Snow song
Author: (Qing)
One, two, three or four, five, six, seven, eight and ninety.
Thousands of pieces are always missing when they fly into plum blossoms.
Second, the appreciation of ancient poetry
The first two sentences of the poem are empty, while the last two sentences are real, creating a fresh artistic conception. The first three sentences seem ordinary, wandering in the trough, but the fourth sentence at the end, with the profound artistic conception of combining static and dynamic, pushes the whole poem from the trough to the peak at once.
Almost all poems are piled up with numbers, from one to ten to thousands to countless, but there is no suspicion of burdensome. Reading makes people feel as if they are in a vast world with heavy snow, but when they see a cold plum standing proudly in the snow, they shudder and spit it out. The snowflake melts into the plum blossom, and people also melt into it.
Extended data
Zheng Banqiao, who first arrived in Yangzhou, was penniless. When he stayed in Biefeng Temple in Jiao Shan, he met Ma Yueyan and Ma Yuelu by chance and forged a profound friendship. Then, on a snowy day, Zheng Banqiao braved the snowstorm to visit the two of them in Xiaolinglong Mountain Pavilion, and met a group of scholars who enjoyed the snow and recited poems. When they saw Zheng Banqiao wearing coarse clothes, they thought he didn't know how to write poetry, so they deliberately embarrassed him. I didn't know that Zheng Banqiao took his time and quietly sang the poem Snow.
Ode to Snow is a seven-character quatrain written by Zheng Banqiao, a poet in Qing Dynasty. This poem adopts the method of collecting first and then releasing, and depicts the beautiful scenery of snowflakes and white reeds very touching.
In Zheng Banqiao's works, inscribed poems are not only ideological and lyrical in content, but also more artistic and interesting in form. Painting and poetry can fully reflect the artistic interest of "painting and calligraphy are of the same origin" and "painting method is the same", while the traditional painter's inscription and postscript mostly focuses on the blank space of painting and plays a balance role with the picture. However, the inscription and postscript of "Eight Eccentrics in Yangzhou" has been divorced from the inscription and postscript of traditional Chinese painting and literati painting, especially the combination of Zheng Banqiao's calligraphy and painting.
Zheng Banqiao's poems are diverse, unconventional, eclectic, natural and interesting, which makes a good book fit the body and adds a lot of color to his paintings. The so-called decent style is conceived according to the truth of the picture and pays attention to the formal beauty of composition.
Baidu Encyclopedia-Yong Xue (works by Zheng Banqiao)