu Tai, was killed within one year and could not become king. And Mu Jing, the prince, as his father, respected the emperor and established a temple as a sect, so he thought the world was also. Wei agreed on the title of the country from the first year of Daowu Tianxing, and the ministers wanted to be called generations, but Daowu refused, and they still called Wei. After that, there is naturally no such thing as changing countries. Today, the number of stone tablets in the northern Wei Dynasty was engraved at that time, which should not be wrong, but it has been lost in history. From the text, historians can win the way! However, it is not long for historians, so books are also for learned gentlemen. >
The Northern Dynasties and the Northern Wei Dynasty lost its name "Yang Dayan Statue" and carved regular script.
The noble rock statues of the Eastern Wei Dynasty in the Northern Dynasties are regular script. The full name of this monument is "Gao Guiyan made a statue of Sakyamuni", which was carved in April of the first year of the Eastern Wei Dingwu (543). The statue of Buddha in regular script is Bai Yushi. The statue of Buddha above has been lost, and it is engraved around. There are 7 words in 27 lines, including 6 words in two lines and 3 words at the end. 192 1 was unearthed in front of Liaodi Tower (Zhongchun Garden) in Dingxian County, Hebei Province. When unearthed, the handwriting was very complete. The carving is very fine. Existing in Dingxian County, Hebei Province. Gao Guiyan, an official of Taifu and Taizai, was a powerful figure and was later killed for rebellion. This statue should have been made when he was alive. A calligrapher should also be a master at that time. Most of the stone carvings before the Northern and Southern Dynasties have the so-called "golden stone flavor", while the stone carvings in the Northern Dynasties are more famous for their neatness and roughness. This kind of carving and stone carving can be regarded as a special case. It is broad and rigorous, and the pen face is extremely round and beautiful. In addition, the carving work is very fine, which can fully reflect the effect of the original pen and ink. Someone once praised it as "the crown of stone carvings in Wei and Jin Dynasties". Although I can't agree with this view, it is really rare that the North Monument can be "beautiful and elegant" and charming to this extent. Some people think that it was "created by Zhao Mengfu himself". It's hard to say whether Zhao has seen this monument, but judging from the handwriting, there are certain similarities in some aspects. The Palace Museum has the first batch of rubbings of Gao Guiyan. This calligraphy is quiet and beautiful, and Wen Ya is very handsome. It is rare in the calligraphy works of the Northern Dynasties, which is different from the fierce style of Chinese in the statues of the Northern Dynasties, and also different from some rough and clumsy statues. >
Gaoshengbei in Northern Dynasties and Eastern Wei Dynasties
The regular script of the Eastern Wei Dynasty in the Northern Dynasties, also known as "Inscription in front of Zen Temple", "Inscription in front of Zen Temple" and "Inscription in front of Zen Temple" are all called "Inscription in front of Zen Temple". Inscriptions on official books of the Eastern Wei Dynasty. In the second year of Xinghe (540), it was founded in Changshe. Qing Qianlong was unearthed in three years, and then moved to Lushan Academy. Existing Changge County, Henan Province. "Discrimination of Jin and Cui Shi" contains: the monument is 6 feet 8 inches high and 3 feet 5 inches wide, with 26 lines of characters, 5 1 word. The calligraphy of this tablet is elegant and simple, and it is one of the famous inscriptions in the north, even with an epitaph of a black woman. The inscription is more than 2,500 words long, which can be described as magnificent and unrelenting. The engraving is extremely precise and rigorous, which can convey the meaning of the original work quite well. This is a rare monument, beautifully carved and well preserved. Yang Shoujing said: "There is a cloud on the cliff, and the tablet says: Calligraphy was the pioneer of Europe and Chu from Jin to Tang. I said that there were many official books in the Six Dynasties, the ancient meaning of seal script was unique, and I refused to make a beautiful pen, which was a typical era. If you call Europe and Chu predecessors, you may not be related to them, and you don't have to be ancestors of Europe and Chu. " He also said: "The square is round, the seal pen is used secretly, and beauty is wrong." Kang Youwei listed this monument as On yi pin, and said: "Round and quiet, call it if ……" "Respect for the monarch" and "respect for elegance" are a quiet and dense school, supplemented by "Zhu Junshan" and "Longzang Temple", and he also described it as: "If" Respect for the Sage "is free, Zhu Ting will be played". The monument is near the body. The strokes are slightly arc-shaped, such as the word "Tian" and the word "Sing", which makes people feel that the square is round, the strokes are short, lively and cohesive, and they are unique in the monument. "Essay on the School Monument" said: "Those words such as whale, chip, middle, ride, move, different, catch, arrow, wood, mansion and self are all old rubbings." Kang Youwei listed it as a "first-class product", with a broad upper structure, rounded strokes, lively and subtle. >
Li Zhongxuan Monument in Northern Dynasties and Eastern Wei Dynasty
The epitaph < 535 of Sima Sheng in the Eastern Wei Dynasty in the Northern Dynasty was engraved in the second year of Tian Ping in the Eastern Wei Dynasty. Multi-purpose Fang Bi, sharp and delicate; The structure is relaxed and full of charm. >
The statues of Du Zhaoxian in the Northern Dynasties and the Western Wei Dynasty are also called thirteen statues, including Du Zhaoxian and Du Huijin. Li Kai hybrid. In the 12th year of the Western Wei Dynasty (546), it was carved in November (Ma Ziyun called it the 13th year of unification). 8 lines, 2 1 word. The upper half of the picture, with fine print on the side, has 3 lines each. The first 3 lines contain 2 or 3 words, and the last 3 lines contain 5, 6 and 7 words. There are also two columns 14 lines, with the number of lines ranging from 10 to 20 words. The following seven lines. In Yuxian County, Henan Province. This tablet is thin and lively, and its font is between official script and regular script. But it has both seal script and cursive script, which can be described as a hodgepodge of monuments. For example, the word "Wei" has cursive brushwork; "San" is a typical official script. Generally speaking, it seems that this monument can be called official or official. Historically, from the Han Dynasty to the Sui Dynasty, one or two styles were mixed and written on a tablet. Such as Xiacheng tablet in Han Dynasty, Li Zhongxuan tablet in Eastern Wei Dynasty and Cao Zijian tablet in Sui Dynasty. However, it is rare to find such a "comprehensive" inscription that integrates seal, official, truth, line and grass. This monument was written in the middle of the sixth century, when regular script was widely used, which was a special case. >
In the Northern Dynasties and the Northern Qi Dynasty, "Merit Monument" and "Six Years of Wuping, Interpretation of Fairy Books"
Regular script of epitaph of Du in Northern Qi Dynasty
The epitaph of Naoko, the late wife of Northern Qi Dynasty, was written in regular script.
Beichao Beiqi Juanshura Monument
Epitaph of Liu Yue in Northern Qi Dynasty
The Prajna Sutra of Manjusri Bodhisattva in Buffalo Mountain during the Northern Dynasties and the Northern Qi Dynasty, in regular script.
Taishan Stone Valley in Northern Dynasties
The Epitaph of Zhu in Northern Qi Dynasty has 40 lines and 34 words in regular script. Wuping two years in Northern Qi Dynasty (57 1). It is said that this Zhiming season was unearthed in Shouguang, Shandong Province, and was not taken seriously. In the third year of Yongzheng in Qing Dynasty (1725), Wang Huaqia, a native of Shouguang, discovered several papers and spread them. This yearbook is called "Shang Dynasty lived in Wei and Jin Dynasties and Xia Dynasty lived in Sui and Tang Dynasties". Although written in regular script, it has the meaning of seal script, but it also contains graceful and vigorous posture in simplicity, from which we can see the evolution of regular script, which is a fine epitaph in the Northern Qi Dynasty. According to Wang Huaqia's rubbings in the Early Qing Dynasty >
Liang Gongzhi of the Northern Dynasties' Ode to Wang Gan's Filial Piety in Longdong
Zheng Shuzu's "Ascending to Yunfeng" in the Northern Dynasties and the Northern Qi Dynasty
The inscription on Tianzhu Mountain written by Zheng Shuzu in the Northern Dynasties and Northern Qi Dynasties was originally carved next to the "Split Stone Gate" at the foot of Shanxi, but it was destroyed in the Cultural Revolution. Later, more than 200 words of residual stone were found and are now in Pingdu County Museum. Zheng Shuzu, the son of Zheng Daozhao, wrote the inscription of Tianzhu Mountain in the first year of Tiantong (AD 565). >
Cao Lao Monument in Northern Dynasties and Northern Zhou Dynasty
Doulun Monument in Northern Dynasties and Northern Zhou Dynasty
Epitaph of He Tun in Baoding Four Years in Northern Dynasties and Northern Zhou Dynasty
Epitaph of Kouchi in Northern Dynasties and Northern Zhou Dynasty
Inscription of Xiaotieshan Buddhist Scripture in Xiantao, Northern Zhou Dynasty
Xiao Tieshan Fu by Kuang Zhe in Northern Zhou Dynasty (also called Kuang Zhe Fu)
Beiliang lost its name as "Giant Canal Anzhou Buddhist Temple Monument", and the stone carving was regular script.
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