Catalogue of Traditional Wushu History in China

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catalogue

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foreword

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The first volume The origin of Wushu

Does Wushu originate from fighting between man and beast?

Does Wushu originate from war?

Is the third season of Jiao Di a martial arts?

Is "Wu Dance" a martial art in the fourth quarter?

Section 5 Chivalry breaks the ban by force

The second volume is the source of China's traditional Wushu theory-Yijing.

Section 1 Basic knowledge of the Book of Changes

First, hexagrams and hexagrams.

Second, gossip

Third, the key to the Book of Changes-the Book of Changes

Fourth, the method of divination.

The cosmological epistemology of the Book of Changes is the philosophy of China's traditional martial arts.

First, Tai Chi theory

Second, the harmony between man and nature.

Third, big and small Sundays

The theoretical basis of traditional Wushu in the third section is the law of unity of opposites in the Book of Changes.

First, Gankun ranks.

Second, combine rigidity with softness.

Third, rigidity and flexibility promote each other.

Fourth, the movement is constant.

The road of the gods in the fourth quarter

First, what is "God"?

Second, superb, elegant and noble.

Third, the feeling is the same.

Fourth, God knows.

Section 5 The Book of Changes is endless

Volume 3 The Spring and Autumn Period and the Warring States Period-the maturity of Wushu.

The first section: The hegemony war in the Spring and Autumn Period and the Warring States Period provided the required weapons and techniques for Wushu.

First of all, bronze weapons

Second, the progress of combat forms and weapons.

Third, the war provides a weapon choice for folk Wushu.

Fourth, spears (guns), swords and knives were transferred to the people, and guns, swords and knives appeared.

In the second section, hundred schools of thought's theory in the Spring and Autumn Period and the Warring States Period laid the foundation for the traditional Wushu theory.

First, Lao Zi's rigid-flexible theory

Second, the strategist's situational theory

Third, the Confucian doctrine of the mean.

Fourth, the meridian theory of traditional Chinese medicine

Five, health care home breathing methods and guidance.

Social progress during the Spring and Autumn Period and the Warring States Period provided social space for the development of traditional Wushu.

First of all, the assassin

Second, the ranger.

The fourth quarter fencing was perfect in the Spring and Autumn Period and the Warring States Period.

First of all, the bronze sword fencing.

Second, the fencing of iron sword

The fourth volume Chinese sword culture

The first section sword

First, fencers Ou Yezi, Xue Zhu, Xiang Jian and Hu Feng.

Second, the changes of China's swords in past dynasties.

Section 2 fencing history

First, the first peak of fencing development-the Spring and Autumn Period and the Warring States Period

Second, the second peak of fencing development-Han Dynasty, Three Kingdoms and Wei and Jin Dynasties

Third, the third peak of fencing development-Tang and Song Dynasties

Fourthly, the development of fencing in Ming and Qing Dynasties.

Section 3 Artistic Sublimation of Sword

First, there are poems in the sword.

Second, there are books in the sword (calligraphy)

Third, there is a picture in the sword.

Fourth, sword dancing.

Verbs (short for verb) sing in dance.

The fifth volume China traditional marksmanship history.

Section 1 Development of Firearms

The second quarter, artillery and fireworks

First of all, guns are the king of all weapons.

Second, the battlefield and playground.

Section 3 Various marksmanship

A, Yang's marksmanship (marksmanship)

Second, Wu Hao marksmanship (Ming Emei marksmanship)

Iii. Li Jia's marksmanship (Eight Guns of the Duke of Huan in Qing Dynasty)

Fourth, Tai Chi marksmanship.

Volume VI History of Traditional Boxing in China (I)

The first section begins with the concept of boxing.

First, before the Tang Dynasty, I practiced sword instead of boxing.

Second, Li Shang is not boxing.

Thirdly, it took 4,000 years to form China Boxing.

Fourthly, the theoretical pillar of China's traditional boxing.

China traditional boxing.

Section II History of Shaolin Boxing School

Let's talk about crossing the river from Dharma to a reed first

Second, is there a Shaolin boxing school?

3. Who is the founder of Shaolin Boxing School?

Fourth, the inheritance of Shaolin Boxing School

Fifth, the theory of Shaolin boxing.

Six, Shaolin boxing basic boxing

Seven, thirty-two potential long fists

Eight, other important boxing

Examples of Shaolin Wushu

The sixth volume China traditional boxing history (in)

Section III History of Wu Tangmen Neijia Boxing

First, the ins and outs of Neijia Boxing Second, Zhang Sanfeng was a well-known legend in the late Yuan Dynasty and early Ming Dynasty.

Three, Huang Zongxi's Epitaph of Wang Zhengnan leads to two major schools of martial arts, namely, Chinese assignment, Shaolin and Wudang.

Fourth, the epoch-making significance of Wudang Neijia Boxing

Verb (abbreviation of verb) Characteristics of Wudang Neijia Boxing

Six, family boxing anecdotes

Seven, the worship of Zhang Sanfeng is the inevitable development of Wu Tangmen Wushu.

Volume VI History of Traditional Boxing in China (Part II)

The fourth section is the biography of Tai Chi.

First of all, we should define Tai Ji Chuan.

2. When did Tai Ji Chuan appear?

Thirdly, the classical position of Wang Zongyue's On Tai Ji Chuan.

Fourth, the origin of Tai Ji Chuan.

Five, Tai Ji Chuan's boxing ring.

Sixth, Tai Chi Chuan must find idols.

Seven, Wang Zongyue's On Tai Ji Chuan is a boxing theory.

Eight, Three and Seven Tai Ji Chuan Theory

Section 5 History of Xingyiquan

First, the modern inheritance of Xingyiquan

Second, the characteristics of Xingyiquan

Third, Xingyiquan theory.

Section 6 History of Bagua Palm

Section 7 History of Tongbi Boxing

First, the origin of Tongbi Boxing

2. Long fist, through arm fist and through back fist

Volume VII History of Traditional Knife in China

Section 1 Evolution of Knife Art

First of all, the knife

Second, the knife.

In the second quarter, the single knife method of Ming Dynasty

First of all, the Japanese knife method was introduced to China.

Second, Cheng Zongyou's choice of single knife method

The third quarter boxing portal rise, fencing into the portal.

First, Tai Chi Dao

Second, stop knife, shaped knife, Wuhou knife

Third, Miao Dao

Fourth, other knife methods

Five, swordsman

The eighth volume China traditional stick history.

The evolution of the first quarter stick method

Section 2 Shaolin Stick Technique

I Yu's Sword Sutra

Second, Cheng Zongyou's Interpretation of Shaolin Stick

In the third quarter, the modern stick method was replaced by flowers.

The ninth volume of traditional martial arts-return to nature

What is the realm of the gods?

The legend of the fairy in the second quarter

I. Ge Hong

Second, Lv Dongbin.

Third, Chen Tuan.

Fourth, Xu Xuanping

Verb (abbreviation of verb) Zhang Sanfeng

Conclusion: Long song is exhausted, and this art is endless.

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